Melmoth the Wanderer


Charles Maturin - 1820
    In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

The Lost Stradivarius


John Meade Falkner - 1895
    While practicing in his rooms in Oxford, gifted violinist John Maltravers notices a strange phenomenon: whenever a certain air is played, a mysterious presence seems to enter. Unable to rationalize this away, Maltravers becomes increasingly unsettled, until he makes a startling discovery—tucked away in a hidden cupboard in his room is a priceless Stradivarius! Obsessed by his find, he becomes increasingly withdrawn from those around him, choosing instead to explore more sinister pursuits, little knowing the spell that this seemingly perfect violin is unleashing upon him. English poet and novelist J. Meade Falkner is best remembered for his novel, Moonfleet.

Nightmare Abbey


Thomas Love Peacock - 1818
    Among these guests are figures recognizable to Peacock's contemporaries, including characters based on Lord Byron and Samuel Taylor Coleridge. Mr. Glowry's son Scythrop (also modeled on a famous Romantic, Peacock's friend Percy Bysshe Shelley) locks himself up in a tower where he reads German tragedies and transcendental philosophy and develops a "passion for reforming the world." Disappointed in love, a sorrowful Scythrop decides the only thing to do is to commit suicide, but circumstances persuade him to instead follow his father in a love of misanthropy and Madeira. In addition to satire and comic romance, Nightmare Abbey presents a biting critique of the texts we view as central to British romanticism.