Also published by Bantam: 0-553-25474-X

    Deirdre Marie Capone offers the portrait of an American family and her favorite Uncle, endlessly depicted as the iconic mastermind behind some of the century s most brutal killings. Filled with never-before published family photos of Al Capone and surprising revelations about the man behind the notorious legend, this book tells the untold story from within the family.- Learn the truth about the St. Valentine's Day Massacre- Learn about Al Capone's role in the only successful escape from Alcatraz- Even get the family recipes for Al Capone's favorite meals- But most importantly, learn about what family life was like for the Capones and what it was like growing up in Chicago with the most notorious of last names.

     Based on exhaustive research of archives and secret files obtained through the Freedom of Information Act, author and attorney C. Alexander Hortis draws on the deepest collection of primary sources, many newly discovered, of any history of the modern mob.Shattering myths, Hortis reveals how Cosa Nostra actually obtained power at the inception.  The author goes beyond conventional who-shot-who mob stories, providing answers to fresh questions such as:     * Why did the Sicilian gangs come out on top of the criminal underworld?   * Can economics explain how the Mafia families operated?   * What was the Mafia's real role in the drug trade?   * Why was Cosa Nostra involved in gay bars in New York since the 1930s?  Drawing on an unprecedented array of primary sources, The Mob and the City is the most thorough and authentic history of the Mafia's rise to power in the early-to-mid twentieth century.

    Handsome and charismatic, he was known to frequent the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water, in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments.Hicks's criminal career reached its peak in 1860, when he was hired, under an alias, as an extra hand on an oyster sloop. His plan was to rob the ship, make his getaway, and disappear in the teeming streets of lower Manhattan, as he'd done numerous times before. But the plan went awry, and the voyage turned into a massacre. In the straits of Coney Island, on a foggy night, the ghost sloop, adrift and unmanned, was rammed by another vessel. When police boarded the ship to investigate, they found blood and gore everywhere, no bodies, only the grisly signs of struggle. A manhunt was launched for the mysterious merchant seaman on the manifest.Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure for the first time, from his humble origins to his incarnation as a demon who terrorized the Five Points and became the gangster most feared by other gangsters, at a time when pirates anchored off of 14th street.

    The criminals of the Depression robbed almost at will (the Indiana State Police had only 41 members, including clerks and typists). Dillinger's daring escapes-single-handed at Crown Point jail or through the withering machine gun fire of FBI agents at Little Bohemia Lodge-and his countless bank robberies excited the imagination of a despondent country. He eluded the lawmen of a half-dozen states and the growing power of the FBI, earning him the dubious honor of Public Enemy Number One and captivating Americans to the present day. His brief but significant career is vividly chronicled here in extraordinary detail, as is the entire outlaw era of Baby Face Nelson, Bonnie and Clyde, Ma Barker, and Machine Gun Kelly. The author conducted hundreds of interviews; his research took him through thirty-four states, into the cells where Dillinger was confined, and into every bank he robbed. The Dillinger Days is the inside account of a desperate and determined war between the law and the lawless, a struggle that did not end until a unique set of circumstances led to Dillinger's bloody death outside a Chicago movie house.

    The bestselling true story of a young NYPD detective's life-or-death undercover odyssey that led to the biggest mob takedown in New York City history.

    Recounting the lives of such notorious denizens as the original Mickey Finn, the mass murderer H. H. Holmes, and the three Car Barn Bandits, Asbury reveals life as it was lived in the criminal districts of the Levee, Hell's Half-Acre, the Bad Lands, Little Cheyenne, Custom House Place, and the Black Hole. His description of Chicago's infamous red light district -- where the brothels boasted opulence unheard of before or since -- vividly captures the wicked splendor that was Chicago. The Gangs of Chicago spans from the time "Slab Town" was settled to Prohibition days. The story of Chicago's golden age of crime climaxes with a dramatic account of the careers of the "biggest of the Big Shots": Big Jim Colosimo, Terrible Johnny Torrio, and the elusive Al Capone. Photographs and illustrations round out this telling of Chicago's early underworld. "Still the most detailed, reliable, and readable account of the nether side of Chicago's first century, deserves reading and rereading . . . " -- Perry R. Duis, Chicago historian

    Journalist Emilie Le Beau Lucchesi leads readers through the case, showing how, with no evidence and no witnesses, Nitti was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal. Lucchesi brings to life the sights and sounds of 1920s Chicago and its then-rural outskirts, when two other women (who would inspire the musical and film Chicago) also captured headlines for killing their lovers. But they were beautiful, charmed the all-male juries, and were quickly acquitted, raising doubts with many Chicagoans about the fairness of Nitti’s conviction. Featuring two other fascinating women—the ambitious and ruthless journalist who helped demonize Sabella through her reports and the brilliant, beautiful, twenty-three-year-old lawyer who helped humanize her with a jailhouse makeover—Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, and class with the American justice system.

    . . he brings fresh context to a familiar story worth retelling. -- The New York Times Book Review Organized crime--the Italian American kind--has long been a source of popular entertainment and legend. Now Thomas Reppetto provides a balanced history of the Mafia's rise--from the 1880s to the post-WWII era--that is as exciting and readable as it is authoritative.Structuring his narrative around a series of case histories featuring such infamous characters as Lucky Luciano and Al Capone, Reppetto draws on a lifetime of field experience and access to unseen documents to show us a locally grown Mafia. It wasn't until the 1920s, thanks to Prohibition, that the Mafia assumed what we now consider its defining characteristics, especially its octopuslike tendency to infiltrate industry and government. At mid-century the Kefauver Commission declared the Mafia synonymous with Union Siciliana; in the 1960s the FBI finally admitted the Mafia's existence under the name La Cosa Nostra.American Mafia is a fascinating look at America's most compelling criminal subculture from an author who is intimately acquainted with both sides of the street.

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    The Butcher tells the riveting true story of a hit man who loved his work too much—a maniac believed responsible for more than sixty remarkably brutal murders—whom even organized crime’s most cold-blooded assassins feared. Another riveting journey into the darkest corners of the underworld, Carlo’s The Butcher is destined to be a true crime classic alongside Wiseguys by Nicholas Pileggi and Underboss by Peter Maas.

    Based on years of research and interviews with imprisoned and recently released smugglers and the law enforcement agents who tracked them down, Jackpot does for marijuana smuggling what Blow and Snowblind did for the cocaine trade.

    John Dillinger is an adrenaline-fueled narrative that reignites America's fascination with the suave but deadly desperado who was the FBI's first "Public Enemy." Dubbed "The Jackrabbit" because of the way he leaped over bank cages and railings, Dillinger and his bank-robbing gang cut a criminal swath yet to be equaled. They became so famous in the 1930s that throngs of excited spectators would block the route to their getaway cars. When caught, Dillinger staged the most harrowing prison escapes imaginable—only to finally be betrayed by the infamous "Lady in Red." John Dillinger brings to light new information, including bank robberies never before reported; detailed plans for major crimes that Dillinger nearly implemented; the revelation that the "Lady in Red" was actually a police plant; and the startling fact that John Dillinger was summarily executed by rogue FBI agents being manipulated by East Chicago detectives desperate to cover up widespread police corruption. With access to thousands of detailed accounts, and pages of telling photographs, Matera's definitive book describes every robbery, shoot-out, and prison escape as though he choreographed them himself.

    A bootlegger and labor racketeer, he corrupted politicians, promoted crooked stock sales, and imported narcotics. And, perhaps most importantly, he transformed organized crime from a thuggish activity practiced by hoodlums into a big business, run like a corporation, with himself at the top. For twenty years, the name of Arnold Rothstein symbolized money—big-time money, gambling money, racket money, illegal money, millions upon millions of dollars. His share was ninety percent of any deal; he was never indicted for a single crime; he always won at cards and horses. And, despite his involvement in dozens of murders and hundreds of other crimes, his luck never ran out. At least not until 1928, the year in which he was fatally shot. The perpetrators—and Rothstein's millions—were never found. The Big Bankroll is the definitive biography of the man known simply as Mr. Big. In it, Leo Katcher reveals not only sordid details of the life of America's most powerful gambler, but illuminates the whole era in which crime became king.

    Enormously successful as a long-running TV series, The Untouchables should leap onto the bestseller lists when released as a major motion picture in June, starring Robert DeNiro and Sean Connery.