In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent.

    Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage—the charming Veblen and her fiancé Paul, a brilliant neurologist—find their engagement in danger of collapse. Along the way they weather everything from each other’s dysfunctional families, to the attentions of a seductive pharmaceutical heiress, to an intimate tête-à-tête with a very charismatic squirrel. Veblen (named after the iconoclastic economist Thorstein Veblen, who coined the term “conspicuous consumption”) is one of the most refreshing heroines in recent fiction. Not quite liberated from the burdens of her hypochondriac, narcissistic mother and her institutionalized father, Veblen is an amateur translator and “freelance self”; in other words, she’s adrift. Meanwhile, Paul—the product of good hippies who were bad parents—finds his ambition soaring. His medical research has led to the development of a device to help minimize battlefield brain trauma—an invention that gets him swept up in a high-stakes deal with the Department of Defense, a Bizarro World that McKenzie satirizes with granular specificity. As Paul is swept up by the promise of fame and fortune, Veblen heroically keeps the peace between all the damaged parties involved in their upcoming wedding, until she finds herself falling for someone—or something—else. Throughout, Elizabeth McKenzie asks: Where do our families end and we begin? How do we stay true to our ideals? And what is that squirrel really thinking? Replete with deadpan photos and sly appendices, The Portable Veblen is at once an honest inquiry into what we look for in love and an electrifying reading experience.

    Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When ten-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.Routine takes over for the grieving family: the siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby’s death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn’t yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher, but ultimately more profound, reality.

    It explores the gaping national disconnect between the war at home and the war abroad.Ben Fountain’s remarkable debut novel follows the surviving members of the heroic Bravo Squad through one exhausting stop in their media-intensive "Victory Tour" at Texas Stadium, football mecca of the Dallas Cowboys, their fans, promoters, and cheerleaders.

     We can't choose what we inherit. But can we choose who we become?In present-day California, Eleanor Bennett's death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their lineage, and themselves.Can Byron and Benny reclaim their once-close relationship, piece together Eleanor's true history, and fulfill her final request to "share the black cake when the time is right"? Will their mother's revelations bring them back together or leave them feeling more lost than ever?Charmaine Wilkerson's debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

    Settling into a luxurious serviced apartment in Shanghai, Wei, Lina, and their daughter, Karen, join an elite community of Chinese-born, Western-educated professionals who have returned to a radically transformed city.One morning, in the eighth tower of Lanson Suites, Lina discovers that a childhood keepsake, an ivory bracelet, has gone missing. The incident contributes to a wave of unease that has begun to settle throughout the Zhen household. Wei, a marketing strategist, bows under the guilt of not having engaged in nobler work. Meanwhile, Lina, lonely in her new life of leisure, assumes the modern moniker taitai--a housewife who does no housework at all. She spends her days haunted by the circumstances surrounding her arranged marriage to Wei and her lingering feelings for his brother, Qiang. Lina and Wei take pains to hide their anxieties, but their housekeeper, Sunny, a hardworking girl with secrets of her own, bears witness to their struggles. When Qiang reappears in Shanghai after decades on the run with a local gang, the family must finally come to terms with the past.From a silk-producing village in rural China, up the corporate ladder in suburban America, and back again to the post-Maoist nouveau riche of modern Shanghai, WHAT WE WERE PROMSED explores the question of what we owe to our country, our families, and ourselves.

    But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change.May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together.

    When Charlotte is mugged and breaks her hip, her daughter Rose cannot accompany her employer Lord Peters to Manchester, which means his niece Marion has to go instead, which means she sends a text to her lover which is intercepted by his wife, which is just the beginning in the ensuing chain of life-altering events.In this engaging, utterly absorbing and brilliantly told novel, Penelope Lively shows us how one random event can cause marriages to fracture and heal themselves, opportunities to appear and disappear, lovers who might never have met to find each other and entire lives to become irrevocably changed.Funny, humane, touching, sly and sympathetic, How It All Began is a brilliant sleight of hand from an author at the top of her game.

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does, even down to how he butters his toast. Little differentiates one day from the next. Then one morning the mail arrives, and within the stack of quotidian minutiae is a letter addressed to Harold in a shaky scrawl from a woman he hasn't seen or heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye. Harold pens a quick reply and, leaving Maureen to her chores, heads to the corner mailbox. But then, as happens in the very best works of fiction, Harold has a chance encounter, one that convinces him that he absolutely must deliver his message to Queenie in person. And thus begins the unlikely pilgrimage. Harold Fry is determined to walk six hundred miles from Kingsbridge to the hospice in Berwick-upon-Tweed because, he believes, as long as he walks, Queenie Hennessey will live. Still in his yachting shoes and light coat, Harold embarks on his urgent quest across the countryside. Along the way he meets one character after another, each of whom unlocks his long-dormant spirit and sense of promise. Memories of his first dance with Maureen, his wedding day, his joy in fatherhood, come rushing back to him - allowing him to also reconcile the losses and the regrets. As for Maureen, she finds herself missing Harold for the first time in years. And then there is the unfinished business with Queenie Hennessy.

    Bursting with energy and filled with moments of absolute beauty, this bighearted and inspired novel ponders life’s terrible surprises as well as its immeasurable rewards.

    The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.