Soldiers crouch in horrible holes in the ground, mingling with corpses. Tunneled beneath a radio mast, German soldiers await the order to blow themselves up. Russian tanks, struggling to break through enemy lines, bog down in a swamp, while a German runner, bearing messages from headquarters to the front, scrambles desperately from shelter to shelter as he tries to avoid getting caught up in the action. Through it all, Russian artillery—the crude but devastatingly effective multiple rocket launcher known to the Germans as the Stalin Organ and to the Russians as Katyusha—rains death upon the struggling troops.Comparable to such masterpieces of war literature as Ernst Jünger's Storm of Steel and Erich Remarque's All Quiet on the Western Front, The Stalin Front is a harrowing, almost photographic, description of violence and devastation, one that brings home the unforgiving reality of total war.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    One of them, the Prussian aristocrat Alexander von Humboldt, negotiates savanna and jungle, travels down the Orinoco, tastes poisons, climbs the highest mountain known to man, counts head lice, and explores every hole in the ground. The other, the barely socialized mathematician and astronomer Carl Friedrich Gauss, does not even need to leave his home in Göttingen to prove that space is curved. He can run prime numbers in his head. He cannot imagine a life without women, yet he jumps out of bed on his wedding night to jot down a mathematical formula. Von Humboldt is known to history as the Second Columbus. Gauss is recognized as the greatest mathematical brain since Newton. Terrifyingly famous and more than eccentric in their old age, the two meet in Berlin in 1828. Gauss has hardly climbed out of his carriage before both men are embroiled in the political turmoil sweeping through Germany after Napoleon’s fall.Already a huge best seller in Germany, Measuring the World marks the debut of a glorious new talent on the international scene.

    He is also known to be paranoid, spendthrift, and wayward. In sixteenth-century Prague, seat of Christendom, he rules without the ongoing assistance of the Jewish financier Mordechai Meisl.In the ghetto, the Great Rabbi and mystic seer guides his people in the uneasy cohabitation of Jew and Christian. Meanwhile, under Rudolph’s imprimatur, Meisl becomes fabulously wealthy with a hand in transactions across Europe. But his beautiful wife, Esther, also forms a unique bond with Rudolf II . . .By night under the stone bridge, she and the emperor entwine in their dreams under the guise of a white rosemary bush and a red rose. Only by severing the two plants can the Great Rabbi break the spell of forbidden love and deliver the city from the wrath of God.In this “tantalizing blend of the occult and the laughable, of chaos and divine order,” Perutz brings Old Prague to life with a cast of characters ranging from alchemists to the angel Asael, and including the likes of Johannes Kepler and the outlaw prince Wallenstein (The New York Times Book Review).

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he's a girl, to the Jews Trudy harbors in her cellar.Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

    It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.

    With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.

    This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation, and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

    Over the coming weeks they must brave the stormy waters of the Atlantic in their mission to seek out and destroy British supply ships. But the tide is beginning to turn against the Germans in the war for the North Atlantic. Their targets now travel in convoys, fiercely guarded by Royal Navy destroyers, and when contact is finally made the hunters rapidly become the hunted. As the U-boat is forced to hide beneath the surface of the sea a cat-and-mouse game begins, where the increasing claustrophobia of the submarine becomes an enemy just as frightening as the depth charges that explode around it. Of the 40,000 men who served on German submarines, 30,000 never returned. Written by a survivor of the U-boat fleet, Das Boot is a psychological drama merciless in its intensity, and a classic novel of World War II.

    Told from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life, Shaw conveys, as no other novelist has since, the scope, confusion, and complexity of war.

    In this page-turning novel, David Gillham explores what happens to ordinary people thrust into extraordinary times, and how the choices they make can be the difference between life and death.It is 1943 - the height of the Second World War - and Berlin has essentially become a city of women. Sigrid Schröder is, for all intents and purposes, the model German soldier's wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime. But behind this façade is an entirely different Sigrid, a woman who dreams of her former lover, now lost in the chaos of the war. Her lover is a Jew. But Sigrid is not the only one with secrets. A high ranking SS officer and his family move down the hall and Sigrid finds herself pulled into their orbit. A young woman doing her duty-year is out of excuses before Sigrid can even ask her any questions. And then there's the blind man selling pencils on the corner, whose eyes Sigrid can feel following her from behind the darkness of his goggles. Soon Sigrid is embroiled in a world she knew nothing about, and as her eyes open to the reality around her, the carefully constructed fortress of solitude she has built over the years begins to collapse. She must choose to act on what is right and what is wrong, and what falls somewhere in the shadows between the two. In this page-turning novel, David Gillham explores what happens to ordinary people thrust into extraordinary times, and how the choices they make can be the difference between life and death.