Stories deal with dreams, a woman who accidently injures her son, sheep herders, whales, violence, and family life.

    In a right-wing coup one man, Volkner, has seized power in New Zealand and is using army and special police to maintain his government. Smith's Dream forces us to imagine such a situation and to ask ourselves: Where would you stand? How far would you go?

    The rare bird's tragic extinction in the early 1900s represents a shot to the heart of Aotearoa and is a potent metaphor for a country's conflicted history. Using the story of the untimely extinction of the huia, Jay Ruka offers a fresh perspective on the narrative of Aotearoa; a tale of two cultures, warring worldviews, and the things we lost in translation. Revisiting the early missionaries, the transformative message of the gospel and the cultural missteps of the Treaty of Waitangi, Huia Come Home invites us to reconnect with the unique story offered by the indigenous Maori lens. In relearning the history that lies in the soil of Aotearoa, we might just find a shared hope for the future and a recovery of national treasures once thought to be extinct.

    His attempts to understand the turn his life has taken lead him back to the past, to dismaying events on an Amsterdam houseboat in the seventies; returning to New Zealand and meeting Moira, an amateur painter who carried secrets of her own; and to a trip to Europe years later with his family. An unexpected revelation forces Peter to navigate anew his roles as a husband, father, and son. Set in Wellington after the fall of the Twin Towers, and traversing London, Europe, and the Indian subcontinent, The New Ships is a mesmerizing book of blood-ties that stretch across borders. A novel of acute moral choices, it is a rich and compelling meditation on what it means to act, or to fail to act.

    'Writers take what we learn of human nature and, fuelled by our longings for other existences and other times, forge new identities that can be as real as she is, sitting with her dog on the weathered step of the old house, stories that move us to tears or laughter.' Merle Carbury, an author in her own right, also teaches Creative Writing. Amid the tension of the final semester of the year, her many and varied students prepare to submit their manuscripts. As Merle mentors their assorted ambitions, observes the romantic entanglements of her colleague, worries about her husband and is intrigued by their mysterious German lodger, she both imparts and embodies how to write a novel. Written by a prize-winning author, who is also an experienced teacher, the overarching intelligence, compassion and wicked humour in this inventive book make it a joy to read.

    And then there was the question of Simon Lampton.' Roza Hallwright leads a quiet, orderly life, working at her publishing job each day, returning home to the large, comfortable house she shares with her politician husband David and her two stepchildren. But this peaceful existence is about to be changed forever. In the next few months there will be an election, and, if the polls are correct, Roza will become the Prime Minister's wife. She has faced the prospect with relative calm, but a chance encounter with party donor Simon Lampton sparks a chain of consequences that will bring turmoil to both their lives. Award-winning writer Charlotte Grimshaw has turned her unflinching eye on contemporary New Zealand society in this intricate and elegant novel. Sharp, moving, brimming with insight and observation, The Night Book is at once a meditation on power and politics, and an intensely humane look at the choices people make as they struggle, against the odds, to maintain love and integrity in their lives.

    It is the haunting tale of a young boy growing up in a catholic household, seeing things he shouldn't and struggling to cope. The book appears to be domestic in scope and provincial in vision, but by the end of the novel, the reader has encountered murder, and witnessed the warping of a promising mind and the destruction of a family. In this deceptively modest masterpiece, the cruelty beneath society's surface is revealed, all the more devastingly so through the ordinariness of the location.

    Every Pākehā becomes a Pākehā in their own way, finding her or his own meaning for that Maori word. This is the story of what it means to me. I have written this book for Pākehā - and other New Zealanders - curious about their sense of identity and about the ambivalences we Pākehā often experience in our relationships with Maori. A timely and perceptive memoir from award-winning author and academic Alison Jones. As questions of identity come to the fore once more in New Zealand, this frank and humane account of a life spent traversing Pākehā and Maori worlds offers important insights into our shared life on these islands.

    One City. Three Oddballs. Stephen's dead father is threatening to destroy the world. If Stephen commits the ultimate sacrifice and throws himself into the harbour, he will save humanity. The last thing he needs is a Jehovah's witness masquerading as a school boy and an admission to a mental health facility. Jaanvi steals a life-like doll called James and cares for him as if he were her dead child. Her husband demands she return him. But she and James have already bonded, and it's nobody's business how she decides to grieve. Lucas, pharmacist and all-round nice guy, is having one of the worst weeks of his life. His employees forgot his birthday, his mother's gone manic, and now his favourite customer is in hospital because of a medication error he made. Can he make things right? Or is life all downhill after forty?

    Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

    When one of Daphne's sisters dies, a crisis is provoked that leads Daphne to a mental asylum where she receives shock treatment. Her voice from "the Dead Room" haunts the novel with its poetic insights.

    First published om 1972, it was immediately endorsed by Maori and Pakeha alike for its original stories that showed how important Maori identity is for all New Zealanders. As Katherine Mansfield did in her first collection In a German Pension (1911), and Janet Frame in The Lagoon (1951), Witi Ihimaera explores in Pounamu Pounamu what it is like to be a New Zealander - but from a Maori perspective. The seeds of Ihimaera's later works are first introduced in this ground-breaking collection- The Whale Rider in his story 'The Whale', The Rope of Man in 'Tangi', and the character of Simeon form Bulibasha, King of the Gypsies in 'One Summer Morning'; and the themes of aroha (love), whanaungatanga (kinship) and manaakitanga (supporting each other), which are so intergral to Ihimaera's work.

    The sight of a spam ad for ‘lonely Asian women looking for fun’ becomes a moment of profound realisation that she, too, is but a lonely Asian woman looking for fun. Paula's new outlook leads her to shoplift a cheesecake-laden supermarket trolley. The trolley contains an unexpected attachment. Lonely Asian Woman is not the story of a young woman coming to her responsibilities in the world. Instead, Lam defies the expected and leads the reader and her characters to a deft climax against the grain of the titular lonely Asian woman.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"

    Set against the rugged beauty of the New Zealand back country, this is the tale of a young man's introduction to the art of deer culling and follows the exploits of a good keen man as he learns the skills necessary to become a good bushman.