But these houses aren’t normal, and nor is what’s inside them! With her old wounds recently reopened, Jenna is in desperate need of a new start, and her friend Tiff thinks she’s found just the thing when her company needs someone to watch over a trio of houses. Set in an idyllic location in the Shropshire Hills, the houses lie empty, tied up in a legal battle, but from the outset Jenna knows there’s something wrong with them – and it’s not just down to the vicious wrangling between the owners, either! Why does it feel like the houses are talking to her? And who is the mysterious ex-soldier in the only other house on the hill? Why does he hate the owners so badly, and does he know more of what’s going on than Jenna has been told? Join Jenna as she unravels the secret of the houses while she struggles to heal her own inner scars, and in the process finds unexpected friends and inner reserves she didn’t know she had. If you love paranormal mysteries by authors such as Barbara Erskine and Phil Rickman; the magical realism of J S Donovan, Diane Setterfield and Melissa Payne; or the magical elements of Diana Gabaldon’s Lord John Grey novels, then this is a book for you! Grab a copy today and join Jenna on the mysterious Welsh Borders!

    This "Columbia Critical Guide" starts with extracts from Melville's own letters and essays and from early reviews of "Moby-Dick" that set the terms for later critical evaluations. Subsequent chapters deal with the "Melville Revival" of the 1920s and the novel's central place in the establishment, growth, and reassessment of American Studies in the 1940s and 1950s. The final chapters examine postmodern New Americanist readings of the text, and how these provide new models for thinking about American culture.