He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    The Continental Op was his great first contribution to the genre and these seven stories, which first appeared in the magazine Black Mask, are the best examples of Hammett's early writing, in which his formidable literary and moral imagination is already operating at full strength. The Continental Op is the dispassionate fat man working for the Continental Detective Agency, modelled on the Pinkerton Agency, whose only interest is in doing his job in a world of violence, passion, desperate action and great excitement.The tenth clew.--The golden horseshoe.--The house in Turk Street.--The girl with the silver eyes.--The whosis kid.--The main death.--The farewell murder.

    The St. Louis Post-Dispatch calls Leonard, “the world’s greatest cops ‘n’ robbers novelist.” The Seattle Times says, “Leonard is more than just one of the all-time greats of crime fiction. He’s fast becoming an authentic American icon.” No matter where you wish to place the man who created the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, in the pantheon of mystery and noir detective fiction demigods—John D. MacDonald, Dashiell Hammett, James M. Cain and the like—there is no denying that nobody does it better than the Grand Master Elmore Leonard!

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.

    Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy...Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty...Where three renegade law-enforcement officers—a former L.A. cop and two FBI agents—are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history....James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.Chosen by Time magazine as one of the ten best books of the year."Hard-bitten ... ingenious ... Ellroy segues into political intrigue without missing a beat." —The New York Times"Vastly entertaining." —Los Angeles Times"One hellishly exciting ride." —Detroit Free Press"A supremely controlled work of art." —The New York Times Book Review

    John Scott Eccles ; Tiger of San Pedro ; Adventure of the cardboard box ; Adventure of the red circle ; Adventure of Bruce-Partington plans ; Adventure of the dying detective ; Disappearance of Lady Frances Carfax ; Adventure of the devil's foot ; His last bow --Case book of Sherlock Holmes: Adventure of the illustrious client ; Adventure of the blanched soldier ; Adventure of the Mazarin stone ; Adventure of the three gables ; Adventure of the Sussex vampire ; Adventure of the three garridebs ; Problem of Thor Bridge ; Adventure of the creeping man ; Adventure of the lion's mane ; Adventure of the veiled lodger ; Adventure of Shoscombe Old Place ; Adventure of the retired colourman --Introduction to Doyle's parodies --Two parodies by Sir Arthur Conan Doyle: Field bazaar ; How Watson learned the trick --Two essays by Sir Arthur Conan Doyle: Truth about Sherlock Holmes ; Some personalia about Mr. Sherlock Holmes.

    Even his friend Mr Satterthwaite is unable to understand how the man seems to appear and disappear almost like a trick of the light - and when he does appear it's usually in the sparkle of sunshine, or surrounded by a spectrum of coloured light pouring through a stained glass window.Indeed, he is Harlequin. The only consistent thing about the Mysterious Mr Quin is that his presence is always a harbinger of love ... or death.Quin and Satterthwaite appear in a string of short stories by the incomparable Agatha Christie. She often said that some of them are among her personal favourites. They'll be yours too.The stories are: 1 The Coming of Mr. Quin; 2 The Shadow on the Glass; 3 At the "Bells and Motley", 4 The Sign in the Sky; 5 The Soul of the Croupier; 6 The Man from the Sea; 7 The Voice in the Dark; 8 The Face of Helen; 9 The Dead Harlequin; 10 The Bird with the Broken Wing; 11 The World's End; and, 12 Harlequin's Lane.Librarian's note #1: besides those in this collection, there are two more Mr. Quin stories found in other collections: 'The Love Detectives', and 'The Harlequin Tea Set'.Librarian's note #2: this is the entry for the collection of 12 short stories, "The Mysterious Mr. Quin'. Entries for each of them are located elsewhere on Goodreads. All 14 stories can be found by searching Goodreads for: 'a Harley Quin Short Story'.

    And The Mystic Arts of Erasing All Signs of Death is the type of story–swift, twisted, hilarious, somehow hopeful—that only he could dream up.The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team—and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Cain's first novel - the subject of an obscenity trial in Boston and the inspiration for Camus's The Stranger - is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder.

    She admits to murder, and the unexpected guest offers to help her concoct a cover story.But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's retarded young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects ...Charles Osborne has adapted the novel from Agatha Christie's original play of the same title from 1958.

    It's a city like any other, a city that gives birth to crimes of passion, accidents, and long-hidden jealousy, and a city in which criminal minds find it all too easy to fade into the shadows. As dedicated readers of the series well know, nobody is better equipped to delve into Edinburgh's back alleys and smoky pubs than Rebus, and no one better able to illuminate his world than Ian Rankin.

    From Africa to the Middle East, and from London to Beijing, Archer takes us to places we've never seen and introduces us to people we'll never forget.Meet the philandering husband who thinks he's committed the perfect murder; the self-assured chess champion who plays a beautiful woman for stakes far higher than cash; and the finance minister who needs to crack the secrets of a Swiss bank. Jeffrey Archer's collection of twelve spellbinding stories will sweep you on a journey of thwarted ambition, undying passion, and unswerving honor that you'll never forget.

    In this masterful new novel, the killer may very well be the one you sympathize with the most... THE FIRST RULE IS NEVER BLAME THE VICTIM.They survived what no woman should ever have to endure. Now these three women have the means, the opportunity, and the perfect motive. Are they trying to get away with murder--or is someone trying to make sure that this time they don't get away at all? The Survivors Club... that's what Jillian Hayes, Carol Rosen, and Meg Pesaturo call it. They won't consider themselves victims. They are survivors. They faced the blazing headlines and helped lead the investigation that caught the man who changed their lives forever. And now that Eddie Como, the College Hill rapist, has been murdered, shot down outside a packed courthouse moments before his trial was about to begin, all three women are openly ecstatic that he's dead. They are also the prime suspects in his murder. Detective Sergeant Roan Griffin knows all too well what can drive even the best people to cross the line. But he has never seen a case quite like this one. No one doubts that the murder of Eddie Como was a professional job, especially when the gunman is killed only blocks away from the shooting.But questions taunt Griffin: Who ordered the deaths of Eddie Como and his killer? Could three ordinary women have been driven to do the unthinkable? Had someone in the Survivors Club become a killer? Griffin seeks the truth--and finds himself confronted with the leader of the Survivors Club. Jillian Hayes is beautiful, successful, cool as ice, and she harbors a pain that mirrors Griffin's own. Did the horror of what happened to her push her over the thin and desperate line that separates survival and revenge? And if it did, could he blame her--or anyone in the Survivors Club? Then another woman is brutally attacked.Suddenly, with the city on the ragged edge of panic, gripped in a media and political firestorm of controversy, cover-up, and conspiracy, the hunt is on for a ruthless and cunning killer. For Griffin, this may well be the case that shatters his career. For Jillian, the harrowing nightmare is beginning all over again. Someone is out there. Someone who wants to finish what was started. Someone who wants to make sure that no one survives the Survivors Club.