When Henry dies soon after, she uncovers the long-hidden music manuscript. She becomes determined to discover what it is and to return it to its rightful owner, a journey that will challenge her preconceptions about herself and her family’s history—and also offer her an opportunity to finally make peace with the past.In Berlin, Germany, in 1783, amid the city’s glittering salons where aristocrats and commoners, Christians and Jews, mingle freely despite simmering anti-Semitism, Sara Itzig Levy, a renowned musician, conceals the manuscript of an anti-Jewish cantata by Johann Sebastian Bach, an unsettling gift to her from Bach’s son, her teacher. This work and its disturbing message will haunt Sara and her family for generations to come.Interweaving the stories of Susanna and Sara, and their families, And After the Fire traverses over two hundred years of history, from the eighteenth century through the Holocaust and into today, seamlessly melding past and present, real and imagined. Lauren Belfer’s deeply researched, evocative, and compelling narrative resonates with emotion and immediacy.

    Arriving home on the Big Island too late to reconcile with her estranged father, she is left alone to untangle the clues of his legacy, which lead to a secret property tucked away in the remote rain forest of Kilauea volcano. When the government starts taking away her neighbors as suspected sympathizers, Lana shelters two young German girls, a Japanese fisherman and his son. As tensions escalate, they are forced into hiding—only to discover the hideaway house is not what they expected.When a detainment camp is established nearby, Lana struggles to keep the secrets of those in her care. Trust could have dangerous consequences. As their lives weave together, Lana begins to understand the true meaning of family and how the bonds of love carry us through the worst times.

    But the shock goes even deeper when she learns that the woman who has been like a mother to her has left her entire estate to Julie’s twin sister. The only thing Julie receives is a key—one carried by her mother on the day she herself died—to a safety-deposit box in Siena, Italy. This key sends Julie on a journey that will change her life forever—a journey into the troubled past of her ancestor Giulietta Tolomei. In 1340, still reeling from the slaughter of her parents, Giulietta was smuggled into Siena, where she met a young man named Romeo. Their ill-fated love turned medieval Siena upside-down and went on to inspire generations of poets and artists, the story reaching its pinnacle in Shakespeare’s famous tragedy. But six centuries have a way of catching up to the present, and Julie gradually begins to discover that here, in this ancient city, the past and present are hard to tell apart. The deeper she delves into the history of Romeo and Giulietta, and the closer she gets to the treasure they allegedly left behind, the greater the danger surrounding her—superstitions, ancient hostilities, and personal vendettas. As Julie crosses paths with the descendants of the families involved in the unforgettable blood feud, she begins to fear that the notorious curse—“A plague on both your houses!”—is still at work, and that she is destined to be its next target. Only someone like Romeo, it seems, could save her from this dreaded fate, but his story ended long ago. Or did it? From Anne Fortier comes a sweeping, beautifully written novel of intrigue and identity, of love and legacy, as a young woman discovers that her own fate is irrevocably tied—for better or worse—to literature’s greatest star-crossed lovers.

    Soon overwhelmed by the sheer beauty of the city and its magnificent art, Miss Garnet’s English reserve begins to melt away. For the first time in her life she falls in love—with an art dealer named Carlo—and her once ordinary world is further transformed by a beautiful Italian boy, Nicco, and an enigmatic pair of twins engaged in restoring the fourteenth-century Chapel-of-the-Plague. Most affecting to Julia, though, is her discovery in a local church of panels depicting the ancient tale of Tobias and the Angel. As Julia unravels the story of Tobias’s redemption, she too strives to recover losses—not just her own but also the priceless painting of an angel that goes mysteriously missing from the Chapel along with one of the twins restoring it. His name is Toby. And Miss Garnet herself may prove to be an angel, but nowhere in this haunting, beautifully textured and multilayered novel is anything quite what it appears to be.

    She won’t submit to a lifetime of subservience. When her father dies, she sets out on her own, pursuing the power she believes to be her birthright, dreaming of the Roman Empire’s downfall and her ascendance to the throne.Defying her family, Zenobia arranges her own marriage to the most influential man in the city of Palmyra. But their union is anything but peaceful—his other wife begrudges the marriage and the birth of Zenobia’s son, and Zenobia finds herself ever more drawn to her guardsman, Zabdas. As war breaks out, she’s faced with terrible choices.From the decadent halls of Rome to the golden sands of Egypt, Zenobia fights for power, for love, and for her son. But will her hubris draw the wrath of the gods? Will she learn a “woman’s place,” or can she finally stake her claim as Empress of the East?

    So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    He’s tired of being overlooked. It’s going to be a long two years.Eleanor Barrington has one rule: don’t draw attention to yourself. Her father does that far too often. She has one goal: marry a Peer with enough social status to protect her family from embarrassment. When her father decides on a last-minute Grand Tour, Eleanor finds herself spending time with the one man who cannot help her: a younger son who draws attention to himself everywhere they go. Her brother’s best friend.As the younger son of an earl, Percy Hauxton has to fight for everything. A Grand Tour is the perfect opportunity to pursue his ambition to work for the Foreign Office. But traveling with Eleanor and her parents wasn’t part of the plan.When circumstances draw them apart and a secret from the past threatens to unravel everything, Eleanor has to rethink her goals and decide one thing. Can she marry for love, or does she need a marriage of convenience?

    They are arranging to marry Henry's pretty, frivolous younger sister, Mary, to the aging king of France, and they are succeeding thanks in no small measure to a breathtaking miniature of Mary that has been delivered secretly into the king's hands. Everyone wants to know the identity of the painter who created this small miracle, and speculation is rampant. Because women are not allowed in the painters' guild, no one suspects that the artist is a woman, Susanna Dallet, who has been bitterly disappointed by her cad of a husband, who left her widowed and penniless with only her nearly divine talent for portrait painting to sustain herself. Susanna catches the eye and not-quite-benign protection of the manipulative, scheming, brilliant Wolsey - who is utterly captivated by her wit, her independence, and her uncanny gift for capturing character with the delicate strokes of her tiny brush. Placed in the entourage of the princess-bride as she travels stormy seas to the royal wedding, Susanna unknowingly carries with her to France the key to a secret that will embroil her in the diabolical plots swirling through the French court. But high in the rigging of the princess's silk-bannered ship sits the angel of art, who not only snatches Susanna from danger but rewards her courage and feisty resourcefulness with the love of an intelligent - and devastatingly attractive - hero.

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    That is, until her chance encounter with charming infantryman Morgan McClain at a USO dance in Chicago. Their deep connection feels mutual to Liz, but to her dismay, her bombshell roommate, Betty, is the one who promises to write the deploying soldier.Singer Betty Cordell delights in the prospect of a dashing serviceman filling her life with adventure, marital bliss, and societal circles outranking her modest roots. It only makes sense for her to beg Liz for help penning an eloquent letter to Morgan, now bound for a dangerous front. After all, she's certain the beauty of Liz's ghostwritten prose would ensure a courtship as enviable as their roommate Julia's relationship with her beloved sailor-and Betty is right, though not how she foresees.Likewise, Julia Renard's betrothal is more complicated than it appears. When tempting opportunities arise, the future she always envisioned as a devoted wife and mother risks derailment. And yet, as the Allies edge toward victory, every person-through heart-wrenching choices and life-altering letters-will discover within themselves profound courage, bittersweet hope, and the true meaning of home . . ."A gripping and memorable story, Letters from Home is a timeless lesson in love and loss and the moments that shape our lives." -Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris

    Hela has powers too strong for a child – both to feel the pain of those around her and to heal them. But when she is given a mysterious cup by a slave woman, its powers overtake her life, forcing her into a vow she cannot hope to keep. Trapped by her vow, Hela loses one chance after another to love and be loved. Meanwhile in her household a child is growing into a woman who will become famous throughout the Muslim world. So begins a quartet of historical novels set in Morocco as the Almoravid Dynasty sweeps across Northern Africa and Spain, creating a Muslim Empire that endured for generations.

    Charting her way through an ill-advised marriage, Soo-Ja must navigate the intrigue and dangers of living with her conniving in-laws, all the while longing for her true love of the past, the elusive Doctor Yul. And when he enters her life again, Soo-Ja is confronted with a final chance at happiness, but must make a mother’s ultimate choice.Epic and intimate, Park’s debut offering—based on his own mother’s story—is a snapshot of a nation rising from a poor, rural country into a major world power in the aftermath of a devastating war. This Burns My Heart evokes a strong sense of place and era reminiscent of Sarah Waters, and the richly drawn characters and exploration of women’s changing roles brings to mind Lisa See.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.