Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.

    Who like to read. Who take satisfaction in their work. Who are resolutely kind. Leonard and Hungry Paul is the story of two friends trying to find their place in the world. It is about the uncelebrated people of this world. And it asks a surprisingly enthralling question: Can kind people change the world?

    M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years. Richard Novak is a modern-day Everyman, a middle-aged divorcé trading stocks out of his home. He has done such a good job getting his life under control that he needs no one- except his trainer, nutritionist, and housekeeper. He is functionally dead and doesn't even notice until two incidents-an attack of intense pain that lands him in the emergency room, and the discovery of an expanding sinkhole outside his house-conspire to hurl him back into the world. On his way home from the hospital, Richard forms the first of many new relationships: He meets Anhil, the doughnut shop owner, an immigrant who dreams big. He finds a weeping housewife in the produce section of the supermarket, helps save a horse that has fallen into the sinkhole, daringly rescues a woman from the trunk of her kidnapper's car, and, after the sinkhole claims his house and he has to relocate to a Malibu rental, he befriends a reluctant counterculture icon. In the end, Richard is also brought back in closer touch with his family-his aging parents, his brilliant brother, the beloved ex-wife whom he still desires, and finally, before the story's breathtaking finale, with his estranged son Ben. The promised land of Los Angeles-a surreal city of earthquakes, wildfires, mudslides, and feral Chihuahuas-is also very much a character in This Book Will Save Your Life. A vivid, revealing novel about compassion, transformation, and what can happen if you are willing to lose yourself and open up to the world around you, it should significantly broaden Homes's already substantial audience.

    . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

    The music stops, and everyone just marries whoever they happen to be sitting on.' Who the f*ck is Tori Bailey?There's no doubt that Tori is winning the game of life. A straight-talking, bestselling author, she's inspired millions of women around the world with her self-help memoir. And she has the perfect relationship to boot.But Tori Bailey has been living a lie.Her long-term boyfriend won't even talk about marriage, but everyone around her is getting engaged and having babies. And when her best friend Dee - her plus one, the only person who understands the madness - falls in love, suddenly Tori's in terrifying danger of being left behind.When the world tells you to be one thing and turning thirty brings with it a loud ticking clock, it takes courage to walk your own path.It's time for Tori to practice what she's preached, but the question is: is she brave enough?The debut adult novel by bestselling author Holly Bourne is a blisteringly funny, honest and moving exploration of love, friendship and navigating the emotional rollercoaster of your thirties.

    Her teeth are perfect. Her body is toned. Her handbag is Vuitton. Having survived a car accident—in a Mercedes no less—Lexi has lost a big chunk of her memory, three years to be exact, and she’s about to find out just how much things have changed.Somehow Lexi went from a twenty-five-year-old working girl to a corporate big shot with a sleek new loft, a personal assistant, a carb-free diet, and a set of glamorous new friends. And who is this gorgeous husband—who also happens to be a multimillionaire? With her mind still stuck three years in reverse, Lexi greets this brave new world determined to be the person she…well, seems to be. That is, until an adorably disheveled architect drops the biggest bombshell of all.Suddenly Lexi is scrambling to catch her balance. Her new life, it turns out, comes complete with secrets, schemes, and intrigue. How on earth did all this happen? Will she ever remember? And what will happen when she does?With the same wicked humor and delicious charm that have won her millions of devoted fans, Sophie Kinsella, author of the #1 New York Times bestseller Shopaholic & Baby, returns with an irresistible new novel and a fresh new heroine who finds herself in a life-changing and utterly hilarious predicament…

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

    A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.

    They just haven't met properly yet. And perhaps they never will . . . Today is the first day of the rest of your life is the motto on a plate in the kitchen at home, and Tess can't get it out of her head, even though she's in Florence for a final, idyllic holiday before university. Her life is about to change forever - but not in the way she expects. Gus and his parents are also on holiday in Florence. Their lives have already changed suddenly and dramatically. Gus tries to be a dutiful son, but longs to escape and discover what sort of person he is going to be. For one day, the paths of an eighteen-year-old girl and boy criss-cross before they each return to England.Over the course of the next sixteen years, life and love will offer them very different challenges. Separated by distance and fate, there's no way the two of them are ever going to meet each other properly . . . or is there?

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    He misses the routine of the academic year and has lost his appetite for research. His wife Winifred’s late-flowering career goes from strength to strength, reducing his role to that of escort, while the rejuvenation of her appearance makes him uneasily conscious of the age gap between them. The monotony of his days is relieved only by wearisome journeys to London to check on his aged father who stubbornly refuses to leave the house he is patently unable to live in with safety.But these discontents are nothing compared to the affliction of hearing loss — a constant source of domestic friction and social embarrassment, leading Desmond into mistakes, misunderstandings and follies. It might be comic for others, but for the deaf person himself, it is no joke. It is his deafness which inadvertently involves Desmond with a young woman whose wayward behaviour threatens to destabilize his life completely.

    (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives.Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to be "internet security officer," he pictured himself building firewalls and crushing hackers—not writing up a report every time a sports reporter forwards a dirty joke.When Lincoln comes across Beth's and Jennifer's messages, he knows he should turn them in. But he can't help being entertained—and captivated—by their stories.By the time Lincoln realizes he's falling for Beth, it's way too late to introduce himself.What would he say . . . ?

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.