With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed.Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise."Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet."In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.

    "The Forerunner" and "The Madman" (1932).

    Having entered the Church more by default than through any great calling, he struggles to inject some life into his ailing parish. His wife Christine longs for them to escape the endless rounds of coffee mornings and cake sales. Then Theo, a child at her school, starts to exhibit strange marks on his hands and feet that vanish almost as soon as they have appeared. What has produced these marks - is it physical violence or something stranger? And why has the previous vicar of St Joseph's ended up in a psychiatric hospital?

    When she is called to the manorial court to answer false charges of 'lying with a man', she expects to be confronted by the kindly Earl Cameron, hoping to have the ridiculous claim dismissed. Instead, she faces the earl's son, James Cameron, who confounds her and intrigues her at the same time. James Cameron is instantly captivated by the very alluring Isla Gordon, but the lass repeatedly rebuffs his overtures, wanting nothing to do with any man. His offer of a position inside the keep is looked upon with suspicion, and her skepticism is only heightened by his seeming inability to NOT kiss her whenever they meet. Isla is quite sure that no man has anything worthwhile to offer her, but James is determined to prove her wrong. AND THEN HE LOVED ME is a stand-alone novella, a prelude to the HIGHLANDER HEROES SERIES. Enjoy!

    If he doesn’t go, people might think he still cares, which he doesn’t, thank you very much. Showing up alone isn’t any better, but he has neither the time nor the inclination to jump back into the dating scene. So, what’s a guy to do? Hire a fake boyfriend, of course! +One isn’t a dating agency. Fine. He’s not looking to make a love connection, just survive one week with even a shred of dignity intact. Then, Jace Harkins walks through the door, and Greyson knows he’s in trouble. Jace is the total package—successful, witty, gorgeous—but falling for him wasn’t supposed to happen. Yet, every smile, every touch, every whispered endearment pulls him in a little deeper until the line between reality and fantasy begins to blur. Too bad it can’t last. After all, it’s just make-believe, right?

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.

    Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist, and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival.

    Recollections of Farrar's father are prominent throughout the stories. Ultimately, it is music and musicians that are given the most space and the final word since music has been the creative impetus and driving force for the past 35 years of his life.In writing these stories, he found a natural inclination to focus on very specific experiences; a method analogous to the songwriting process. The highlights and pivotal experiences from that musical journey are all represented as the binding thread in these stories, illustrated throughout with photography from his life. If life is a movie, then these stories are the still frames.

    The result is a kind of everyday fantastic. Dalton nails the Walserian trick of evincing a sincerity nearly indistinguishable from irony. The effect is a poised instability, more uncanny than the magic the stories sometimes describe."-Bookforum"Dalton handles her narratives with a deft skill and a keen, distinct, confident voice that never eases up, never ceases to surprise, leaving readers happy to experience her intriguing world up close. Just the way we like it."-Brooklyn Rail"[The stories] feel like brilliant sexual fairy tales on drugs. Dalton writes of self-discovery and sex with a knowing humility and humor."-Interview Magazine"'Pura Vida,' about an emotionally unavailable journalist on assignment to cover a sloth clinic in Costa Rica, is a standout, its final moment between woman and sloth arriving with breathtaking lightness, like the first flower of spring. Other memorable outings include trips to the Missouri Ozarks ("Wet Look"), the Alps ("Shrub of Emotion"), and the Painted Desert ("Baby Geisha"), with men and women on the verge of, but never quite reaching, psycho-sexual breakthroughs."-Los Angeles Magazine Critic's Pick"[Baby Geisha] pokes fun, it's satirical, there's an underlying delicious irony to it, and the telling parts are the ones where Dalton coins names, cuts down trees with her paragraphs, gives us just a touch of the absurd... Dalton's skill as a writer, and above all her expertise in choosing words that play into a darker cultural picture--an offsetting of America's natural high!--are not to be missed here."-FanzineBaby Geisha is a collection of thirteen sexually-charged stories that roam from the Coney Island Ferris wheel to the Greek Isles.True to Trinie Dalton's form, the stories in Baby Geisha are distinctly imagined while also representing a more grounded approach in the author's style. There's the Joan Didion-obsessed starving journalist of "Pura Vida," struggling to maintain a relationship with her performance artist sisters (or anyone, for that matter), on assignment in Costa Rica to write an article on sloth-hugging. "Millennium Chill" is about a woman who discovers that her body heat is mysteriously linked to that of an elderly beggar.Baby Geisha serves to support Dalton's reputation as a remarkable stylist and a very original artist.

    When Chase Donovan, a six feet tall popular basketball player, says, "What's up?" to her in the hallway, it was love at first sight. Well, at least for Nyla anyways.Just when things were getting hot and heavy, Nyla and Chase's mothers tell them they can't see each other anymore because they're cousins.Chase refuses to fall for it and continues to pursue Nyla anyways. Nyla gets pregnant and her mother wants her to do the unthinkable but Nyla has her heart dead set against it. That is until she finds out that she's not the only one with child.

    Adrift in a sea of stress and grief and clinging to the life raft of responsibility.It's time I start swimming again. And someday? Maybe surf the waves instead of being pulled under and dragged out to sea.God offers so much more for Erin than a life of treading water, focusing all her time and attention on running a small business while raising her kids after the death of her husband.Through strangely poignant dreams and a series of run-ins with an unexpectedly attractive guy from church, Erin finds the hope she’ll not only feel alive again, but maybe even ride life’s waves victoriously.Adrift is the first of several novellas tied to the fictional Grace Springs Fellowship in the full-length Everyday Love series.These journal-style novellas are roughly 18-20K words, filled with vivid imagery and reflect the ways in which God at work in the main character's life.

    But that tranquility is shattered when he realizes a figure from his past has arrived in town, armed with a knife, his intentions clear from the man’s attempts to break into Evan’s house in the middle of the night. The authorities can do nothing.Evan can turn only to the nightmares that plague his sleeping hours for answers. But the question is: can those dreams save him, or are they part of the intruder’s plan?

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    There she would receive the gift of foretelling. But when that call never comes, Ryber finds herself the only Sister without the Sight.Years pass and Ryber’s misfit pain becomes a dull ache, until one day, Sisters who already possess the Sight are summoned into the mountain, never to return. Soon enough, Ryber is the only Sister left. Now, it is up to her to save her Sisters, though she does not have the Sight—and though she does not know what might await her inside the mountain.On her journey underground, she encounters a young captain named Kullen Ikray, who has no memory of who he is or how he got there. Together, the two journey ever deeper in search of answers, their road filled with horrors, and what they find at the end of that road will alter the fate of the Witchlands forever.Set a year before Truthwitch, Sightwitch is a companion novella that also serves as a set up to Bloodwitch, as well as an expansion of the Witchlands world.