After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can - will she?

    They are greeted with a pamphlet instructing immigrants how to act like "the English." Jack acquires Saville Row suits and a Jaguar. He buys his marmalade from Fortnum & Mason and learns to list the entire British monarchy back to 913 A.D. He never speaks German, apart from the occasional curse. But the one key item that would make him feel fully British -membership in a golf club-remains elusive. In post-war England, no golf club will admit a Rosenblum. Jack hatches a wild idea: he'll build his own. It's an obsession Sadie does not share, particularly when Jack relocates them to a thatched roof cottage in Dorset to embark on his project. She doesn't want to forget who they are or where they come from. She wants to bake the cakes she used to serve to friends in the old country and reminisce. Now she's stuck in an inhospitable landscape filled with unwelcoming people, watching their bank account shrink as Jack pursues his quixotic dream. In her tender, sweetly comic debut, Natasha Solomons tells the captivating love story of a couple making a new life-and their wildest dreams-come true.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Her family moved in Berlin’s highest social circles, admired by friends and neighbors. Eleven-year-old Hannah was often taken by her mother for an afternoon treat at the tea room of the beautiful Adlon Hotel, both dressed in their finest clothes. She spent her afternoons at the park with her best friend Leo Martin. But, in an instant, that sunlit world vanished. Now the streets of Berlin are draped with red, white, and black flags; their fine possessions are hauled away, and they are no longer welcome in the places that once felt like home. The two friends make a pact: come what may, they promise to have a future together.As Hannah and Leo’s families desperately begin to search for a means of escape, a glimmer of hope appears when they discover the Saint Louis, a transatlantic liner that can give Jews safe passage to Cuba. After a frantic search to obtain visas, the Rosenthals and the Martins depart from Hamburg on the luxurious passenger liner bound for Havana. Life aboard the ship is a welcome respite from the gloom of Berlin—filled with masquerade balls, dancing, and exquisite meals every night.As the passengers gain renewed hope for a bright future ahead, love between Hannah and Leo blossoms. But soon reports from the outside world began to filter in, and dark news overshadows the celebratory atmosphere on the ship; the governments of Cuba, the United States, and Canada are denying the passengers of the St. Louis admittance to their countries, forcing them to return to Europe as it descends into the Second World War. The ship that had seemed their salvation seems likely to become their death sentence.After four days anchored at bay, only a handful of passengers are allowed to disembark onto Cuban soil, and Hannah and Leo must face the grim reality that they could be torn apart. Their future is unknown, and their only choice will have an impact in generations to come.Decades later in New York City on her eleventh birthday, Anna Rosen receives a mysterious envelope from Hannah, a great-aunt she has never met but who raised her deceased father. In an attempt to piece together her father’s mysterious past, Anna and her mother travel to Havana to meet Hannah, who is turning eighty-seven years old. Hannah reveals old family ties, recounts her journey aboard the Saint Louis and, for the first time, reveals what happened to her father and Leo. Bringing together the pain of the past with the mysteries of the present, Hannah gives young Anna a sense of their shared histories, forever intertwining their lives, honoring those they loved and cruelly lost.

    Thousands remain displaced in what is now the British Occupied Zone. Charged with overseeing the rebuilding of this devastated city and the de-Nazification of its defeated people, Colonel Lewis Morgan is requisitioned a fine house on the banks of the Elbe, where he will be joined by his grieving wife, Rachael, and only remaining son, Edmund. But rather than force its owners, a German widower and his traumatized daughter, to leave their home, Lewis insists that the two families live together. In this charged and claustrophobic atmosphere all must confront their true selves as enmity and grief give way to passion and betrayal. The Aftermath is a stunning novel about our fiercest loyalties, our deepest desires and the transformative power of forgiveness.

    He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape — as his mentor suspected he could — to spread word about the atrocities? Jim Shepard has masterfully made this child's-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron's voice will remember it forever.

    The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war. As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges. Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away. In a 19th-century French village, an old servant understands - suddenly and with awe - the meaning of the Bible story her master is reading to her. On a summer evening in the Catskills in 1971, a skinny girl steps out of a Chevy with a guitar and with a song that will send shivers through her listeners' skulls. A few years from now, in Italy, a gifted scientist discovers links between time and the human brain and between her lover's novel and his life. Throughout the five masterpieces of fiction that make up A Possible Life, exquisitely drawn and unforgettable characters risk their bodies, hearts and minds in pursuit of the manna of human connection. Between soldier and lover, parent and child, servant and master, and artist and muse, important pleasures and pains are born of love, separations and missed opportunities. These interactions - whether successful or not - also affect the long trajectories of characters' lives. Provocative and profound, Sebastian Faulks's dazzling new novel journeys across continents and centuries not only to entertain with superb old-fashioned storytelling but to show that occasions of understanding between humans are the one thing that defines us - and that those moments, however fluid, are the one thing that endures.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    In this page-turning novel, David Gillham explores what happens to ordinary people thrust into extraordinary times, and how the choices they make can be the difference between life and death.It is 1943 - the height of the Second World War - and Berlin has essentially become a city of women. Sigrid Schröder is, for all intents and purposes, the model German soldier's wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime. But behind this façade is an entirely different Sigrid, a woman who dreams of her former lover, now lost in the chaos of the war. Her lover is a Jew. But Sigrid is not the only one with secrets. A high ranking SS officer and his family move down the hall and Sigrid finds herself pulled into their orbit. A young woman doing her duty-year is out of excuses before Sigrid can even ask her any questions. And then there's the blind man selling pencils on the corner, whose eyes Sigrid can feel following her from behind the darkness of his goggles. Soon Sigrid is embroiled in a world she knew nothing about, and as her eyes open to the reality around her, the carefully constructed fortress of solitude she has built over the years begins to collapse. She must choose to act on what is right and what is wrong, and what falls somewhere in the shadows between the two. In this page-turning novel, David Gillham explores what happens to ordinary people thrust into extraordinary times, and how the choices they make can be the difference between life and death.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.

    The same world moves beneath each of them, and one by one, through seemingly random acts of selflessness, they discover the vital parts they have played in each other's lives, a realization that shatters the illusion of their separateness. Moving back and forth in time and across continents, The Illusion of Separateness displays the breathtaking skill of, "a truly special writer who does things with abstract language that is so evocative and original your breath literally catches in your chest" (Andre Dubus III).

    Franciscan friar Anton Starzmann is stripped of his place in the world when his school is seized by the Nazis. He relocates to a small German hamlet to wed Elisabeth Herter, a widow who seeks a marriage—in name only—to a man who can help raise her three children. Anton seeks something too—atonement for failing to protect his young students from the wrath of the Nazis. But neither he nor Elisabeth expects their lives to be shaken once again by the inescapable rumble of war. As Anton struggles to adapt to the roles of husband and father, he learns of the Red Orchestra, an underground network of resisters plotting to assassinate Hitler. Despite Elisabeth’s reservations, Anton joins this army of shadows. But when the SS discovers his schemes, Anton will embark on a final act of defiance that may cost him his life—even if it means saying goodbye to the family he has come to love more than he ever believed possible.