Rider Haggard's King Solomon's Mines has entertained generations of readers since its first publication in 1885. Following a mysterious map of dubious reliability, a small group of men trek into southern Africa in search of a lost friend-and a lost treasure, the fabled mines of King Solomon. Led by the English adventurer and fortune hunter Allan Quartermain, they discover a frozen corpse, survive untold dangers in remote mountains and deserts, and encounter the merciless King Twala en route to the legendary hoard of diamonds.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Initially sceptical, Hannay nonetheless harbours the man—but one day returns home to find him murdered... An obvious suspect, Hannay flees to his native Scotland, pursued by both the police and a cunning, ruthless enemy. His life and the security of Britain are in grave peril, and everything rests on the solution to a baffling enigma: what are the 'thirty nine steps?'

    Young Dick Shelton, caught in the midst of England's War of the Roses, finds his loyalties torn between the guardian who will ultimately betray him and the leader of a secret fellowship, The Black Arrow. As Shelton is drawn deeper into this conspiracy, he must distinguish friend from foe and confront war, shipwreck, revenge, murder, and forbidden love, as England's crown threatens to topple around him.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.

    Garral, a Brazilian, lives on a thriving fazenda (plantation) in the Peruvian frontier with his loving family. But, his daughter's imminent marriage to a Brazilian army surgeon compels him to return to his homeland to face the dark secrets of his past. Will his love and dedication to his family help him in his struggle to right injustice? Will a strange encoded message be deciphered in time to save him?

    But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, when, owing to a case of mistaken identity, another man is arrested in his place; and by the relentless investigations of the dogged Inspector Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.

    Proffering his own take on picaresque storytelling—and with many a grain of truth for twenty-somethings today—this is Wilkie Collins at his entertaining best. Propelled into society by his ever-hopeful father, Frank Softly is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to—until he meets Alicia Dulcifer and her inexplicably wealthy father. The author of The Woman in White and The Moonstone, Wilkie Collins is widely regarded as the originator of the detective novel.

    In 1547 Lymond is returning to his native Scotland, which is threatened by an English invasion. Accused of treason, Lymond leads a band of outlaws in a desperate race to redeem his reputation and save his land.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    Advised by her doctor to have a change of scenery, the elderly Sophonisba takes up lodgings in London. Immediately intrigued by a nearby “house to let,” she charges her two warring attendants, Trottle and Jarber, to unearth the secret behind its seeming desertedness. Rivals to the end, they each seek to outdo the other to satisfy their mistress’ curiosity; however, it is only after repeated false starts—and by way of elaborate tales of men lost at sea, circus performers, and forged death certificates—that they happen upon the truth. Charles Dickens is one of England’s most important literary figures. His works enjoyed enormous success in his day and are still among the most popular and widely read classics of all time.

    Unbeknownst to D'Artagnan, Aramis and Porthos plot to remove the inept king and place the king's twin brother on the throne of France. Meanwhile, a twenty-three-year-old prisoner known only as "Philippe" wastes away deep inside the Bastille. Forced to wear an iron mask, Phillippe has been imprisoned for eight years, has no knowledge of his true identity, and has not been told what crime he's committed. When the destinies of the king and Phillippe converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties.