A ghost cat tells three children, the latest inhabitants of an old house, all about the people who passed through and the events which took place in the house during her previous eight lives.

    There the enveloping moss & branches, the moving, metamorphosizing leaves & undergrowth are all part of one gigantic sentient Plant which has also provided, for the surviving Thurgood, a lush earth-like orchard & an orchestra tree programmed to play his favorite (now 70-year-old) tunes. The Plant will pamper them until, like the Odyssey's lotus-eaters, they'll relinquish all thoughts of escape. Marty's fight against euphoria, which involves arousing the lethargic, Plant-worshipping Thurgood, is quickly told--more quickly than the Lunarians-at-school episode at the beginning.

    She's always getting her spells wrong and she can't even ride a broomstick without crashing it. Will she ever make a real witch?

    The kids work even during playtime, and are neat and behave well but what is the secret of the Headmaster's control over them, and why are they afraid?

    When she discovers a little broomstick shortly afterwards, she is astonished to feel it jump in to action. Before she can gather her wits, it is whisking her over the treetops, above the clouds, and in to the grounds of Endor College, where: 'All Examinations Coached for by A Competent Staff of Fully-Qualified Witches.' Here she discovers evidence of a terrible experiment in transformation - deformed and mutant animals imprisoned in cages. In the moment after her broomstick takes off, she realises that Tib has been captured. Returning to the College the following day, she manages to free the animals, but not before the Head of the college, Miss Mumblechook, and her colleague, Doctor Dee, have seen her. Mary manages to flee... but the evil pair are in hot pursuit!

    But she allows young Thorn to join her in the search for the evil witch Civet--and the quest to restore her dragon clan's lost home.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    Nobody wants Tulip in their gang. She bunks off school, is rude to the teachers and makes herself unpopular with her classmates by telling awful lies. But none of this matters to Natalie who finds Tulip's behaviour exciting and dangerous. At first she doesn't care that other people are upset by Tulip's bizarre games but as the games become increasingly dangerous and sinister, Natalie realises that Tulip is going too far. Way too far... Tulip becomes even more destructive and after a row with Natalie she commits a terrible crime.This is a compelling story in which Anne Fine explores the dark side of a friendship bordering on obsession, and sensitively depicts one girl's gradual decline into hostility and violence.

    To escape the wrath of the king and his wicked soothsayers, an honest young man joins forces with a poet-turned-jackass and a young girl with mystical powers as they embark on a series of epic adventures through the land of Arkadia.

    

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    Distraught over her parents' separation, Abigail follows a strange child called Beatie Bow and time slips back a hundred years where she becomes involved with an Australian shopkeeper's family.

    Countless taboos are shattered when Elsha, an idealistic and rebellious Quelled girl, is chosen to be handmaid to the Firelord—the man revered by those calling themselves the Chosen. Traveling in the privileged class, Elsha encounters ugly, unthinking prejudice; she also meets a few relatively enlightened Chosen men, who cannot help falling in love with the feisty maid. Spurred on by a hatred of injustice, Elsha battles against sexism, improves life for the Quelled, and even (it seems) hastens the return of the sun to her world.

    Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?

    Eva's great desire is to go aboveground, and her wish comes true, though not as she had imagined. On the surface, Eva goes in search of other humans--she has never met one--and soon meets both friend and foe.