Phileas Fogg of London and his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

    This guide introduces and sets in context, the range of critical arguments that have been generated by this work.

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.

    In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the means of expression that made us--and continues to make us--who we are. In Latin, the rigorous and inventive thinker Lucretius examined the nature of our world; the poet Propertius told of love and emotion in a dizzying variety of registers; Caesar affirmed man's capacity to shape reality through reason; Virgil composed the Aeneid, without which we'd see all of Western history in a different light.In Long Live Latin, Gardini shares his deep love for the language--enriched by his tireless intellectual curiosity--and warmly encourages us to engage with a civilization that has never ceased to exist, because it's here with us now, whether we know it or not. Thanks to his careful guidance, even without a single lick of Latin grammar readers can discover how this language is still capable of restoring our sense of identity, with a power that only useless things can miraculously express.

     Marcus Aurelius wrote the 12 books of the Meditations as a source for his own guidance and self-improvement. These books have been carefully adapted into a contemporary form to allow for easy reading.

    We shall continue to have Wars; and some day the world is going to have a war to which the present Will serve only as a try-out. When that war comes our country will prob ably have to bear the burden for the western hemisphere. In that war our navy will be our first line of defense; and what we do for our navy now will have much to do with what our navy will be able to do for us then.

    But Chief Inspector Pointer has his doubts. Why, for instance, would the dead man choose to expire in the rather inconvenient confines of a piece of furniture? And who was the dead man, anyway? Soon these and other questions lead Pointer onto the trail of a completely different crime. Written by an author whose identity is as great a mystery as his/her novels. The Eames-Erskine Case is the first of nearly two dozen mysteries from the 1920’s and 1930’s to feature Chief Inspector Pointer.

    All for the chance to get back at a handful of people. It isn’t as if they didn’t deserve it either. They had driven him from his home. Chased him physically from the very guild house itself. All the way to the gates of the city. Simply because he wasn’t as strong as they expected him to be. As strong as he’d expected himself to be. He’d returned to the city the next day and left with his means for revenge. Something he’d hidden away and told no one about when he found it in one of his few Dungeon Dives. An inactive Dungeon Core. A crystal the size of a fist with a soul inside. One that could create anything from mana it wanted to. From monsters and complex cave systems to gold coins. Years spent in planning, and unfortunately farming, as he waited. Now it felt like his moment was finally here. The Dungeon Core had been acting strange lately. As if it were finally… coming to life. Watching over the crystal like a hawk for this very event, Ryker impatiently waits. Any day now, it'd start. And he could set about taking his vengeance. Starting with ripping the soul of the Dungeon out. Warning and minor spoiler: This novel contains graphic violence, undefined relationships/harem, unconventional opinions/beliefs, forced political marriage (and consummation), and a hero who is as tactful as a dog at a cat show. Read at your own risk. (Product Page for Book 1: https://www.amazon.com/gp/product/B07... Page for Book 2: https://www.amazon.com/gp/product/B07... Page for Book 3: https://www.amazon.com/Dungeon-Depose...)

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    But for the new believer, these things can be difficult and confusing. To resolve this difficulty, I created The Story Bible. The idea was to remove from the text those things that are complicated and/or confusing for the new believer, or for anyone who is new to Bible reading. For example, the books of First and Second Chronicles contain some great stories. But they include so many numbers and lists that the narratives get lost in the shuffle. So in The Story Bible I simply removed the lists, while leaving the stories to be read and enjoyed. Another example is the book of Numbers, which also contains some fascinating stories. But the stories are interspersed with descriptions of sanctuary rituals and census data that can become boring or confusing to the new believer. So again, I simply removed the sanctuary ritual descriptions and the census data while leaving the stories in place to be enjoyed without frustration. What I have produced is a Bible that can be read by a new believer from cover to cover without getting stuck.After serving as a Christian pastor for many years, I not only recognize the problem of new believers getting stuck in genealogies, sanctuary rituals, etc., but I also recognize that what new believers need most is familiarity with Bible stories. The Bible narratives form the backbone for everything else in scripture. Prophecy, sanctuary rituals, pastoral letters, genealogies, and even census data find their place once the new believer becomes familiar with the stories.Keep in mind that I have not edited the narratives themselves. Every word of The Story Bible is from the text itself. I have only removed that which is not narrative, so that the narratives are no longer obscured and can more easily be enjoyed. Another way to put it is to say that The Story Bible is a compilation of all the stories of Scripture. Every portion of the Bible that is narrative was included. I did not edit, condense, or rewrite the narratives. I only compiled them.The translation I used for this project is the Bible in Basic English. It was translated by Professor Samuel Henry Hooke (1874-1968), an English scholar and Professor Emeritus of Old Testament Studies in the University of London. The BBE was printed in 1965 by Cambridge Press in England. Published without any copyright notice and distributed in America, this work fell immediately and irretrievably into the public domain in the United States. The BBE is easy to read, since it utilizes a 1000 word vocabulary. My hope is that new believers will be drawn in by the Bible stories and discover how relevant and practical the Bible is for us today.

    Though abridged, the book maintains the drama and continuity of the original novel and is heavily illustrated with more than 200 original photographs and more than 150 paintings, drawings, engravings and artifacts. The selection of art represents some of the most important 19th-century marine painters and American fine art collections. Many images are drawn from logbooks, journals and scrimshaw belonging to mid-19th century whaler-artists. Rare photographs depict the port of New Bedford, whaling ships, life at sea, whaling methods, and items involved inthe business of whaling, which Melville researched and described in full detail. The pictures in "Moby Dick: A Picture Voyage" are accompanied by short captions and compendia that feature quotes from the novel, information about the artwork, reflections of Melville's real-life whaling experiences, and biographical anecdotes. The majority of images chosen for the book were obtained from the New Bedford Whaling Museum and the museum's new Kendall Institute, the largest repository of whaling prints and artifacts in the world. Images were also obtained from private collections, rare books, old films and libraries. "Moby-Dick: A Picture Voyage" will be the first version of the American classic to give readers a colorful look inside the real world of whaling as it was so eloquently described in Melville's own words. Noted Melville historian Laurie Robertson-Lorant, author of Melville: A Biography, has written the Introduction to the book. Editorial consultants include staff and curators at the New Bedford Whaling Museum and Kendall Institute.

    Through a series of lessons and adventures the imaginative, spunky redheaded orphan who longs for a real family, friends, and a place to call home soon captures the hearts of the Cuthberts and all those around her in the small town of Avonlea. The original books have delighted millions and now younger readers can treasure this illustrated official movie adaptation based on the classic film by Kevin Sullivan.

    A. Maxwell Whyte in this revealing exploration of the blessings to be found in Christ’s blood. As you delve deep into this newly revised and expanded version of Whyte’s classic best seller, you will find out how to…Experience God’s complete forgivenessBecome spiritually empowered, equipped, and energizedBreak the terrifying grip of fear and tormentCreate an atmosphere for miraclesDefeat oppression, addictions, and sickness Astounding results can take place in your life once you learn the value of this vital yet little-wielded weapon in the believer’s arsenal and how God wants us to use it in coping with life’s difficult situations. Discover the wonder-working power of the blood for yourself!