On the day of Rebecca Poulson’s 33rd birthday, her father, niece and nephew were murdered. The murderer had been part of her family; her brother-in-law, Neung, the father of the children. Killing Love is Rebecca’s journey through homicide; grief, the police investigations, the media interest, the court cases, the moments of great despair – and the healing. It is a story of individual tragedy and a family’s strength, but it is also a story of a community’s attitude to family violence. As a reluctant warrior for those who cannot speak for themselves, Rebecca talked to the NSW State Premier and politicians, on multiple TV shows and to print journalists in the hope that the mistakes made by the police force, DOCS, the legal system and solicitors will never be made again. Rebecca’s contact with policy makers has been nothing short of history-making, and her story has directly influenced domestic violence laws in the state. Neung left a note for Rebecca’s family; he hoped that he would destroy them. This is the story of how he didn’t.

    What it contained - and why - would prove to be explosive.The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis.Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

    But when the cab arrived, she'd already gone.Sarah was never seen again.Four months later, on June 9, 1996, 23-year-old Jane Rimmer disappeared from the same area, her body later found in bushland south of Perth. When the body of a third young woman, 27-year-old Ciara Glennon, was found north of the city, having vanished from Claremont in August 1997, it was clear a serial killer was on the loose, and an entire city lived in fear he would strike again.A massive manhunt focused first on taxi drivers, then the outspoken local mayor and a quiet public servant. However, almost 20 years later, Australia's longest and most expensive investigation had failed to make an arrest, until forensic evidence linked the murders to two previous attacks - and an unlikely suspect.Stalking Claremont, by local newsman Bret Christian, is a riveting story of promising young lives cut short, a city in panic, an investigation fraught by oversights and red herrings, and a surprising twist that absolutely no one saw coming.

    Two bodies buried in a suburban backyard. A further two found in the bush. Such was the findings of one of South Australia's most horrific murder trials.Informed by material never seen before - an interview with Bunting's last lover Elizabeth Harvey, and with the Crown's key eye-witness James Vlassakis and with details of the torture and crimes not previously released - this is a tensely woven and microscopic examination of tawdry lives and tragic deaths.Four men who tortured and killed for fun, for power. Four men who kept each other's dark secrets for years. By the time the police investigation concluded, the story had invited comparison with the nightmare of Rosemary and Fred West, the British House of Horrors. Details of what the killers did to their victims before and after their deaths were deemed so depraved that suppression orders were in place throughout the trial. But the killers were not insane. They made deliberate choices to kill and lived in a culture of complete anarchy, sadistic violence, deviance and chaos.Journalist and author Debi Marshall explores the killers' psychopathic makeup in minute and harrowing detail. She charts the victims' exposure to generational paedophilia, incest, unemployment and hopelessness. Marshall covers the exhaustive trials and interviews the lawyers who ran them. Through interviews, she captures the voices of the victim's families and examines the police and forensic investigation and then wades into the social structure that spawned the people in this story.This book was used as a primary source for the acclaimed Australian feature film, Snowtown.

    A passionate and urgently needed call to arms, Fight Like A Girl insists on our right to be angry, to be heard and to fight. It'll change lives.' Emily Maguire, author of An Isolated IncidentA friend recently told me that the things I write are powerful for her because they have the effect of making her feel angry instead of just empty. I want to do this for all women and young girls - to take the emptiness and numbness they feel about being a girl in this world and turn it into rage and power. I want to teach all of them how to FIGHT LIKE A GIRL. Clementine FordOnline sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere, Clementine Ford is a beacon of hope and inspiration to thousands of Australian women and girls. Her incendiary debut Fight Like A Girl is an essential manifesto for feminists new, old and soon-to-be, and exposes just how unequal the world continues to be for women. Crucially, it is a call to arms for all women to rediscover the fury that has been suppressed by a society that still considers feminism a threat.Fight Like A Girl will make you laugh, cry and scream. But above all it will make you demand and fight for a world in which women have real equality and not merely the illusion of it.

    Nor that the order would come from a Point Piper millionaire. Kate McClymont is Australia’s best-known investigative journalist. Kate and McGurk received intel that he was going to be ‘hit’. Before the two could meet, McGurk was murdered. Kate and her family also received death threats and were moved to a hotel for a few days.This story involves bumbling criminals, turncoats, snitches, miniature korans, developers, wealthy people brought down, and devastated families. It unpacks the structures of our major cities and asks some big big questions.Multiple Walkley-winner Kate tells it with pace and character and her insider status.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    Along the way readers will also be introduced to new forensic techniques and scientific methods that could - or did - help move the case forward.Cold Case Investigations covers mostly murders or suspected murders - such as Ashley Coulston, Mr Cruel and Ivan Milat - with the victims as the focus. Not only because, criminologically speaking, the more you can learn about your victim the more you can extrapolate about the person who killed or abducted them, but also because they deserve their stories to be told. They deserve for people to know their names. They shouldn't just be someone's victim.

    One sunny Saturday afternoon, 12-year-old Mena Griffiths was playing in the park when she was lured away by an unknown man. Hours later, her strangled body was found, mouth gagged and hands crossed over her chest, in an abandoned house. Only months later, another girl was murdered; the similarities between the cases undeniable. Crime in Melbourne had taken a shocking new turn: this was the work of a serial killer, a homicidal maniac.Despite their best efforts, police had no experience dealing with this kind of criminal. What followed was years of bungled investigations, falsely accused men - and the tragic deaths of two more girls - before the murderer was finally caught and brought to justice.With all the pace of a thriller, Katherine Kovacic recounts this extraordinary, chilling true story - of failed police enquiries, a killer with a Jekyll and Hyde personality, and the families shattered when four innocent lives were cruelly taken.

    Monty fell hard for her and, despite strong family opposition on both sides, they would marry.Valerie was keen to have a large brood and, though her pregnancies were difficult, she gave birth to four children. But they were not enough and in 1947 she adopted the first of three more children who were designated to be playmates for her own. It was a social experiment that would end in tears, as would the fortunes of the iconic company, destroyed by the glue that once bound it together - family.Rocky Road is the story of this chocaholic clan and the creative and eccentric woman who dominated it. Behind the irresistible sweetness of Darrell Lea lay a family who made bitter sacrifices to succeed in the candy business.

    An elaborately staged fake crime gang, run by a ‘Mr Big’, that lured Brett Cowan in with the promise of a hefty payout. It was the stuff of a TV crime series rather than an Australian police operation. The Sting reveals extraordinary new detail and a shocking insight into one of the country's most evil killers, and the operation that brought him down.Go behind the scenes in one of Australia’s most sensational undercover busts, including never-before-heard detail of the covert investigation, including how Cowan was slowly brainwashed into believing ‘Mr Big’.Read what Cowan’s family think of their black sheep.

    When Stephanie Wood meets a sweet man who owns a farm and property, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man?When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered at the hands of liars, cheats, narcissists, fantasists and phonies, men who are enormously skilled at deception.In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides.

    For veteran detective Ron Iddles, it was his very first homicide case — the 1980 murder of single mother Maria James in the back of her Melbourne bookshop. He never managed to solve it, and it still grates like hell.Maria’s two sons, Mark and Adam, have lived in a holding pattern longer than Rachael Brown has been alive. When the investigative journalist learned that a crucial witness’s evidence had never seen daylight, the case would start to consume her — just as it had the detective nearly four decades prior — so she asked for his blessing, and that of the James brothers, to review Maria's case.In her exhaustive and exhausting 16-month investigation for the ABC podcast Trace, Rachael reviewed initial suspects, found one of her own, and uncovered devastating revelations about a forensic bungle and possible conspiracies that have inspired the coroner to consider holding a new inquest.This is a mesmerising account, as Rachael traces back through her investigation — one that blew the dust off a 38-year-old cold case, gave a voice to the forgotten and the abused, and could have serious implications for two of the state’s most powerful institutions.

    . . An Unbelievable True StoryOnce upon a time in Melbourne there was a gigolo who thought he was a vampire. He bit the tongue off a prostitute and was then murdered in broad daylight on a suburban street. His execution, top brass believed, was organised by police. The aftershocks of this killing—and the murder of a state witness and his wife inside their fortresshome—rocked the police force and the Parliament, vanquished one government and brought the next to its knees.This is the story of police corruption for years swept under the carpet to avoid a Royal Commission. It is the story of a police force politicised to the point of paralysis and a witness protection program that buries its mistakes. It involves a policeman still free and living in a very big house, a drug baron who survived the gangland war only to be murdered in the state's most secure jail, and battles royale within a police force comprised of thousands of pistol-packing members.This is the story of Melbourne around the first decade of the new millennium: its lawmen, villains and politicians. It is a bizarre, tawdry, unbelievable tale. But every word of it happened.

    Daesh has a thoroughfare to the sea and China is Australia's newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.