She taught herself to read, and supported her extended family working as a secretary for the notorious NKVD (which became the KGB) and later as a lieutenant for the Red Army. Her family, including 4-year-old Yulia, moved to the U.S. in the wake of Chernobyl and forged a new life. Soviet Daughter united two generations of strong, independent women against a sweeping backdrop of the history of the USSR. Like Sarah Glidden in How to Understand Israel in 60 Days or Less , or Marjane Satrapi in Persepolis , Alekseyeva deftly combines compelling stories of women finding their way in the world with an examination o the ties we all have with out families, ethnicities, and the still-fresh traumas of the 20th century.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    So began a relationship that almost wrecked her life.Barber's fascinating memoir takes us beyond this bizarre episode, revealing how it left her with an abiding mistrust of men which paradoxically led her to a promiscuous life-style at university until she met her husband-to-be. An Education tells how she went on to work for seven years at daring (for the times) men's magazine Penthouse before beginning her starry days as the Demon Barber - Britain's most entertaining and most feared interviewer. The book ends with an extraordinarily moving account of the early death of her husband. Her writing is refreshingly frank and funny.

    She is unaware that around every corner myriad family secrets from the past unfold. From a Saxon clearing to a monastery, Tudor dwelling to the present day, this sacred plot has nurtured her ancestors. Generations of Bagshott women have found refuge and solace tending it through years of plague, civil war and beyond. This is their story.

    His victory over General Custer at the battle of Little Bighorn in 1876 was the worst defeat inflicted on the frontier Army. And the death of Crazy Horse in federal custody has remained a controversy for more than a century. The Killing of Crazy Horse pieces together the many sources of fear and misunderstanding that resulted in an official killing hard to distinguish from a crime. A rich cast of characters, whites and Indians alike, passes through this story, including Red Cloud, the chief who dominated Oglala history for fifty years but saw in Crazy Horse a dangerous rival; No Water and Woman Dress, both of whom hated Crazy Horse and schemed against him; the young interpreter Billy Garnett, son of a fifteen-year-old Oglala woman and a Confederate general killed at Gettysburg; General George Crook, who bitterly resented newspaper reports that he had been whipped by Crazy Horse in battle; Little Big Man, who betrayed Crazy Horse; Lieutenant William Philo Clark, the smart West Point graduate who thought he could “work” Indians to do the Army’s bidding; and Fast Thunder, who called Crazy Horse cousin, held him the moment he was stabbed, and then told his grandson thirty years later, “They tricked me! They tricked me!”At the center of the story is Crazy Horse himself, the warrior of few words whom the Crow said they knew best among the Sioux, because he always came closest to them in battle. No photograph of him exists today.The death of Crazy Horse was a traumatic event not only in Sioux but also in American history. With the Great Sioux War as background and context, drawing on many new materials as well as documents in libraries and archives, Thomas Powers recounts the final months and days of Crazy Horse’s life not to lay blame but to establish what happened.

     PRELIMINARY COMMENTS: “The excruciatingly long wait for Spider Rain is finally over, and it doesn’t disappoint! Poor Emmett appears to be the only sane person in Dodge, and that makes for lots of laughs. Of course, precocious little Scarlett—my favorite character—outdoes herself, yet again.” “Of all the books John Locke writes, the westerns are my favorites. Spider Rain—announced a year ago—is here at last. I was mildly annoyed the author wrote and published two other books while writing this one, but he says the westerns are a labor of love, and maybe what makes them so special is the extra time he puts into writing them. Spider Rain will give you at least one smile per page. It’s Locke at his best.” “John has confided this might be his last western. I sincerely hope that’s not the case, because reading these books is like spending quality time with your favorite friends and family. Spider Rain is funny and sad and hopeful and crazy and good-hearted and I loved every minute of it.”

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    Oak Ridge, Tennessee has sprung up in a matter of months—a town of trailers and segregated houses, 24-hour cafeterias, and constant security checks. There, June joins hundreds of other young girls operating massive machines whose purpose is never explained. They know they are helping to win the war, but must ask no questions and reveal nothing to outsiders.The girls spend their evenings socializing and flirting with soldiers, scientists, and workmen at dances and movies, bowling alleys and canteens. June longs to know more about their top-secret assignment and begins an affair with Sam Cantor, the young Jewish physicist from New York who oversees the lab where she works and understands the end goal only too well, while her beautiful roommate Cici is on her own mission: to find a wealthy husband and escape her sharecropper roots. Across town, African-American construction worker Joe Brewer knows nothing of the government’s plans, only that his new job pays enough to make it worth leaving his family behind, at least for now. But a breach in security will intertwine his fate with June’s search for answers.When the bombing of Hiroshima brings the truth about Oak Ridge into devastating focus, June must confront her ideals about loyalty, patriotism, and war itself.

    In 1942 they made it onto the last boat to escape France before the Germans sealed its harbors. Then, barred from entering the United States, they lived in Cuba for almost two years before emigrating to New York. This sweeping account of one family’s escape from the turmoil of war-torn Europe hangs upon the intimate and deeply personal story of Maitland’s mother’s passionate romance with a Catholic Frenchman. Separated by war and her family’s disapproval, the young lovers—Janine and Roland—lose each other for fifty years. It is a testimony to both Maitland’s investigative skills and her devotion to her mother that she successfully traced the lost Roland and was able to reunite him with Janine. Unlike so many stories of love during wartime, theirs has a happy ending.

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    Drawing on the little-known American practice of incarcerating adolescent girls for “immorality” in the first half of the twentieth century, O’Connor follows young V from her early work as a nightclub entertainer to her subsequent six-year state school sentence for an unplanned pregnancy. As V struggles to survive within a system only nominally committed to rescue and reform, she endures injustices that will change the course of her life and the lives of her descendants. Inspired by O’Connor’s research on her unknown maternal grandmother and the long-term effects of intergenerational trauma, Evidence of V: A Novel in Fragments, Facts, and Fictions is a poignant excavation of familial and national history that remains disturbingly relevant—a harrowing story of exploitation and erasure, and the infinite ways in which girls, past and present, are punished for crimes they didn’t commit. O’Connor’s collage novel offers an engaging balance between illuminating a shameful and hidden chapter of American history and captivating the reader with the vivid and unforgettable character of V.

    Previously published as Brothers in Arms, this edition includes a new preface by the author.When William Broyles Jr. was drafted, he was a twenty-four-year-old student at Oxford University in England, hoping to avoid military service. During his physical exam, however, he realized that he couldn’t let social class or education give him special privileges. He joined the marines, and soon commanded an infantry platoon in the foothills near Da Nang. More than a decade later, Broyles found himself flooded with emotion during the dedication of the Vietnam Veterans Memorial in Washington, DC. He decided to return to Vietnam and confront what he’d been through. Broyles was one of the very first combat veterans to return to the battlefields. No American before or since has gone so deeply into the other side of the war: the enemy side. Broyles interviews dozens of Vietnamese, from the generals who ran the war to the men and women who fought it. He moves from the corridors of power in Hanoi—so low-tech that the plumbing didn’t work—to the jungles and rice paddies where he’d fought. He meets survivors of American B-52 strikes and My Lai, and grieves with a woman whose son was killed by his own platoon. Along the way, Broyles also explores the deep bonds he shared with his own comrades, and the mystery of why men love war even as they hate it. Amidst the landscape of death, his formerly faceless enemies come to life. They had once tried to kill each other, but they are all brothers now.

    Examines twelve of the greatest enigmas of the American West, from the unexplained death of explorer Meriwether Lewis to a fabled treasure in the Superstition Mountains of Arizona.

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.