For now, he’s squatting in a collapsing house, working as a stone mason, driving a jacked up pickup truck that he crashes into everything. As a close friend Ods in his sleep, Lee falls into a three-way relationship with two college girls, June Doom and K Neon. F250 is a novel equal parts about growing up, and being torn apart."Bud Smith is Nick Hornby if you strapped him to a Tesla coil and launched him into a Sun made of Poetry." --Ben Loory, author of Stories for Nighttime and some for the Day

    His only link to the outside world is a telephone that will not dial out. During the occasional calls he receives, usually wrong numbers, the narrator remembers his former life growing up in Injury, Alaska with his Mother, an often unemployed single parent, and his older brother, Charlie, a sometime boxer, sometime actor. Throughout the course of this extraordinary novel, the unwilling captive draws his life-story in stickfigures on the walls. From the difficulty of his birth, to his sickly childhood, to adventures with his brother, the narrator depicts his crazy life, which is at once fascinating and heartbreaking. The one memory that haunts him is that of watching a movie about slaves on television and how that one slave, the one for whom Kamby Bolongo Mean River meant freedom, would never relinquish the idea of returning home.

    But something's not right at Thunderclap Casino. As the three of them come to terms with the ways in which they are haunted by the past and struggle with their addictions, they must confront the malevolent force that won't rest until old wrongs have been made right.

    He begins with a visit to his former stepfather, Jasper, a take-no-prisoners Vermont outdoorsman. But it is another person who has kept the secret: Lucinda Burns, wife of a revered senior statesman and mother of Malachy (the journalist who died of AIDS in Glass’s first novel, Three Junes). She and her husband are the only ones who know the full story of an accident whose repercussions spread even further when Jasper introduces Lucinda to Kit. Immersing readers in a panorama that stretches from Vermont to the tip of Cape Cod, Glass weaves together the lives of Kit, Jasper, Lucinda and ultimately, Fenno McLeod, the beloved protagonist of Three Junes (now in his sixties). An unforgettable novel about the youthful choices that steer our destinies, the necessity of forgiveness, and the surprisingly mutable meaning of family.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

    Belkin must begin each day with the task he calls The Service: visiting Christian chat-rooms to reply to users innocent questions with mocking answers. “Why do they call the taking of the communion ‘Mass?’”? Belkin124 responds: “They call it the Mass because after Jesus was crucified, a mass of people rushed forward to the cross and ate him. Now they eat the wafer to remember it.” At forty-seven, balding, and mildly agoraphobic, Belkin is a man without direction. He rarely leaves his apartment (he refers to the outside world as The Pounding), and when he must leave, he meticulously recounts the day in his Thunder Book; a journal where he lists all that repulsed him that day.But everything changes the day Belkin returns to his apartment to find the building ablaze along with the suspected murder of the apartment building’s maintenance man. As police question him, Belkin meets the mysterious Pernice Balfour, the alluring, religiously obsessed neighbor accused of the crime. Soon, Belkin has no choice but to come out of his shell (and his apartment) to try to clear her name. But the more Belkin investigates, the muddier things become. Wandering through San Francisco’s seedy Tenderloin district, Belkin begins to unravel the truth behind the murder, and encounters a bizarre series of characters and situations: "pansexual" crime-scene photographer, an idiot detective, and an all-knowing government operative.Whispering Bodies is comical offbeat exploration of the wisdom found in madness and the madness found in conventional life, all brought together in a classic tale of who-done-it.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    Inexplicably bereft of the mental faculty that would under normal circumstances keep him from blurting out, uncensored, the first thought that pops into his head, art connoisseur Klein wanders one evening into a pornographic Web site, Angelica's Grotto. An ongoing on-line dialogue, totally without verbal inhibition on Klein's part, eventually brings him face-to-face with the brains behind the grotto, an academic sex researcher named Melissa Bottomley. Harold Klein's erotic odyssey takes him not only through unimagined erogenous zones but also into arcane corners of the art world, as he seeks to meet Melissa's need for funding and she his for sexual gratification. As Klein strives to reconcile new desires with old habits, author Russell Hoban compellingly explores the dark relations between art and pornography, acts virtual and real, culture and politics, revelation and privacy.

    This cool, incendiary rites of passage novel is the real deal."—Irvine Welsh, author of Trainspotting"Bill Hillmann's The Old Neighborhood is like a right hook to the chin with brass knuckles, crackling with both bravery and urgency. Brilliantly evoking Nelson Algren's Neon Wilderness and Richard Price's The Wanderers, the novel is unflinchingly honest in its depictions of class and race, a deft portrait of our sometimes-less-than-fair city."—Joe Meno, best-selling author of Hairstyles of the DamnedA bright and sensitive teen, Joe Walsh is the youngest in a big, mixed-race Chicago family. After Joe witnesses his heroin-addicted oldest brother commit a brutal gangland murder, his friends and loved ones systematically drag him deeper into a black pit of violence that reaches a bloody impasse when his eldest sister begins dating a rival gang member.Bill Hillmann is an award-winning writer and storyteller from Chicago, Illinois. His writing has appeared in the Chicago Tribune, Newcity, Salon.com, and has been broadcast on NPR. He's told stories around the world with his internationally acclaimed storytelling series the "Windy City Story Slam." Hillmann is a union construction laborer and a bull runner in Spain, who in the not-so-distant past was a feared street brawler, gang affiliate, drug dealer, convict, and Chicago Golden Glove Champion.

    When June arrives on the coast of New England, baby in arms, an untrustworthy man by her side, Mabel—who rents them a cabin—senses trouble. A few days later, the girl and her child are abandoned. June is soon placed with Mabel’s friend, Iris, in town, and her life becomes entwined with a number of locals who have known one another for decades: a wealthy recluse with a tragic past; a widow in mourning; a forsaken daughter returning for the first time in years, with a stranger in tow; a lawyer, whose longings he can never reveal; and a kindly World War II veteran who serves as the town's sage. Surrounded by the personal histories and secrets of others, June finds the way forward for herself and her son amid revelations of the others' pasts, including loves—and crimes—from years ago.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    . . . Here, said I, in wild proclamation, is one for history and a half."— Gordon LishFirework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity and often blackly humorous, it is also an exhilarating expression of the all-too-human impulse to become more than what we seem to be.Eugene Marten is the author of In the Blind and Waste.

    April 15, 2001 should have been just another Sunday night. But a news headline landing in Lisa's email inbox changes everything: "Joey Ramone is dead." The death of one of her teenage heroes serves as an long-overdue wake-up call causing Lisa to examine her life and how she's lived it, from her youth as a poet on the streets of the East Village to 10 years later, all grown up with a career and a fiance. Add to the mix Jake McDaniel, lead singer of million-selling, critically-regarded Seattle band Blue Electric, known better to Lisa as the starving renegades who lived next door to her when she first arrived in Seattle. In the midst of an unexpectedly heated argument with the fiance over the historical relevance (or not) of the Ramones - which forces Lisa to face the truth about her relationship - Jake writes and invites Lisa to LA. Throwing what seems like half her cd collection in the car, along with a wardrobe consisting of high heels, jeans and t-shirts, Lisa starts driving from Seattle to LA in the middle of the night, accompanied by music, memories, and the ghosts of the past. Arriving in LA, she finds refuge, but also collides with her past, present and future; decisions need to be made, and this time, Lisa stands her ground.

    From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.