Entitled Songs in Time of War, Shared Ground, The Traveller and Seven Elements, the libretti take us all over the world - from Chinese and Indian poetry, to the beauty and quietness of the Wiltshire rectory where English poet George Herbert lived and died.Spanning centuries of creativity and humanity, the poems that form these libretti pulse with life, energy and inspired brilliance.They are accompanied by four pieces of calligraphy by the author.

    But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.

    Invoking both the personal and the civic self, they chart uncertain new beginnings in a shattered nation. What emerges is both a poignant meditation on a daughter's relationship with her mother and a citizen's relationship to her country. from "Frontier" . . . At times, I felt sick, intoxicatedby BPA and mercury.At other times I fasted and the starsstumbled clear from the vault.Up there, the universe stands around drunk.I hope the Lord is kind to us,for we engrave our every mistake . . .

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    The collection of poetry and prose also includes beautiful illustrations by the author's friends who had helped her through her healing.Order a copy now from www.merakipresspub.com/online-store

    Plato would have loved them."—Ann LauterbachIn a world where we find "everything helping itself / to everything else," Anna Moschovakis incorporates Craigslist ads, technobabble, twentieth-century ethics texts, scientific research, autobiographical detail, and historical anecdote to present an engaging lyric analysis of the way we live now. "It's your life," she tells the reader, "and we have come to celebrate it."

    "I have this compulsion to live no matter what..".

       With outrageous and uncensored profiles of everyone from William Shakespeare to Thomas Pynchon, Secret Lives of Great Authors tackles all the tough questions your high school teachers were afraid to ask: What’s the deal with Lewis Carroll and little girls? Is it true that J. D. Salinger drank his own urine? How many women?and men?did Lord Byron actually sleep with? And why was Ayn Rand such a big fan of Charlie’s Angels? Classic literature was never this much fun in school!

    With a wild and inquisitive lyricism, Willis—“one of the most outstanding poets of her generation” (Susan Howe)—draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.

    Only 100 copies of this chapbook exist.

    But the truth is, those aspects of ourselves that make us individuals are actually the source of our own beauty, our super power. The Beauty of Different explores beauty in nine fresh ways and challenges the reader to revel in her own uniqueness. Combining beautiful imagery, portraiture, insightful commentary, essays, and interviews, this multisensory exploration of what is really beautiful provokes deeper self-discovery. Designed to connect and inspire, The Beauty of Different encourages the reader to reframe her differences, not as shortcomings, but as characteristics of distinction—maybe even superpowers.

    mixed-genre, illustrations by Kristian Hoffman

    The Arthurian tales of chivalry, romance, and tragedy have left a lasting impact on English literature. This collection contains Sir Gawain and the Green Knight (trans. 1898), The Lady of Shallot (1833), The Founding of the Round Table (trans. 1914), The Passing of Arthur (trans. 1914), The Morte D'arthur (1914), The Lady of the Fountain (trans. 1877), Arthurian Songs: 1. Avalon (1894), and Sir Galahad, a Christmas Mystery (1858).

    —"Earth"With gravity and resplendence, Colosseum confronts ruin in the ancient world and in the living moment, from historical accounts and from firsthand experience. Displaced from New Orleans after Hurricane Katrina, Katie Ford returns this powerful report attesting to the storm's ferocity and its aftershock. Ford examines other catastrophes—those biblical, obscured by time, and those that play out daily, irrefutably, in the media. Colosseum is an essential, moving book in its insistence that our fates are intertwined and that devastation does not discriminate.

    Its popularity owes much to the lyricism of the prose, thepitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues oflanguage and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.