She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    In 2011, following an attack on his offices by the Pakistani Taliban, he took a five-year sabbatical to write books and worked as a political risk consultant. He has been widely quoted and regularly featured in major news outlets like The New York Times, USA Today, The Wall Street Journal, The Times, Le Monde, DW, Bloomberg, Reuters, CNN, BBC and NPR. His first novel, The Prisoner (2013), was longlisted for the DSC Prize for South Asian Literature 2015 and is now being adapted for a feature film. His second novel is The Spinner’s Tale (2015). In 2016, Omar returned to active duty as a Counter Terrorism Officer.

    A re-creation of one of the key moments of twentieth-century history: the partition and independence of India, and the final days of the Raj.

    His charioteer, Krishna, expounds the eternal dharma for him. This exposition between two armies is the Bhagavad Gita, the Hindus Bible.BLUE GOD cuts back to Krishnas birth, and back again to the battlefield, and so on, chapter by chapter, until both narratives flow together near the books end. Never before have Krishnas sacred Gita and his colorful personality and life been put together in the same book, certainly not in English by a modern novelist for a modern audience.

    In its journey from coalition politics to single-party hegemony, it has emerged as a very different entity from the one that first came to power in 1998. Veteran journalist Saba Naqvi—who has spent two decades covering the BJP—tells the story from the party’s founding in 1980 to its two stints in power. Shades of Saffron: From Vajpayee to Modi is both a first-person account of racy events as they unfolded in the nation’s history, and a work that raises larger analytical points about the BJP’s growth. It examines the role of the RSS cadre and its equations with elected leaders, the calibration of ideology, the issue of political finance and the social expansion of the party, as also the cults of personality that would emerge around, first, Atal Bihari Vajpayee and then, more forcefully, around Narendra Modi. The book provides a riveting account of the party’s difficult journey from ‘untouchability’ (when allies were unwilling to join) to its presumed ‘invincibility’ today. Naqvi’s long-standing equations with members of the party, developed over two decades of consistently fair reporting, delivers a narrative full of insights that are both fresh and deep, and anecdotes that are as lively as they are telling. In revealing hitherto unknown aspects, and reminding readers of the bigger picture, Shades of Saffron is a deep dive into the contemporary history of a party that keeps reinventing itself.

    The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak.—from "Twenty Poems That Could Save America"Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.

    More than 750,000 people were butchered, and 12 million fled their homes -- primarily in caravans of bullock-carts -- to seek refuge across the new border: it was the largest exodus in history. Sixty-seven years later, it is as if that August never ended. Renowned historian and journalist Dilip Hiro provides a riveting account of the relationship between India and Pakistan, tracing the landmark events that led to the division of the sub-continent and the evolution of the contentious relationship between Hindus and Muslims. To this day, a reasonable resolution to their dispute has proved elusive, and the Line of Control in Kashmir remains the most heavily fortified frontier in the world, with 400,000 soldiers arrayed on either side. Since partition, there have been several acute crises between the neighbors, including the secession of East Pakistan to form an independent Bangladesh in 1971, and the acquisition of nuclear weapons by both sides resulting in a scarcely avoided confrontation in 1999 and again in 2002. Hiro amply demonstrates the geopolitical importance of the India-Pakistan conflict by chronicling their respective ties not only with America and the Soviet Union, but also with China, Israel, and Afghanistan. Hiro weaves these threads into a lucid narrative, enlivened with colorful biographies of leaders, vivid descriptions of wars, sensational assassinations, gross violations of human rights -- and cultural signifiers like cricket matches. The Longest August is incomparable in its scope and presents the first definitive history of one of the world's longest-running and most intractable conflicts.

    Its pages are ripe with shame, honor, and survival-based decisions, such as a father killing his own daughter to preserve the family's reputation, a grandfather thieving a goat to feed his family and burying its bones in the night, and women employing natural poisons to kill their female infants in order to avoid the devastating costs of dowry.Perhaps it is also a story of how to survive as a "Most Backward" boy in a society that values light skin more than education, designated by British colonizers as "habitually criminal," where ancient caste rivalries persist even into an era of rapidly unfolding modernity. Is it possible, one wonders, for a boy to leave his caste identity behind and adopt new ways of seeing himself, shattering hundreds of years of prejudice?"Growing Up in India's 'Most Backward' Caste" illustrates the potential for faith, effort, and vision to overcome even the cruelest of abuses and biases. Its author, Dr. Hill Krishnan, later took on multiple identities disallowed by his roots: engineer, movie actor and performer, political scientist, professor, candidate for public office in the United States, motivational speaker, and now, as an author telling his story. In "Growing Up in India's 'Most Backward' Caste," one observes the earliest, most pivotal moments in which he first defies oppression."Growing Up in India's 'Most Backward' Caste" is truly eye-opening—a brave, intimate portrayal of life as a "Most Backward" child resisting all categorization, inspiring the rest of us to challenge our own perceived limitations.

    

    Civil war, political assassinations, internally displaced communities, industrial-scale corruption. All are Sri Lanka. As are smug bureaucrats, nosy neighbours, and stray dogs with serious axes to grind. Through the eyes of Andrew Fidel Fernando, cricket writer par excellence, both a local and a tourist in his home country, Sri Lanka comes alive as he hurtles down hills in Kandy, breathes in the history at the rock fortress of Sigiriya, grapples with the aftermath of war in Jaffna, and has himself evicted from restaurants near Galle. Weaving through all manner of villages, paddy fields, mountains, jungles and marshlands, and pausing for the pests at grimy guesthouses and the vacationers of luxury hotels, Fernando has the time for every genre of person and wildlife in this chaotic, exquisite, frustrating, bewitching, tumultuous and intoxicating land. Hilariously witty yet wistfully sombre, Upon a Sleepless Isle is the story of a country and a people caught between long historical traditions and global capitalism, resulting in this ingenious paradise.

    Events, anecdotes and personalities drive its narrative to illustrate the cocktail of hostility, nationalism and nostalgia that defines every facet of the relationship. It looks at the main events through the eyes and words of actual players and contemporary observers to illustrates how, both in India and in Pakistan, these past events are seen through radically different prisms, how history keeps resurfacing and has a resonance that cannot be avoided to this day. Apart from political, military and security issues, The People Next Door evokes other perspectives: divided families, peacemakers, war mongers, contrarian thinkers, intellectual and cultural associations, unwavering friendships, the footprint of Bollywood, cricket and literature: all of which are intrinsic parts of this most tangled of relationships.

    Reclaimed from the sea, these would become the modern city of Bombay. A marriage of affluence and abject poverty, where a grey concrete jungle is the backdrop to a heady potpourri of ethnic, linguistic and religious subcultures, Bombay, renamed Mumbai after the goddess Mumbadevi, defies definition. Bombay, Meri Jaan, comprising poems and prose pieces by some of the biggest names in literature, in addition to cartoons, photographs, a song and a Bombay Duck recipe, tries to capture the spirit of this great metropolis. Salman Rushdie, Pico Iyer, Dilip Chitre, Saadat Hasan Manto, V.S. Naipaul, Khushwant Singh and Busybee, among others, write about aspects of the city: the high-rise apartments and the slums; camaraderie and isolation in the crowded chawls; bhelpuri on the beach and cricket in the gully; the women's compartment of a local train; encounter cops who battle the underworld; the jazz culture of the sixties; the monsoon floods; the Shiv Sena; the cinema halls; the sea. Vibrant, engaging and provocative, this is an anthology as rich and varied as the city it celebrates.

    In addition to the basic theme of the Muslim nationalist movement, Khalid Sayeed has also focused on the workingand development of the British vice-regal system, and argues that the vice-regal system that Pakistan inherited from the British sustained Pakistan through the on-going political and cultural tensions that it has faced ever since its establishment.

    For Kahlil Gibran (1883-1931), no single religious tradition revealed the whole truth, so he wove together insights from Eastern Christianity, Islam, Buddhism, American Transcendentalism and the folklore of his native Lebanon to create his own universal Anthem of Humanity.

    Suleri; of her tenacious grandmother Dadi and five siblings; and of her own passage to the West."Nine autobiographical tales that move easily back and forth among Pakistan, Britain, and the United States. . . . She forays lightly into Pakistani history, and deeply into the history of her family and friends. . . . The Suleri women at home in Pakistan make this book sing."—Daniel Wolfe, New York Times Book Review"A jewel of insight and beauty. . . . Suleri's voice has the same authority when she speaks about Pakistani politics as it does in her literary interludes."—Rone Tempest, Los Angeles Times Book Review"The author has a gift for rendering her family with a few, deft strokes, turning them out as whole and complete as eggs."—Anita Desai, Washington Post Book World"Meatless Days takes the reader through a Third World that will surprise and confound him even as it records the author's similar perplexities while coming to terms with the West. Those voyages Suleri narrates in great strings of words and images so rich that they left this reader . . . hungering for more."—Ron Grossman, Chicago Tribune"Dazzling. . . . Suleri is a postcolonial Proust to Rushdie's phantasmagorical Pynchon."—Henry Louise Gates, Jr., Voice Literary Supplement