. . each reed of thatch, each tiny daisy trembling in the grass.” All of these stories, each in its own way, partake of this glow, as life beyond middle age is explored and found to have its own exquisite dearness. As death approaches, existence takes on, for some of Updike’s aging characters, a translucence, a magical fragility; vivid memory and casual misperception lend the mundane an antic texture, and the backward view, lengthening, acquires a certain grandeur. Here is a world where wonder stubbornly persists, and fresh beginnings almost outnumber losses.

    The characters who inhabit Beautiful Girls are the timid, the not-quite-fabulous, the public school Ophelias, who yearn for something grander than their current lot.Told with irresistible humor and a cockeyed economy, these stories illuminate the search for love, friendship, connection, and identity.

    How come her blissful life got disturbed by all but a gentle sermon?The handsome Piyush had the world at his feet and yet his world was empty!Meera, an IAS officer, was living her dream but why wasn’t she happy?Centuries ago, Ila the Playwright, found happiness in pursuing her passion but why was this a bane to many?What happens when your subconscious tries to pass on a message?Hurt and pain helped Madhav become a millionaire. How would be come to terms when he realizes that it was not him that was wronged but it was he who was wrong.Meera is a budding comedian, but a great tragedy befalls her. Would she be able to hold her own in adverse circumstances? Kapil found liberation in his quest for knowledge, but would his daughter follow his lead ?Explore Greed (via Manifestation of God), Unspoken words (via The Last Confession), Internal Conflict (via The Lost Meera), Self-Belief (via The Mysterious Playwright), Subconscious-self (via Three of Him), Love (via Madhav and Meera), Jealousy (via The Comic’s Tragedy) and Freedom (via Life goes in a circle).

    Sudden Fiction brilliantly captures the tremendous popularity of this new and distinctly American form.

    As a short-story writing, Lawrence at his best was unexcelled.

    They pine for lost loves and pop music romances, Hollywood heartthrobs, and sunnier towns. They flee from failed relationships and looming violence, adulthood and other deaths. Written with dark humor and incisive, voice-driven prose, Kara Vernor's stories will stick in your head like a song. "Kara Vernor's "Because I Wanted To Write You A Pop Song" is hilarious, dark, and beguiling. These wonderful stories crackle with hard-earned wisdom and wit and will, like all the very best songs, become forever etched on your heart." --John Jodzio, author of Knockout "Reading Kara Vernor is like being in a fast car that reveals the deepest secrets of its passerby. You rubberneck and yearn for more. You're spinning, you're flying, you're exhilarated and sad and brimming with thrill. Hail this book and hold on tight." --Lindsay Hunter, author of Ugly Girls "Kara Vernor says so much in so few words with these stories that I felt myself becoming a better reader as I read them. Her writing feels like a knife, cutting through so many of the falsehoods of American life and leaving only the truth, somehow leaving it both gently and determinedly at the same time. The stories in Because I Wanted to Write You a Pop Song do not flinch and do not seem to even remember how." --Siamak Vossoughi, author of Better Than War (winner of the Flannery O'Connor Award for Short Fiction) "The stories in "Because I Wanted to Write You a Pop Song" dazzle and tenderize. They are strange little worlds that invite you in...Kara Vernor writes with gut, heart, and striking beauty." --Jensen Beach, author of Swallowed by the Cold "If I could leave a few things in a capsule for the civilization coming next, I think I’d maybe pick Kara Vernor’s stories. Beings of the future might know us that way: how we thought; how our words arranged themselves on our tongues when we were only half thinking; what we were after, and how messed up that all was, but how vital in a deeper way. Like some of my favorite writers, Vernor is able to bring to the page a voice you’re shocked to recognize, for it seems so totally new. All of the stars, is what I’m trying to say. All of the hearts and cherries."--Scott Garson, author of Is That You, John Wayne?

    Zawartość zbioru:- Intymność- Pokój- Mur

    Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions, and scientifically grounded superpowers — a place where the absurd and the mundane are not merely bedfellows, but interbreed. At the core of Adam Marek’s much-anticipated second short story collection is a single, unifying theme: a parent’s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, that only the fantastically illogical can steel us against what ordinary life threatens. Bonus BackLit materials will include an interview and a list of Marek’s recommended books.

    REVENGE OF THE LAWN: Originally published in 1971, these bizarre flashes of insight and humor cover everything from "A High Building in Singapore" to the "Perfect California Day." This is Brautigan's only collection of stories and includes "The Lost Chapters of TROUT FISHING IN AMERICA."THE ABORTION: AN HISTORICAL ROMANCE 1966: A public library in California where none of the books have ever been published is full of romantic possibilities. But when the librarian and his girlfriend must travel to Tijuana, they have a series of strange encounters in Brautigan's 1971 novel.SO THE WIND WON'T BLOW IT ALL AWAY: It is 1979, and a man is recalling the events of his twelfth summer, when he bought bullets for his gun instead of a hamburger. Written just before his death, and published in 1982, this novel foreshadowed Brautigan's suicide.

    In fact Charles Willard a fellow scientist claimed to have actually seen them in Tibet but unfortunately died shortly afterwards. So when Shonku learns that another expedition is starting off for Tibet he jumps at the opportunity to trace Willard's route and find the unicorns. Tibet is just one of the exotic places Professor Shonku's exploits take him in this volume of stories. In the Sahara Desert he comes face to face with a massive pyramid like structure no one knew of earlier he travels underwater in a submarine with two Japanese scientists to investigate the sudden appearance of deadly red fish that have taken to eating humans in the caves of Bolivia he meets a primitive man who has been painting his dwelling with animal figures and strange mathematical formulae and on a peculiar island which has appeared out of nowhere in the Pacific Ocean horrific plants suck out all his learning from his brain. Professor Shonku is at the height of his ingenuity and daring in this collection and thrills and surprises await us around every bend as we follow him on his astonishing adventures.

    Includes the following short story collections:- May We Borrow Your Husband?- A Sense of Reality- Twenty-One Stories

    The caller is a girl who says she has been kidnapped and will die if Aashna doesn't help her. Before Aashna can get details about the girl and her whereabouts, the phone gets cut off. Who was she and why did her voice sound eerily familiar? Will Aashna be able to help her?Maanvi's life has always been about making everyone around realize that she is worthy too. From her test grades to her body type, everyone always had a piece of advice to give or some judgement to pass. How does Maanvi get affected by these? Does she manage to prove her worth to the world?These and six other stories in this collection covering a range of genres including romance, mystery, horror, thriller and much more. Delve in for a delightful reading journey!

    But what of its opposite -- the moment when it becomes clear that things are indisputably over? Dumped is a survey of every type of romantic crack-up, a group of stories full of the hilarity, wisdom, insight, and sometimes, yes, fierce revenges of some of the most memorable broken hearts in recent literature. Dumped sheds light on what can be the toughest part of human relations -- whether newly elucidating the misery we've all endured, or merely reminding us that others have had it far worse -- from the mother in Elizabeth Berg's Open House absurdly attempting to tell her son his father has left, to the betrayed wife in Roald Dahl's "Lamb to Slaughter," who beats her husband to death with a leg of lamb, then cooks it for the police. With contributions from such notable authors as Will Self, Saul Bellow, Alice Munro, Raymond Carver, Lorrie Moore, Dorothy Parker, Andre Dubus, and Tobias Wolff, as well as rising stars like Lucinda Rosenfeld and Steve Almond, Dumped spans every variety of romantic catastrophe and every possible response to it; from the wise to the hilarious, the bitter to the bittersweet. This book is the panacea for problems of the heart.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    Full of desire, but out of kilter, their response to a dislocated reality is mutinous, wild, unforgettable.