Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.

    Who is it, you ask? Why, it's elementary! Sherlock Holmes, the famous gumshoe of 221B Baker Street. And Sir Arthur Conan Doyle--the man who made him famous in such tales as The Hound of the Baskervilles and A Study in Scarlet--changed the world of mysteries, inspiring legions of devoted fans. Whether you're a devotee or you've yet to be awed by Holmes's powers of deduction, you'll love this Canterbury Classics edition of Sir Arthur Conan Doyle's famous works, including The Adventures of Sherlock Holmes, The Sign of Four, The Valley of Fear, The Memoirs of Sherlock Holmes, The Return of Sherlock Holmes, and The Casebook of Sherlock Holmes. The perfect book to complete any bookshelf, The Adventures of Sherlock Holmes and Other Stories features an eye-catching leather-bound cover with gold foil stamping, as well as fine ivory paper with gilded edges. You'll be spellbound by Conan Doyle's descriptive prose, and then delight in displaying this beautiful book in your home. A classic keepsake for fans of detective novels, as well as all great literature, The Adventures of Sherlock Holmes and Other Stories  is the perfect addition to any library.

    And no one has made more difficult choices than Olivia Grayson. The enormously successful businesswoman missed out on much of her children’s lives while she built her legendary home-furnishings empire. In Danielle Steel’s character-rich new novel, Olivia faces the past, tries to balance the present, and makes amends where due, while still running her vastly successful business. THE SINS OF THE MOTHER As a way of making up to them for time lost, Olivia spends months every year planning a lavish holiday that everyone in her family will enjoy. This summer she has arranged a dream trip in the Mediterranean on a luxurious yacht, which she hopes will be the most memorable vacation of all. Her lavish gesture every year expresses her love for them, and regret at all the important times she missed during her children’s younger years. Her younger daughter, Cassie, a hip London music producer, refuses the invitation altogether, as she does every year. Her older daughter, Liz, lives in her mother’s shadow, with a terror of failure as she tries to recapture her dream of being a writer. And her sons, John and Phillip, work for Olivia, for better or worse, with wives who wish they didn’t. In the splendor of the Riviera, this should be a summer to remember, with Olivia’s children, grandchildren, and daughters-in-law on board. But as with any family gathering, there are always surprises, and no matter how glamorous the setting things don’t always turn out as ones hopes. Family dynamics are complicated, old disappointments die hard, and as forgiveness and surprising revelations enter into it, new bonds are formed, and the future takes on a brighter hue. And one by one, with life’s irony, Olivia’s children find themselves committing the same “sins” for which they blamed their mother for so many years. It is a summer of compassion, important lessons, and truth. The Sins of the Mother captures the many sides of family love: complex, challenging, funny, passionate, and hopefully enduring. Along the way, we are enthralled by an unforgettable heroine, a mother strong enough to take more than her fair share of the blame, wise enough to respect her children for who they really are, and forgiving enough to love them unconditionally.

    'There were ten million lonely women in England Lady Delores said, and most of them were married.'Regal Lady Dolores ran the offices of the Love Department with a firm, bejewelled hand, resolving the heartaches of the lonely wives of Wimbledon with inimitable flourish and finesse.

    On the other hand, America returned Natu use to think of his cow, as only milk and meat giving domestic animal.This novel narrates the conflicts between the values, emotions and ethics of these contrast people.The novel starts with a song on cow, translated in almost every known language, and seeks through finding the importance of values rooted deeply in Indian culture. Artworks based on this novel in Kannada and “Godhuli” in Hindi movies have received acknowledgements at National and International levels.Even today, this novel published in 1968, is counted as one of the epic and incredibly narrated novel.This powerful and convincing novel, vigilant the two contradictions, love and anger, predominantly, for sure!!

    An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth.

    . .”In the midst of the broken consciousness of mid-twentieth century suffering anguish of separation from my own body and its natural infinity of feeling its own self one with all self, I instinctively seeking to reconstitute that blissful union which I experience so rarely. I took it to be supernatural an gave it holy Name thus made hymn laments of longing and litanies of triumphancy of Self over mind-illusion mechano-universe of un-feeling Time in which I saw my self my own mother and my very nation trapped desolate our worlds of consciousness homeless and at war except for the original trembling of bliss in breast and belly of every body that nakedness rejected in suits of fear that familiar defenseless living hurt self which is myself same as all others abandoned scared to own unchanging desire for each other. These poems almost unconscious to confess the beatific human fact, the language intuitively chosen as in trance & dream, the rhythms rising on breath from belly thru breast, the hymn completed in tears, the movement of the physical poetry demanding and receiving decades of life while chanting Kaddish the names of Death in many worlds the self seeking the Key to life found at last in our self.

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    He uses strong, blunt language to describe life as he lives it, and through it all charts the mutations of morality in modern America.Sifting Through the Madness for the Word, the Line, the Way is a treasure trove of confessional poetry written towards then end of Bukowski’s life.  With the overhang of failing health and waning fame, he reflects on his travels, his gambling and drinking, working, not working, sex and love, eating, cats, and more.Sifting Through is Bukowski at his most meditative – published posthumously, it’s completely non-performative, and gets to the heart of Bukowski’s lifelong pursuit of natural language and raw honesty.We recommend you read this as Bukowski wrote: by sifting through the madness for what hits you as the word, the line, the way.

    Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father.Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. ‘Hapless Kullervo’, as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny.Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates.Tolkien himself said that The Story of Kullervo was ‘the germ of my attempt to write legends of my own’, and was ‘a major matter in the legends of the First Age’. Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, tragic incestuous hero of The Silmarillion. In addition to it being a powerful story in its own right, The Story of Kullervo – published here for the first time with the author’s drafts, notes and lecture-essays on its source-work, The Kalevala – is a foundation stone in the structure of Tolkien’s invented world.

    This new selection of Gwen Hardwood's work includes poems from The Present Tense, published shortly before her death in 1995, as well as poems not included in earlier editions of Selected Poems.

    These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    

    The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. The Birds takes place in a flawed utopia, with man's eternal flaws observed from up above. In Lysistrata a band of women use sex's manipulative power in order to try and end a war. In The Frogs, the god Dionysus visits the underworld, consulting the late Aeschylus and Euripides regarding whether or not classical Athens will ever have another great dramatist - and provoking an argument between both.Three of the leading Greek translators of the twentieth century - William Arrowsmith, Richmond Lattimore, and Douglas Parker - have created versions of the comedies that are at once contemporary, historically accurate, and funny. Also included are introductions to each play that describe the historical and literary background of the work.