When her firm becomes embroiled in what could be an international scandal around a key client and Brad begins asking questions about her past, an overwhelmed Mimi begins to sink into emotional chaos. One glance at herself in an old mirror leads her to dig into her past and courageously relive the traumas of her childhood. Thus begins the heart of Uyen Nicole Duong’s Mimi and Her Mirror, a poetic, passionate, and sometimes chilling novel about Vietnam and a girl known as Mimi Suong Giang, whose youth was destroyed as she attempted to escape during the fall of Saigon. Readers share young Mimi's hopes, dreams and courage as she valiantly struggles to find her way into the light.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take her place in bed. Elegant and detached, Madame Wu orchestrates this change as she manages everything in the extended household of more than sixty relatives and servants. Alone in her own quarters, she relishes her freedom and reads books she has never been allowed to touch. When her son begins English lessons, she listens, and is soon learning from the foreigner, a free-thinking priest named Brother Andre, who will change her life. Few books raise so many questions about the nature and roles of men and women, about self-discipline and happiness.

    Penelope with her mother and brother struggles to maintain their vast and crumbling ancestral home while postwar London spins toward the next decade's cultural revolution. Penelope wants nothing more than to fall in love and when her new best friend Charlotte a free spirit in the young society set drags Penelope into London with all of its grand parties she sets in motion great change for them all. Charlotte's mysterious and attractive brother Harry uses Penelope to make his American ex-girlfriend jealous with unforeseen consequences and a dashing wealthy American movie producer arrives with what might be the key to Penelope's and her family's future happiness. Vibrant witty and filled with vivid historical detail The Lost Art of Keeping Secrets is an utterly unique debut novel about a time and place just slipping into history.

    It has been represented by the Greek letter "π" since the early 1700s. Its decimal representation never settles into a permanent repeating pattern and never ends. The ubiquitous nature of π makes it one of the most widely known mathematical constants, both inside and outside the scientific community. This book denotes π to 100,000 decimals.

    The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world, where "things happen." He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki--bold, wise, poignant, playful, humane and heartbreaking.

    Gripping, salacious and irresistible." —BestThrillers.comWall Street, 2000. A naive twenty-year-old from Nebraska, Laura Ellyson doesn’t belong in New York's male-dominated Financial District. Against all odds, her wit, beauty, and determination lead her to a promising career at Aqua Capital, Lower Manhattan's hottest new hedge fund. Suddenly Laura finds herself living in a triumphant fairy tale—including a newfound romance that eclipses her deepest desires. But hidden behind Aqua Capital's stratospheric profits and megalomaniac manager, lies a shady, treacherous secret: the Mafia. Now, after witnessing unspeakable horror, she must confront an unforeseen, tempestuous destiny as she is forced to fight for her own life.This book is intended for mature audiences."Character-driven, unfolding at breakneck speed, this novel compels the reader to read on until the very last line in a satisfying conclusion." —Readers' Favorite

    Coronado Prep student Maria Ochoa, 16, is near death after crashing her car on an isolated stretch of New Mexico Highway 14 during a blizzard. When the only person to show up to help her is a teen gangbanger named Demetrio Vigil, Maria fears she’s doomed, until the young man manages, miraculously, to heal her nearly fatal wounds with nothing but the warm energy radiating from his hands. Maria is grateful for the help, and seeks to thank Demetrio by returning to the tiny ghost town of Golden, where he said he lives, to find him and give him a gift. What she discovers out about Demetrio along the way, however, not only defies logic and belief, but puts Maria’s very life in terrible danger.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    Ever since Ahn Joo arrived in Arlington, Virginia, with her parents and younger brother, her parents have fought unceasingly about her father's drinking and her mother's lack of respect. It's true, Ahn Joo realizes, that her father contradicts the stereotype of the hardworking Korean immigrant who opens a grocery and proceeds to grow rich in America. Fleeing an abusive father of his own in Korea rather than moving to the US in pursuit of wealth, he lacks ambition and seems happy with his welding job. Still, even eight-year-old Ahn Joo is unprepared for her mother's extreme reaction to her husband's laziness: One day, as Ahn Joo is walking home from school, she sees her mother, with her son in tow, fleeing home in a cab with the puzzling name ``Reliable'' painted on the door. Entering their apartment, Ahn Joo finds a note from her mother promising to come back for her someday, but as the years go by and her mother never calls or writes, the girl is left alone to face adolescence, care for her father, and puzzle out her family's mysteries. The author deftly evokes such vivid moments as Ahn Joo's embarrassment when her father takes over a snack cart in Washington, and her depiction of her heroine's struggle to come to terms with a new land--as well as of the push-pull relationship between father and daughter--are both memorable and moving. In the end, though, the lack of any real catharsis or resolution renders the parts greater than the whole. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

    Now, as an adult returning from Oahu to visit his ailing mother, Spencer is rediscovering what it means to be a middle son in a world where duty shapes destiny -- and where the ghosts of those long gone can haunt a man no matter how far from home he travels.

    Caught between two cultures, three childhood friends—Chila, Sunita, and Tania—are expected to revert to being obedient mothers and wives. But their world explodes when Tania makes a documentary, starring Chila and Sunita, about contemporary urban Indian Life. The result is an unforgettable story of friendship, marriage, betrayal, and the difficult choices woman face.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    Nineteen-year-old Irma lives in a rural Mennonite community in Mexico. She has already been cast out of her family for marrying a young Mexican ne'er-do-well she barely knows, although she remains close to her rebellious younger sister and yearns for the lost intimacy with her mother. With a husband who proves elusive and often absent, a punishing father, and a faith in God damaged beyond repair, Irma appears trapped in an untenable and desperate situation. When a celebrated Mexican filmmaker and his crew arrive from Mexico City to make a movie about the insular community in which she was raised, Irma is immediately drawn to the outsiders and is soon hired as a translator on the set. But her father, intractable and domineering, is determined to destroy the film and get rid of the interlopers. His action sets Irma on an irrevocable path toward something that feels like freedom. A novel of great humanity, written with dry wit, edgy humor, and emotional poignancy, Irma Voth is the powerful story of a young woman's quest to discover all that she may become in the unexpectedly rich and confounding world that lies beyond the stifling, observant community she knows.

    Comfort Woman is the story of Akiko, a Korean refugee of World War II, and Beccah, her daughter by an American missionary. The two women are living on the edge of society--and sanity--in Honolulu, plagued by Akiko's periodic encounters with the spirits of the dead, and by Beccah's struggles to reclaim her mother from her past. Slowly and painfully Akiko reveals her tragic story and the horrifying years she was forced to serve as a comfort woman to Japanese soldiers. As Beccah uncovers these truths, she discovers her own strength and the secret of the powers she herself possessed--the precious gifts her mother has given her.A San Francisco Chronicle bestseller In 1995, Nora Okja Keller received the Pushcart Prize for Mother Tongue, a piece that is part of Comfort Woman.