The novel follows the adventures of Jack Levitt, an orphaned teenager living off his wits in the fleabag hotels and seedy pool halls of Portland, Oregon. Jack befriends Billy Lancing, a young black runaway and pool hustler extraordinaire. A heist gone wrong gets Jack sent to reform school, from which he emerges embittered by abuse and solitary confinement. In the meantime Billy has joined the middle class: married, fathered a son, acquired a business and a mistress. But neither Jack nor Billy can escape their troubled pasts, and they will meet again in San Quentin before their strange double drama comes to a violent and revelatory end.

    Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.

    Her loving parents, both fervent radicals, fill her with the fiercely bright hope of a new and better world. But as the deprivations of war and depression take a ruthless toll, Davita unexpectedly turns to the Jewish faith that her mother had long ago abandoned, finding there both a solace for her questioning inner pain and a test of her budding spirit of independence.From the Paperback edition.

    Winner of the Man Booker Prize for Fiction 2011 Flaubert's Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality

    One day, after winning some money from a bet, he goes back to the village where he grew up, to fish for carp in a pool he remembers from thirty years before. The pool, alas, is gone, the village has changed beyond recognition, and the principal event of his holiday is an accidental bombing by the RAF.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    Yet World War I and the changes that follow seem to mock the emotions and experiences of her youth.

    The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

    Set in the bleak Fen Country of East Anglia, and spanning some 240 years in the lives of its haunted narrator and his ancestors, Waterland is a book that takes in eels and incest, ale-making and madness, the heartless sweep of history and a family romance as tormented as any in Greek tragedy.

    It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already -- in the years between the wars -- welcoming death in through the door, though more with a wink than a whimper.~from the back cover

    Unfolding over four tumultuous weeks in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia Bloch and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the meaning of home - and the fundamental question of how much aliveness one can bear. Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers loved in his earlier work, Here I Am is Foer's most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer's stature as a dazzling literary talent but reveals a novelist who has fully come into his own as one of our most important writers.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.