This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    . . the glitter of Broadway . . . the spectacular vistas of Sydney, Australia . . . and the myriad acts of love that will reunite a lost woman with her dreams, her destiny, and the one man who truly believes in her talent--and in their love. . . .When director Lucas Cameron finds letters to his grandmother from her protégé--the brilliant young actress Jessica Fontaine--who had vanished mysteriously after a tragic accident, he is intrigued, and determined to find her. When finally they meet, they have one magic week of passion and love. But still Jessica cannot return with Lucas to his world--and he cannot share hers--unless they discover the many kinds of love, and the inner strength, that can triumph over the past and open the way for their hands and hearts to join.

    Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1903. Not illustrated. Excerpt: ... CHAPTER II. THE ARKEST. "Good gracious M. Rodolph," exclaimed Rigolette, running in, pale and trembling, " a commissary of police and the guard have come here." "Divine justice watches over me," said M. Pipelet, in a transport of pious gratitude. "They have come to arrest Cabrion; unfortunately it is too late." A commissary of police, wearing his tricoloured scarf around his waist underneath his black coat, entered the lodge. His countenance was impressive, magisterial, and serious. "M. le Commissaire is too late; the malefactor has escaped," said M. Pipelet, in a sorrowful voice; "but I will give you his description, --villainous smile, impudent look, insulting --" "Of whom do you speak?" inquired the magistrate. "Of Cabrion, M. le Commissaire; but, perhaps, if you make all haste, it is not yet too late to catch him," added M. Pipelet. "I know nothing about any Cabrion," said the magistrate, impatiently. "Does one Jerome Morel, a working lapidary, live in this house?" "Yes, mon commissaire," said Madame Pipelet, putting herself into a military attitude. "Conduct me to his apartment." "Morel, the lapidary " said the porteress, excessively surprised;" why, he is the mildest lambkin in the world. He is incapable of --" "Does Jerome Morel live here or not?" "He lives here, sir, with his family, in one of the attics." "Lead me to his attic." Then, addressing himself to a man who accompanied him, the magistrate said: "Let two of the municipal guard wait below, and not leave the entrance. Send Justing for a hackney-coach." The man left the lodge to put these orders in execution. "Now," continued the magistrate, addressing himself to M. Pipelet, " lead me to Morel." "If it is all the same to you, mon commissaire, I will do that for Alfred; he is indisposed from Cabrion...

    The wild card is the Exocet -- the enemy, close to acquiring the deadly French missile, will soon be capable of smashing British defenses -- and throwing the global balance of power into chaos.

    I will survive and come back to haunt you. All of you ... A beautiful French girl and her Indian lover locked in the white heat of illicit passion. The result is Michel. Thrown out onto the dangerous streets, he grows to ferocious manhood in the alleys of Saigon.He survives to wreak the most extreme vengeance for every beating, every betrayal. Possessed of a raw sexuality and the flair of a master criminal, driven by a pitiless hidden violence, he leaves a trail of blood that stretches from the backstreets of Bombay even to the boulevards of Paris. But when the judge's gavel cracks across a Delhi courtroom and the world waits for justice, his destiny will hang on one last ironic twist of fate ... "Exotic, exciting, darkly suspenseful - a splendid novel." - Campbell Armstrong.

    Peppered with aphorisms and laced with wit and humour, this text is a clever, inspirational allegory about living life to its fullest.

    For this tree sprang forth from the tomb of the god Osiris, as proof of his triumph over death. Watered and fed on milk by the priests of the temple, the acacia is the guarantee of happiness on earth. Its withering means that great powers are conspiring to destroy Egypt.The pharaoh Sesotris III immediately joins battle against the invisible enemy who wishes to lead Egypt to her doom. But within the pharaoh's closest circle hides a traitor, a man who dreams of unlimited power a man who will sell himself to the powers of darkness in order to achieve his aim.A young apprentice scribe, Iker, becomes an unwilling player in this mystery. Kidnapped by sailors who refer darkly to a 'state secret', Iker does not know who is trying to kill him, nor indeed who is trying to protect him. Haunted by a vision of a beautiful priestess, Iker senses that someone is guiding or manipulating him; that he has set out on a path whose end he does not know.Will the two of them, Iker and Sesostris, the weak man and the strong, suceed in preventing Osiris dying for the last time - and suceed in saving Egypt?

    Dunkirk has fallen, Europe is at the breaking point, Ezra Pound and Lord Haw-Haw are poisoning the radio waves, Mordred has fled to Nazi Germany, and King Arthur and his worshipful Knights are deep in the fighting. When the Holy Grail presents itself--which is, in this version, the atomic bomb, "a superweapon if you will, with which we can chastise and thwart the enemy"--they must decide whether to hew to their knightly ways or adopt a modern ruthlessness. Barthelme makes brilliant comic use of anachronism to show that war is center stage in the theater of human absurdity and cruelty. But Arthur, in deciding to decline the power of the Grail, announces his unwillingness to go along: "It's not the way we wage war. The essence of our calling is right behavior, and this false Grail is not a knightly weapon."

    An absorbing saga about the brutalities of military life upon its own soldiers. Stranded at a distant outpost, young Romashov finds himself obliged to fight a duel — over something he realizes is meaningless. As the novel hurtles toward a startling conclusion, it reveals itself to be a luminous depiction of the end of an era.

    is the story of Sarah P. Worth, a thoroughly modern spiritual seeker who has become enamored of a Hindu mystic called the Arhat. A native New Englander, she goes west to join his ashram in Arizona, and there struggles alongside fellow sannyasins (pilgrims) in the difficult attempt to subdue ego and achieve moksha (salvation, release from illusion). “S.” details her adventures in letters and tapes dispatched to her husband, her daughter, her brother, her dentist, her hairdresser, and her psychiatrist—messages cleverly designed to keep her old world in order while she is creating for herself a new one. This is Hester Prynne’s side of the triangle described by Hawthorne’s Scarlet Letter; it is also a burlesque of the quest for enlightenment, and an affectionate meditation on American womanhood.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Georgio swears he's been set up and persuades Donna to help him escape.Implementing 'the jump' takes Donna into a twilight world she never believed existed - a world of brutal sex and casual violence. Finally, she is confronted by a series of shattering revelations that threaten not only everything she believes in but also, ultimately, her own life . . .

    After the computer is built it begins to relay information from Andromeda. Scientists find themselves possessing knowledge previously unknown to mankind, knowledge that could threaten the security of human life itself.

    But at the same time he was too organically a radical ever to be confused with a conservative. Result: Agent of Chaos! Boris Johnson thinks he wants democracy. But in the course of his adventures he discovers that democracy to him means freedom. It's a banned concept from the Millennium of Religion. Like God. He finds himself dealing with a byzantine political situation worthy of anything from the banned past. The dictatorship is the Hegemony. Opposition is provided by the aptly named agents of C.H.A.O.S. Meanwhile, the Brotherhood of Assassins plays a game that no one can fathom. Whose side are they on? Whose fool are you? Spinrad explores his philosophical theme in a manner all too rare in contemporary science fiction. The problem is that Order will always try to eliminate any random factors. By its very nature, it encourages opposition and that feeds the forces of chaos. But chaos has built in problems as well. Its victories cannot help but feed the forces of reaction, of order. The heroes in this novel ultimately opt for personal freedom. The villains try to establish a dictatorship over the very nature of reality itself. And then Spinrad throws in the discovery of aliens. A starship sets forth to meet them, the Prometheus. The Hegemony doesn't like that.

    She is without pretext and assumes that a bright future awaits her as the bride of the wealthy Oliver Foy. Too soon she discovers that her life is a masquerade and pretense her only salvation. No one is whom he or she appears to be.Brushing against the concealed identities and hidden motives of others, Emma quickly acquires secrets of her own. When murder compels Emma to flee her husband's Jamaican plantation, she and her faithful friend find sanctuary wandering the Caribbean. Tragedy cuts short their ocean idyll and delivers Emma from her sea roamings. Once again, she adopts another name, another home, another appearance.