Her first return to novel writing has resulted in an unrestrained picture of grief that feels at times, uncomfortably intimate ... this is not a book for the fragile (Melissa Katsoulis, Times Sat. 25 April 2009).

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    Doctors have told her mother that, after fourteen pregnancies, she is too frail to survive another, but they will do nothing more. Beth is determined to help, but, in 1920, birth control is a taboo subject, and her quest for knowledge is thwarted at every turn. Meanwhile Beth has fallen for Andrew Langford, a hospital lab technician, who she hopes will take her away from the tenements for good. But will Beth ever find the love and happiness that she deserves?

    Severely depressed, he tried everything - from mindfulness to massage; Prozac to Pilates. Was something missing?This Is Not How It Ends chronicles Jehan's four-year battle with depression, and how the power of storytelling helped him to survive. He argues that many of us think our brains are broken, but in fact, our stories are broken.Jehan began an experiment on himself. Could he rewrite his past? Could he reinvent his character? Could he create a whole new plot?This gritty, vulnerable book will challenge readers' understanding of mental distress, and give them the tools to reshape their own life stories.

    Off the coast of Kapiti, English trader John Stewart seeks to trade with Te Rauparaha, setting off a train of events that forever change the course of New Zealand history.Narrated by two English sailors on board Stewart's ship, these events are also eerily resonant of a more distant memory, stretching back into mythology, of the charismatic leader Wulf and an ancient lament. History, it seems, may be repeating itself.Wulf, Hamish Clayton's inventive, brilliant first novel, explores a subject little covered in New Zealand fiction, and marks the emergence of a startlingly assured, exciting new voice.

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    She visited China for the first time in 1987 and found it just as her mother had said: "As soon as my feet touched China, I became Chinese".

    The empty eye sockets were scary enough . . .Matt Logan isn't looking forward to spending the school holidays with his grandmother and her new husband. He has to fly to Rotorua, where he doesn't know anybody, and he's a bit wary of his new step-grandfather. All Matt knows is that he's Maori and a bus driver.Along with his worries, Matt packs his pride and joy - a homemade metal detector, because, you never know, he might find something interesting.What he finds is Juzza, who lives over the back fence and wants to join a local gang. When the boys unearth a handcuffed skeleton, a chain of events begins to coil around them. together they are thrown into a deadly search for treasure when the local gang boss decides to exploit their find for himself.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    It’s where you belong, and ultimately return - a return to the beginning, a return within.The Indigo Sun is an enchanting tale set amidst the deserts of Rajasthan where Maya, a young NRI woman is led on a transformative journey by a young boy Ananda; a mystic gypsy woman named Leela; and Veer, a well-respected, socially driven entrepreneur from London. Together, they embark on a colourful odyssey encompassing culture, heritage, simplicity and celebration of life.In this unknown and distant land surrounded by strangers, Maya’s past, present, and future come together as do her body, mind and soul. She discovers another meaning of life, forms incredible bonds, meets the man of her dreams, and finally comes face-to-face with her truth—the indigo sun, a treasure that lay buried in her heart all along.She is finally home.

    Drawing on his personal knowledge of the South Pacific and Australasia, novelist Graeme Lay recreates the peerless navigator's life up to, and including, his first circumnavigation of the world. In particular, Graeme explores the relationship between James and his remarkable wife Elizabeth, the woman he married when he was 34 and she 21 and by whom he had six children, all born while he was away at sea.This novel also depicts the often stormy relationship between the self-made English naval commander and the dashing, privileged naturalist Joseph Banks, who accompanied Cook on his first world voyage.

    As Erin looks back at her twenty-six-year-old self, she can finally tell the story of the unimaginable task she faced one winter.

    Hitler's plan is to shell, bomb, and starve the city into submission. Most of the cultural elite are evacuated early in the siege, but Dmitri Shostakovich, the most famous composer in Russia, stays on to defend his city, digging ditches and fire-watching. At night he composes a new work.But after Shostakovich and his family are forced to evacuate, only Karl Eliasberg - a shy and difficult man, conductor of the second-rate Radio Orchestra - and an assortment of musicians are left behind in Leningrad to face an unendurable winter and start rehearsing the finished score of Shostakovich's Leningrad Symphony.