When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.

    A Family Record" (1913). The book lovingly details Jane's birth, childhood, adolescence, and maturity; the everyday minutiae of her life, the circumstances in which she wrote her juvenilia and her six novels, and her early death. Using Jane Austen's own letters, additional letters sent between a large and fond family, and family reminiscences, William and Richard Austen-Leigh continued the family tradition of carefully nurturing the literary and personal reputation of a literary icon who also happened to be a most beloved aunt.

    Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

    The Regency (1811–1820) began when the profligate Prince of Wales—the future king George IV—replaced his insane father, George III, as Britain’s ruler.Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner. Science burgeoned during this decade, too, giving us the steam locomotive and the blueprint for the modern computer.Yet the dark side of the era was visible in poverty, slavery, pornography, opium, and the gothic imaginings that birthed the novel Frankenstein. With the British military in foreign lands, fighting the Napoleonic Wars in Europe and the War of 1812 in the United States, the desire for empire and an expanding colonial enterprise gained unstoppable momentum. Exploring these crosscurrents, Robert Morrison illuminates the profound ways this period shaped and indelibly marked the modern world.

    Willoughby is as charming, as roguish, and as much in love with her as ever. And the timing couldn't be worse--with Colonel Brandon away and Willoughby determined to win her back, will Marianne find the strength to save her marriage, or will the temptation of a previous love be too powerful to resist?Praise for Lydia Bennet's Story: "A breathtaking Regency romp!"-- Diana Birchall, author of Mrs. Darcy's Dilemma"An absolute delight to read."-- Historical Novels Review"Odiwe emulates Austen's famous wit, and manages to give Lydia a happily-ever-after ending worthy of any Regency romance heroine."-- Booklist"Odiwe pays nice homage to Austen's stylings and endears the reader to the formerly secondary character, spoiled and impulsive Lydia Bennet."-- Publisher's Weekly"Rollicking good fun with a surprise twist."-- Austenprose

    Describing the silliness and feminine fatuity of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines.Essay first published for Westminster Review in 1856.

    Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing.... Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, starving herself to death to quell her demons; author Mary Shelley, dreaming her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.”—Andi Zeisler, author of We Were Feminists Once

    And yet, very few of its readers know that the subject of the novel was inspired by a real-life case: the 1948 abduction of eleven-year-old Sally Horner.Weaving together suspenseful crime narrative, cultural and social history, and literary investigation, The Real Lolita tells Sally Horner’s full story for the very first time. Drawing upon extensive investigations, legal documents, public records, and interviews with remaining relatives, Sarah Weinman uncovers how much Nabokov knew of the Sally Horner case and the efforts he took to disguise that knowledge during the process of writing and publishing Lolita.Sally Horner’s story echoes the stories of countless girls and women who never had the chance to speak for themselves. By diving deeper in the publication history of Lolita and restoring Sally to her rightful place in the lore of the novel’s creation, The Real Lolita casts a new light on the dark inspiration for a modern classic.

    If you discipline, you’re buying them a spot on the shrink’s couch; if you let them run wild, they will be into drugs by seventh grade. If you buy organic, you’re spending their college fund; if you don’t, you’re risking all sorts of allergies and illnesses.Is it any wonder so many women refer to themselves at one time or another as “a bad mother”? Ayelet Waldman says it’s time for women to get over it and get on with it, in a book that is sure to spark the same level of controversy as her now legendary Modern Love piece, in which she confessed to loving her husband more than her children.Covering topics as diverse as the hysteria of competitive parenting (Whose toddler can recite the planets in order from the sun?), the relentless pursuits of the Bad Mother police, balancing the work-family dynamic, and the bane of every mother’s existence (homework, that is), Bad Mother illuminates the anxieties that riddle motherhood today, while providing women with the encouragement they need to give themselves a break.

    But his wife, Fanny, has no desire to share their newly inherited estate with Belle Dashwood's daughters. When she descends upon Norland Park with her Romanian nanny and her mood boards, the three Dashwood girls—Elinor, Marianne, and Margaret—are suddenly faced with the cruelties of life without their father, their home, or their money.As they come to terms with life without the status of their country house, the protection of the family name, or the comfort of an inheritance, Elinor and Marianne are confronted by the cold hard reality of a world where people's attitudes can change as drastically as their circumstances.With her sparkling wit, Joanna Trollope casts a clever, satirical eye on the tales of Elinor and Marianne Dashwood. Re-imagining Sense and Sensibility in a fresh, modern new light, she spins the novel's romance, bonnets, and betrothals into a wonderfully witty coming-of-age story about the stuff that really makes the world go around. For when it comes to money, some things never change. . . .

    They opened up new worlds and cast light on all the complexities she encountered in this one.She was whisked away to Narnia – and Kirrin Island – and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy, and played by the tracks with the Railway Children. With Charlotte’s Web she discovered Death and with Judy Blume it was Boys. No wonder she only left the house for her weekly trip to the library or to spend her pocket money on amassing her own at home.In Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.Lucy brings the favourite characters of our collective childhoods back to life – prompting endless re-readings, rediscoveries, and, inevitably, fierce debate – and brilliantly uses them to tell her own story, that of a born, and unrepentant, bookworm.

    Handsome, haughty Will Darcy, a Confederate officer back from the war, owns half the land around Rosings, and his even haughtier cousin, Cate Burroughs, owns the other half.In a town as small as Rosings, Beth and Will inevitably cross paths. But as Will becomes enchanted with the fiery Yankee, Beth won't allow herself to warm to the man who represents the one thing she hates most: the army that killed her only brother.But when carpetbagger George Whitehead arrives in Rosings, all that Beth thought to be true is turned on its head, and the only man who can save her home is the one she swore she'd never trust..."It's Pride and Prejudice meets Gone with the Wind-with that kind of romance and excitement."-Sharon Lathan, bestselling author of In the Arms of Mr. Darcy

    Darcy, but how should you let him know your intentions? Seek counsel from this charming guide to Jane Austen's world. Its step-by-step instructions reveal the practicalities of life in Regency England, including sensible advice on:- How to behave at your first ball- How to ride sidesaddle- How to decline an unwanted marriage proposal- How to improve your estate- How to throw a dinner partyand much more. Offering readers a glimpse into day-to-day life in Jane Austen's time, The Jane Austen Handbook is the perfect companion for fans of her novels and their film adaptations, complete with detailed information on love among the social classes, currency, dress, and nuances of graceful living.

    Jane Austen's classic novel is beloved by millions, but little is revealed in the book about the mysterious and handsome hero, Mr. Darcy. And so the question has long remained: Who is Fitzwilliam Darcy? In An Assembly Such as This, Pamela Aidan finally answers that long-standing question. In this first book of her Fitzwilliam Darcy, Gentleman trilogy, she reintroduces us to Darcy during his visit to Hertfordshire with his friend Charles Bingley and reveals Darcy's hidden perspective on the events of Pride and Prejudice. As Darcy spends more time at Netherfield supervising Bingley and fending off Miss Bingley's persistent advances, his unwilling attraction to Elizabeth grows—as does his concern about her relationship with his nemesis, George Wickham.Setting the story vividly against the colorful historical and political background of the Regency, Aidan writes in a style comfortably at home with Austen but with a wit and humor very much her own. Aidan adds her own cast of fascinating characters to those in Austen's original, weaving a rich tapestry from Darcy's past and present. Austen fans and newcomers alike will love this new chapter of the most famous romance of all time.

    Darcy and closely based on real Regency advice manuals. It is a hilarious and irreverent picture of the social mores of the period and of how men thought about women – and sheds amusing light on men of the modern age, too! Readers can dip into different sections for Darcy's views on a myriad of issues, including "What Females Want", "The Deceptions of Beautiful Women" and “Winning Their Affections, Flattery, Making Conversation, and Flirting!" Also included are sections written by Pride and Prejudice’s Miss Caroline Bingley and Mr Darcy’s correspondence with famous Regency figures including the Duke of Wellington.