He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    In the events and musings recorded here we find the seeds of those themes that obsessed him throughout his career and imbued his classic novels The Immoralist and The Counterfeiters. Gide led a life of uncompromising self-scrutiny, and his literary works resembled moments of that life. With If It Die, Gide determined to relay without sentiment or embellishment the circumstances of his childhood and the birth of his philosophic wanderings, and in doing so to bring it all to light. Gide’s unapologetic account of his awakening homosexual desire and his portrait of Oscar Wilde and Lord Alfred Douglas as they indulged in debauchery in North Africa are thrilling in their frankness and alone make If It Die an essential companion to the work of a twentieth-century literary master.

    Awarded the Grand Prix for Literature by the Academie Francaise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion...it is a work of deep, subtle and singularly encompassing art." — New York Times Book Review (front page)

    While driving home exhausted, the boys are involved in a fatal car accident on a deserted road. Two of the boys are wearing seat belts; one goes through the windshield. The doctors declare him brain-dead shortly after arriving at the hospital, but his heart is still beating.The Heart takes place over the twenty-four hours surrounding the resulting heart transplant, as life is taken from a young man and given to a woman close to death. In gorgeous, ruminative prose, it examines the deepest feelings of everyone involved as they navigate decisions of life and death.As stylistically audacious as it is emotionally explosive, The Heart mesmerized readers in France, where it has been hailed as the breakthrough work of a new literary star. With the precision of a surgeon and the language of a poet, de Kerangal has made a major contribution to both medicine and literature with an epic tale of grief, hope, and survival.

    I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

    But his success is built on a lie—he isn’t the person he pretends to be.Growing up a poor Tunisian immigrant, crammed inside the walls of a grimy Paris apartment tower, Samir Tahar seemed destined for life as either a drug dealer or a delivery man—until he decided “he was going to cut through the bars of his social jail cell, even if he had to do it with his teeth.” At law school in Montpelier, France, he became fast friends with Jewish student Samuel Baron. The two were inseparable until the irresistible Nina, torn between the men, ultimately chose Samuel. Samir fled to America, where he assumed Samuel’s identity and background while his former friend remained stuck in a French suburb, a failed, neurotic writer seething at Samir’s overseas triumphs.Decades later, the three meet again in this dark, powerful story of a deeply tangled love triangle that becomes subsumed by the war on terror. Called “a masterful novel...unquestionably one of the season’s best” (Paris Match) and “a work of great magnitude” (Le Figaro), The Age of Reinvention is an intriguing tale about the wonderful possibilities and terrible costs of remaking oneself.

    A “master magician of the French novel” (The Washington Post), Echenoz captures the folly of the era as well as its genius, including Ravel’s personal life—sartorially and socially splendid—as well as his most successful compositions from 1927 to 1937.Illuminated by flashes of Echenoz’s characteristically sly humor, Ravel is a delightfully quirky portrait of a famous musician coping with the ups and downs of his illustrious career. It is also a beautifully written novel that’s a deeply touching farewell to a dignified and lonely man going reluctantly into the night.

    She was Rose Buckland, Lee's cousin by marriage.From the Paperback edition.

    It is sure to capture the hearts of book lovers everywhere. Guylain Vignolles lives on the edge of existence. Working at a job he hates, he has but one pleasure in life ...Sitting on the 6.27 train each day, Guylain reads aloud. And it's this release of words into the world that starts our hero on a journey that will finally bring meaning into his life. For one morning, Guylain discovers the diary of a lonely young woman: Julie. A woman who feels as lost in the world as he does. As he reads from these pages to a rapt audience, Guylain finds himself falling hopelessly in love with their enchanting author ...The Reader on the 6.27 is a tale bursting with larger-than-life characters, each of whom touches Guylain's life for the better. This captivating novel is a warm, funny fable about literature's power to uplift even the most downtrodden of lives. 'The humanity of the characters ...the re-enchantment of everyday life, the power of words and literature, tenderness and humour ...

    It has been named the best science book ever by the Royal Institution of Great Britain, and is considered to be Levi's crowning achievement.

    And the world is changed..." One of the judges who awarded him the 2011 Man Booker Prize described him as "an unparalleled magus of the heart." This book confirms that opinion.

    The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience.A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    Her death was the culmination of a brief, brilliant life lived in the shadow of clinical depression—a condition exacerbated by her tempestuous relationship with mercurial poet Ted Hughes. The ensuing years saw Plath rise to martyr status while Hughes was cast as the cause of her suicide, his infidelity at the heart of her demise.For decades, Hughes never bore witness to the truth of their marriage—one buried beneath a mudslide of apocryphal stories, gossip, sensationalism, and myth. Until now.In this mesmerizing fictional work, Connie Palmen tells his side of the story, previously untold, delivered in Ted Hughes’s own uncompromising voice. A brutal and lyrical confessional, Your Story, My Story paints an indelible picture of their seven-year relationship—the soaring highs and profound lows of star-crossed soul mates bedeviled by their personal demons. It will forever change the way we think about these two literary icons.