But then, it is Ma who is the cause of the most troubling question of all, the one Frankie can never bring himself to ask. When a new girl arrives at school — a daring free spirit with unavoidable questions of her own — Frankie’s carefully guarded world begins to unravel, leading him to a painful confrontation with the ultimate 10 p.m. question. Deftly told with humor, poignancy, and an endearing cast of characters, The 10 P.M. Question will touch everyone who has ever felt set apart.

    Anaesthetic Fellow Rory McBride is adrift. Since a routine procedure went horribly wrong, he has been plagued by sleeplessness, flashbacks and escalating panic attacks. Jodi Waterstone has recently started work as a first-year doctor at the same hospital, and the night shifts, impossible workload and endless hours on duty are taking a toll. Both are trying to stay in control of their lives, but Rory starts to self-medicate with sleeping pills and sedatives to help him get through the nights . . . and the days. Before long, the sedatives aren’t enough. Can Jodi save him from himself?

    A novel, which won the Montana New Zealand Book Awards, to make you cringe and shudder, then wet yourself laughing. Its raw and scathing prose breaks new ground against the backdrop of a world-view as chilling as the nightly news. In between drug deals and binge-drinking, reckless driving and street fights, the delinquents of the Brotherhood wage the holiest of wars. Yes, they will derail the Juggernaut before it can suicide … or have a ball trying at least. But when one of them falls prey to Roto-Vegas gang members, the cultural terrorists mobilise in earnest. Revenge takes them on a road-trip - a coming of age from hell. It is a journey to the corners of a collective psyche peopled by nightmares as real as the headlines of today, a New Zealand the tourists and executives had better pray they never stumble upon. Alone and gut-shot, the Juggernaut closing in, the Brotherhood will rally for an audacious final stand, a last ditch fight for their minds and their lives … and perhaps for the future of us all.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    Thomas Edgar, a passionate collector of butterflies, is offered the chance of a lifetime: to travel to the Amazon as part of a scientific expedition. Hoping to find the mythical butterfly that will make his name and immortalise that of his wife, Sophie—for if he finds it, he will call it the "Papilio Sophia"—he eagerly accepts the invitation, and embarks on a journey that will take him to a whole new world.On his return, Sophie greets her husband at the railway station, and is appalled by the change in him: he is thin, obviously sick, and apparently so traumatised by what he witnessed while he was away, he has been rendered mute. As Thomas struggles to find the words to describe what he's seen, it's unclear whether or not Sophie—and their marriage—will be able to withstand what he has to tell her, for the story that unfolds, the story behind Thomas's silence, is one of great brutality. Like the butterflies Thomas is so obsessed by, the butterflies that he catches and kills, it's a story of men who have been dazzled by surface splendour and wealth, and consequently refuse to acknowledge its underlying cruelty. But when that cruelty ends in murder, the question for Thomas—and Sophie—is whether or not he should be the one to speak out.Written in rich, sensuous prose, and taking the reader from the demure gentility of Edwardian England to the decadence of Brazil's rubber boom, The Sound of Butterflies is a compelling and noteworthy debut.

    On the northern bank of the water, people live spoiled, luxurious lives. They feast on lamb and shop boutiques and want for nothing. On the southern side of the river, however, life is quite the opposite. Downtown residents know nothing but destitution and poverty, and they are not welcomed by their northern neighbors. Spinster Ursula Underwood shares an apartment with a gray and white cat on the impoverished southern side. Because of the loss and hardship she’s endured, Ursula has earned the nickname “Unfortunate”. She harbors great resentment at her lot in life, but a call on a diner payphone changes her outlook and gives her new purpose. Unfortunate Ursula Underwood takes us on a journey through an unknown world riddled with prejudice and hate, but one woman may change it all− as she learns to love the unlovable, forgive the undeserving and heal the intolerance in her heart.

    Peggy and Greta are learning how to live sober. They go to meetings and they ring their support person, Diane. They have just enough money for one Tom Yum between them, but mostly they eat carrot sandwiches. They volunteer at the Salvation Army shop, and sometimes they sleep with men for money. They live with Heidi and Dell, who are also like them.It’s 2006. Peggy and Greta have two jobs: a job at a call centre, and a job as a moderator for a website. They’re teaching themselves how to code. Heidi and Dell don’t live together anymore, and Dell keeps getting into trouble. One day, Peggy and Greta turn around and there’s only one of them.It’s 2018. Margaret lives next door to Heidi and her family. She has a job writing code that analyses data for a political organisation, and she’s good at it. Every day she checks an obsolete cellphone she found under her bed, waiting for messages. She struggles to stay sober. Then, one day, there are two of them again, both trying to figure out where they have come from. Nothing to See is a compelling, brilliantly original novel about life in the era of surveillance capitalism, when society prefers not to see those who are different, and the line between reality and simulation feels dissolvingly thin.

    Our narrator doesn't know where she stands with Ilana, her not-quite-girlfriend. She has a complex history with her best friend, Ashi. She's haunted by the spectre of her emotionally abusive ex-boyfriend. And her period's now weeks late.Attraction is a meditative novel of connection, inheritance and the stories we tell ourselves. In lyrical fragments, Porter explores what it means to be and to belong, to create and to destroy.

    She recycles, obeys the water restrictions, she is even polite to telemarketers. as a mother, wife, daughter and nurse, Helen is used to putting everyone's needs before her own. But it only takes one momentary lapse of concentration to shatter her life forever.There was no momentary lapse for Gemma. Her customary recklessness leaves her pregnant, alone and estranged from her family with her one-promising advertising career in tatters.So when Gemma barges unceremoniously into Helen's life, things will never be the same again for either of them. Two very different women who have one thing in common - their lives have fallen short of their expectations. But is fate offering them a second chance?

    It is focused on the effort of Ripeka/Linda to find identity as well as love, as increasingly she commits herself to her Maori being, family and name.

    Six years later, his daughter Chessie interviews him in an attempt to understand the trauma that led her father to burnout, in the process unravelling stories and memories from her own remarkable family history. Chessie rebuilds her family’s lives on the page, from her parents’ honeymoon across Africa, to living in Tokelau as one of five children under ten before returning to New Zealand, where her mother would set her heart and home in the Clarence Valley only to see it devastated in the 2016 Kaikōura Earthquake, and the family displaced. Written with the same love and compassion that defines her family’s courage and strength, We Can Make a Life is an extraordinary memoir about the psychological cost of heroism, home and belonging, and how a family made a life together.

    Grant and Murray Ball, his travels to the ends of the earth with his close friend Ed Hillary, and more...

    But he's focused on his duties as chief of the Maori in Whangara, New Zealand—a tribe that claims descent from the legendary "whale rider." In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir—there's only Kahu. She should be next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle she has a unique ally: the whale rider himself, from whom she has inherited the ability to communicate with whales. Once that sacred gift is revealed, Kahu may be able to reestablish her people's ancestral connections, earn her great-grandfather's attention—and lead her tribe to a bold new future.

    But when her daughter Joanna's husband walks out, and Joanna instantly assumes that Kate will step into the supporting Granny role while she goes career and man-hunting, Kate realizes it is time to step outside her family's preconceived expectations--with devastating results. What follows is a delightful story of the relationships and unspoken power struggles between four generations of women.

    One secret. Will they be able to keep it under wraps?It was a stormy evening in 1920s London. When newly qualified almoner, Alice, stepped into the home of Charlotte, a terrified teenager who had just given birth out of wedlock, she did not expect to make a pact that would change her life forever. Thrown into secrecy after an unexpected turn, Alice was determined to keep bewildered Charlotte and her newborn baby safe. But when a threatening note appeared, she realised that Charlotte may need more protection than she first thought. But from who?Based on extensive research into the archive material held at the London Metropolitan Archives, and enriched with lively social history and excerpts from newspaper articles, LETTERS FROM ALICE is a gripping and deeply moving tale, which brings the colourful world of 1920s London to life. Full of grit, mystery and hope, it will have readers enthralled from the very first page.