. . . It renders a complex and complete human world, which by the end we have learned to love."— The Boston Book ReviewChinatown, Vancouver, in the late 1930s and '40s provides the backdrop for this poignant first novel, told through the vivid reminiscences of the three younger children of an immigrant Chinese family. The siblings grapple with their individual identities in a changing world, wresting autonomy from the strictures of history, family, and poverty. Sister Jook-Liang dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Adopted Second Brother Jung-Sum, struggling with his sexuality and the trauma of his childhood in China, finds his way through boxing. Third Brother Sekky, who never feels comfortable with the multitude of Chinese dialects swirling around him, becomes obsessed with war games, and learns a devastating lesson about what war really means when his 17-year-old babysitter dates a Japanese man.Mingling with life in Canada and the horror of war are the magic, ghosts, and family secrets of Poh-Poh, or Grandmother, who is the heart and pillar of the family. Side by side, her three grandchildren survive hardships and heartbreaks with grit and humor. Like the jade peony of the title, Choy's storytelling is at once delicate, powerful, and lovely.The Jade Peony was selected by the Literary Review of Canada as one of the "100 Most Important Books in Canadian History" in 2005. It was also an American Library Association Notable Book of the Year in 1998, and was winner of the 1995 Trillium Award (shared with Margaret Atwood).

    To prove his loyalty to the Party, Ah Liam reports his grandmother to the authorities. But his belief in doing the right thing sets in motion a terrible chain of events.Now they must flee their home on Drum Wave Islet, which sits just a few hundred meters across the channel from mainland China. But when their mother goes to procure visas for safe passage to Hong Kong, the government will only issue them on the condition that she leave behind one of her children as proof of the family’s intention to return.Against the backdrop of early Maoist China, this captivating and emotional tale follows a brother, a sister, a father, and a mother as they grapple with their agonizing decision, its far-reaching consequences, and their hope for redemption.

    Her parents were taken from her at a young age, then her uncle sold her into prostitution; it was enough for many years just to cope and survive. One day, fate places a kind gentlemanin her path, and she begins to discover the city outside the brotheland the world beyond China's borders. As a larger canvas of life emerges, Pan realizes that she has something of value to say -- and a talent through which she can express herself. From Shanghai to Paris, Pan is challenged by the harsh realities in politics, art, and love, and must rely on her own strength to develop her talent. In so doing, she takes a relatively ordinary life and makes it extraordinary.A work of fiction -- but based on the life and work of a real artist -- The Painter from Shanghai transports readers to early-20th-century China, a culture marked by oppression. Epstein has proven herself a shining talent in this first novel, tackling such weighty questions as: How does a talented artist blossom, even under repressive conditions? What is art, and what is love? What makes a life well lived? The answers form a mesmerizing portrait of one young woman's journey to find herself and to nourish her creative talents despite appreciable odds.(Summer 2008 Selection)

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    The five sequential stories in the book are well constructed in terms of theme and character development and, as such, can be read as a novel.The stories differ greatly from many other books on life in China, whether they are about the olden times or the present day, in that they do not dwell on politics, nor do they try to make any statements regarding set beliefs of any kind. The stories are simple and direct. Through the eyes and innocent mind of the child, we are let into her world and her feeling and cannot but be moved.The author is well known for her perception and humor, and both these qualities inform her stories. The sense of loss and bewilderment which arouses the child's awareness of the uncertainties of human relationships, even of life itself, and which finally catapults the child away from childhood joys into the sorrows of the adult world is handled with great sensitivity and lyricism.

    The enchanting story of two unlikely friends, a black ex-GI and the head of a group of German nuns, The Lilies of the Field tells the story of their impossible dream--to build a chapel in the desert.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    But back in the States, things go horribly wrong for him. Dog Soldiers perfectly captures the underground mood of America in the 1970s, when amateur drug dealers and hippies encountered profiteering cops and professional killers - and the price of survival was dangerously high.

    But life elsewhere in Europe offers few opportunities for medical professor Gerhard and his fellow scientists. Then they discover an unexpected haven in Turkey, where universities and hospitals welcome them as valuable assets.But despite embracing their adopted land, personal and political troubles persist. Military coups bring unrest and uncertainty to the country, intermarriage challenges the cultural identity of Gerhard and Elsa’s descendants, and anti-Semitism once again threatens their future in the place they call home.From World War II to the age of social media, one family’s generations find their way through love and loss, sacrifice and salvation, tragedy and triumph—with knowledge hard won and passion heartfelt.

    Seeking to restore her reputation, she sets off from Seattle in search of a temple believed to house the lost history of Cambodia’s ancient Khmer civilization. But she soon discovers that her quest to make the greatest archaeological discovery of the century is also a quest for the secrets of her family's own past. And as she travels through Shanghai's lawless back streets and Saigon’s opium-filled lanes to reach the Cambodian jungle, she does not know who to trust. A drug-addled temple robber, Simone Merlin seems to take pleasure in complicating the expedition, while jaded nightclub owner Marc Rafferty reveals a troublesome childhood mysteriously entwined with Irene’s. Even her own mentor, a notorious collector of stolen art, becomes suspect when Irene uncovers his connection to her companions. Set against a backdrop of colonialism, revolutionary politics and the ruthless art world of the early 1900s, The Map of Lost Memories takes readers on a seductive journey into a forgotten era where nothing is as it seems. As Irene and her fellow adventurers travel into the humidity-soaked jungle, little do they know that what they eventually bring to light will do more than change history … It will ultimately solve the mysteries of their own lives.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    Tomo's real mission had been to find him a mistress. Nor did her secret humiliation end there. The web that his insatiable lust spun about him soon trapped another young woman, and another ... and the relationships between the women thus caught were to form, over the years, a subtle, shifting pattern in which they all played a part. There was Suga, the innocent, introspective girl from a respectable but impoverished family; the outgoing, cheerful, almost boyish Yumi; the flirtatious, seductive Miya, who soon found her father-in-law more dependable as a man than his brutish son.... And at the center, rejected yet dominating them all, the near tragic figure of the wife Tomo, whose passionate heart was always, until that final day, held in check by an old-fashioned code.In a series of colorful, unforgettable scenes, Enchi brilliantly handles the human interplay within the ill-fated Shirakawa family. Japan's leading woman novelist and a member of the prestigious Art Academy, she combines a graceful, evocative style that consciously echoes the Tale of Genji with keen insight and an impressive ability to develop her characters over a long period of time. Her work is rooted deep in the female psychology, and it is her women above all-so clearly differentiated yet all so utterly feminine-who live in the memory. With The Waiting Years, a new and important literary figure makes her debut in the Western world.

    This Vintage Original edition marks its first appearance in the United States.On a rainy night in the 1930s, Anne Louvet appears at the run-down Hotel du Lion d'Or in the village of Janvilliers.  She is seeking a job and a new life, one far removed from the awful injustices of her past. As Anne embarks on a torrential love affair with a married veteran of the Great War, The Girl at the Lion d'Or fashions an unbreakable spell of narrative and atmosphere that evokes French masters from Flaubert to Renoir.

    It has been boarded up for decades, but now the new owner has discovered the belongings of Japanese families who were sent to internment camps during World War II. As the owner displays and unfurls a Japanese parasol, Henry, a Chinese American, remembers a young Japanese American girl from his childhood in the 1940s—Keiko Okabe, with whom he forged a bond of friendship and innocent love that transcended the prejudices of their Old World ancestors. After Keiko and her family were evacuated to the internment camps, she and Henry could only hope that their promise to each other would be kept. Now, forty years later, Henry explores the hotel's basement for the Okabe family's belongings and for a long-lost object whose value he cannot even begin to measure. His search will take him on a journey to revisit the sacrifices he has made for family, for love, for country.