To erase her past, Katherine has moved to a new city, enrolled in a new school, and even changed her name. She’s done the next best thing to disappearing altogether. Now, wary and alone, she seeks nothing more than anonymity. What she finds instead is the last thing she expected: a friend.Even more unlikely, Katherine’s new friend is the most popular and magnetic girl in school. Extroverted, gorgeous, flirtatious, and unpredictable, she is everything that Katherine is not and doesn’t want to be: the center of attention. Yet Alice’s enthusiasm is infectious, her candor sometimes unsettling, and Katherine, in spite of her guarded caution, finds herself drawn into Alice’s private circle. But Alice has secrets, too—darker than anyone can begin to imagine. And when she lets her guard down at last, Katherine discovers the darkest of them all. For there will be no escaping the past for Katherine Patterson—only a descent into a trap far more sinister . . . and infinitely more seductive.

    Winning scholarships. Heading to uni. Travelling the world. Everyone except Milo Dark. Milo feels his life is stuck on pause. His girlfriend is 200km away, his mates have bailed for bigger things and he is convinced he's missed the memo reminding him to plan the rest of his life. Then Layla Montgomery barrels back into his world after five years without so much as a text message. As kids, Milo and Layla were family friends who shared everything - hiding out in her tree house, secrets made at midnight, and sunny afternoons at the river. But they haven't spoken since her mum's funeral. Layla's fallen apart since that day. She pushed away her dad, dropped out of school and recently followed her on-again-off-again boyfriend back to town because she has nowhere else to go. Not that she's letting on how tough things have been. What begins as innocent banter between Milo and Layla soon draws them into a tangled mess with a guarantee that someone will get hurt. While it's a summer they'll never forget, is it one they want to remember? A boy-meets-girl-again story from the award-winning author of The Intern and Faking It.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    Five months, two weeks and four days . . . She can't wait to leave the town where she's known only as ‘Black'. Because of her name, of course. But for another reason, too. Everyone says Black Marshall is cursed. Three of her best friends have died in tragic accidents. After Oscar, the whispers started. Now she's used to being on her own. It's easier that way. But when her date for the formal ends up in intensive care, something in quiet little Dainsfield starts to stir. Old secrets are revealed and terrifying new dangers emerge. If only Black could put all the pieces together, she could work out who her real enemies are. Should she run for her life, or stay and fight?

    His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    Then the gap will close and I will pass her. I will get older. But Katie will always be fifteen, eleven months and twenty-one days old.Hannah's world is in pieces and she doesn't need the school counsellor to tell her she has deep-seated psychological issues. With a seriously depressed mum, an injured dad and a dead sister, who wouldn't have problems?Hannah should feel terrible but for the first time in ages, she feels a glimmer of hope and isn't afraid anymore. Is it because the elusive Josh is taking an interest in her? Or does it run deeper than that?In a family torn apart by grief and guilt, one girl's struggle to come to terms with years of torment shows just how long old wounds can take to heal.

    Surfing is the one thing she loves doing... and the only thing that helps her stop thinking about what happened two years ago at schoolies week.And then Carly meets Ryan, a local at the break, fresh out of jail. When Ryan learns the truth, Carly has to decide. Will she let the past bury her? Or can she let go of her anger and shame, and find the courage to be happy?

    She loves living behind the bakery, and waking up in a cloud of sugar and cinnamon. She loves drawing comics and watching bad TV with her friends.The only problem is she’s overlooked a few teeny details:Like, the guy she thought long gone has unexpectedly reappeared.And the boy who has been her best friend since forever has suddenly gone off the rails. And even her latest comic-book creation is misbehaving.Also, the world might be ending – which is proving to be awkward.As Doomsday enthusiasts flock to idyllic Eden Valley, Alba’s life is thrown into chaos. Whatever happens next, it’s the end of the world as she knows it. But when it comes to figuring out her heart, Armageddon might turn out to be the least of her problems.

    Our fears pick us.Tash Carmody has been traumatised since childhood, when she witnessed her gruesome imaginary friend Sparrow lure young Mallory Fisher away from a carnival. At the time nobody believed Tash, and she has since come to accept that Sparrow wasn’t real. Now fifteen and mute, Mallory’s never spoken about the week she went missing. As disturbing memories resurface, Tash starts to see Sparrow again. And she realises Mallory is the key to unlocking the truth about a dark secret connecting them. Does Sparrow exist after all? Or is Tash more dangerous to others than she thinks?

    Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her.The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all.

    Now Sam's trying to build a new life for them. He survives by breaking into empty houses when their owners are away, until one day he's caught out when a family returns home. To his amazement this large, chaotic family takes him under their wing - each teenager assuming Sam is a friend of another sibling. Sam finds himself inextricably caught up in their life, and falling for the beautiful Moxie. But Sam has a secret, and his past is about to catch up with him.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    She was in the local swimming club, and loved it; she lived with her parents and her brother, Cam, in the small coastal town she'd known all her life. She had friends, she had goals - she had a life. Now Cam is dead, her parents might as well be - and Lucy can't bear to get back in the pool. All she has to look forward to now is a big pile of going-nowhere.Drawn to Steffi, her wild ex-best-friend who reminds Lucy of her mysterious, unpredictable brother, and music-obsessed Evan, the new boy in town, Lucy starts asking questions. Why did Cam die? Was it an accident or suicide? But as Lucy hunts for answers she discovers much more than she expects. About Cam. About her family. About herself.

    When they meet they find the tender beginnings of love and healing. Alice is fifteen, with hair as red as fire and skin as pale as bone, but something inside her is broken. She has acquired brain injury, the result of an assault, and her words come out slow and slurred. But when she writes, heartwords fly from her pen. She writes poems to express the words she can't say and leaves them in unexpected places around the town. Manny was once a child soldier. He is sixteen and has lost all his family. He appears to be adapting to his new life in this country, where there is comfort and safety, but at night he runs, barefoot, to escape the memory of his past. When he first sees Alice, she is sitting on the rusty roof of her river-house, looking like a carving on an old-fashioned ship sailing through the stars.

    Nor does she expect to become fast friends with beautiful, vivacious Pearl Kelly, organizer of the high school float at the annual Harvest Festival parade. It's better not to get too attached when Rose and her father live on the road, driving their caravan from one place to the next whenever her dad gets itchy feet. But Rose can't resist the mysterious charms of the town or the popular girl, try as she might.Pearl convinces Rose to visit Edie Baker, once a renowned dressmaker, now a rumored witch. Together Rose and Edie hand-stitch an unforgettable dress of midnight blue for Rose to wear at the Harvest Festival—a dress that will have long-lasting consequences on life in Leonora, a dress that will seal the fate of one of the girls. Karen Foxlee's breathtaking novel weaves friendship, magic, and a murder mystery into something moving, real, and distinctly original.