In Revenge of the She-Punks, she probes four themes--identity, money, love, and protest--to explore what makes punk such a liberating art form for women.With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem "Identity," with the refrain "Identity is the crisis you can't see." Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

    Whether he's recording 'Justified and Ancient' with Tammy Wynette; contemplating the dull lunacy of the Turner prize; resisting the urge to paint landscapes; or glorying in the crapness of rock comebacks; he is consistently amusing and thought-provoking, and draws us into his world with the seductive enthusiasm of a born storyteller. An artist with a singular approach to his work, Bill Drummond paused to take stock of his life and a career that spans over twenty-five eventful years. Famously enjoying international success with The KLF and inviting national controversy for burning a million quid with The K Foundation, these days Drummond spends much of his time writing profusely. He avoids and confronts issues, infuriates and inspires those around him, muses and confuses, creates and destroys. He has maintained a penchant for reckless schemes - all this while drinking endless pots of tea.

    "Now he’s gone and joined that stupid club,” she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. "I told him not to….” Kurt’s mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse. All were talented. All were dissipated. All were 27.Journalists write about the curse of the 27 Club as if there is a supernatural reason for this series of deaths. Others invoke astrology, numerology, and conspiracy theories to explain what has become a modern mystery. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, plus another forty-four music industry figures who died at 27, to discover what, apart from coincidence, this phenomenon signifies.In a grimly fascinating journey through the dark side of the music business over six decades, Sounes uncovers a common story of excess, madness, and self-destruction. The fantasies, half-truths, and mythologies that have become associated with Jones, Hendrix, Joplin, Morrison, Cobain, and Winehouse are debunked. Instead a clear and compelling narrative emerges, one based on hard facts, that unites these lost souls in both life and death.

    This edition spans the years between 1973's Can't Buy a Thrill and their 2000 comeback Two against Nature.

    Alongside former bandmates Don Henley, Glenn Frey, Randy Meisner, and Felder's childhood friend Bernie Leadon, he sold tens of millions of records (Eagles: Their Greatest Hits: 1971-1975 is the bestselling album of all time), performed before countless adoring fans, and co-wrote the renowned hit 'Hotel California'. His guitar-playing ability lifted the band from mere popularity to iconic status. And now Don Felder finally breaks the Eagles' decades of public silence to take fans behind the scenes - where drugs, greed and endless acrimony threatened to tear the band apart almost daily. Maybe there was too much talent. Maybe the personalities clashed with the egos. Whatever the reason, there were always these explosive arguments going on while I sat silently in a corner. I never expected it to survive. Never once did I feel, 'Hey, I got it made. This thing's gonna last for years.' Felder was wrong about that, but he was also right: the band split up in 1980, only to reunite for 1994's mega-selling 'Hell Freezes Over' album and tour.But tempers continued to flare, and in 2001, after 27 contentious years as an Eagle, Felder was summarily fired by the 'board of directors': Frey and Henley. Lawsuits and counter-suits followed. In 'Heaven and Hell', Felder takes us inside the pressurised recording studios, the trashed hotel rooms and the tension-filled courtrooms, where he, Frey, and Henley had their ultimate confrontation.

    Consisting of Pamela Des Barres's revealing interviews with and profiles of other supergroupies, this book offers firsthand glimpses into the backstage world of rock stars and the women who loved them. The groupies—such as Miss Japan Beautiful, who taught Elvis how to dance; Cassandra Peterson (Mistress of the Dark), who tangled with Tom Jones in Sin City; Cynthia Plaster Caster, who redefined the art of Jimi Hendrix; and Miss B., who revealed Kurt Cobain’s penchant for lip gloss—tell tales that go well beyond an account of a one-night stand to become a part of music history.

    Frank wore a big fake head. Nobody outside his inner circle knew his true identity. This became the subject of feverish speculation during his zenith years. Together, they rode relatively high. Then it all went wrong.Twenty-five years later and Jon has co-written a movie, Frank, inspired by his time in this great and bizarre band. Frank is set for release in 2014, starring Michael Fassbender, Maggie Gyllenhaal, and Domhnall Gleeson and directed by Lenny Abrahamson.Frank: The True Story that Inspired the Movie is a memoir of funny, sad times and a tribute to outsider artists too wonderfully strange to ever make it in the mainstream. It tells the true story behind the fictionalized movie.

    David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    But Peel's influence goes much deeper than this. Whether he was championing punk, reggae, jungle or grime, he had a unique relationship with his audience that was part taste-maker, part trusted friend.The book focuses on some 300 shows between 1967 and 2004, giving a thorough overview of Peel's broadcasting career and placing it in its cultural and social contexts. Peel comes alive for the reader, as do the key developments that kept him at the cutting edge - the changes in his tastes; the changes in his thinking. Just like a Peel show, Goodnight and Good Riddance is warm, informative and insightful, and wears its enthusiasm proudly.

    Part chronicle of an extraordinary life and part spiritual and philosophical discourse, The Tao of Wu is a nonfiction Siddhartha for the hip-hop generation-an engaging, seeking book that will enlighten, entertain, and inspire.The legions of Wu-Tang fans are accustomed to this heady mix-their obsession with the band's puzzlelike lyrics and elaborate mythology has propelled the group through fifteen years of dazzling, multiplatform success. In his 2005 bestseller The Wu-Tang Manual, the RZA provided the barest glimpse of how that mythology worked. In The Tao of Wu, he takes us deep inside the complex sense of wisdom and spirituality that has been at the core of his commercial and creative success.The book is built around major moments in the RZA's life when he was faced with a dramatic turning point, either bad (a potential prison sentence) or good (a record deal that could pull his family out of poverty), and the lessons he took from each experience. His points of view are always surprising and provocative, and reveal a profound, genuine, and abiding wisdom-consistently tempered with humor and peppered with unique, colloquial phraseology. It is a spiritual memoir as the world has never seen before, and will never see again.

    It tells the story of six personalities – songwriter and guitarist Pete Townshend, bassist John Entwistle, drummer Keith Moon and singer Roger Daltrey, plus their original managers Kit Lambert and Chris Stamp.Here are the band’s origins within the steamy nightlife of London, their meteoric rise to fame, the laughter and the pathos, the craziness of the world they inhabited, the drugs, the destruction, the vandalism, the debts – and, of course, the music. In short, every element that makes up the fascinating, shocking and hilarious story of the Who.Before I Get Old is essential reading, an exhaustive study of an exhausting band who always lived up to their legend.

    Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women's movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support."The Riot Grrrl Collection" reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and '90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.Lisa Darms is senior archivist at the Fales Library & Special Collections at New York University, where she has created the Fales Riot Grrrl Collection.Johanna Fateman is a writer, musician, record producer, and member of the post-punk band Le Tigre. She, along with Kathleen Hanna and several other key Riot Grrrls, recently donated her zines and early writings to the Fales.

    Intimate, never-before-seen photographs and personal stories from the infamous 1969 'Let It Bleed Tour' that culminated in the concert at Altamont and the end of the innocence of rock and roll.

    An old film reel where the spools are weathered and worn, leaving empty frames on the screen.' In the final years of the last millennium, Carl Barat and Pete Doherty forged a deep musical bond, formed The Libertines and set sail for Arcadia in the good ship Albion; a decade later, Carl would emerge from his second band, the Dirty Pretty Things, after one of the most significant -- and turbulent -- rock 'n' roll trajectories of recent times. Threepenny Memoir navigates the choppy waters of memory, and gives an inside look at life in the eye of the storm, chronicling how a pair of romantics armed with little more than poetry and a punk attitude inspired adoration in millions worldwide -- and proceeded to tear apart everything they had. With unflinching honesty but real warmth, Carl -- who has recently performed with The Libertines for the first time since 2004, and released a solo album -- looks back at the creative highs and the drug-addled lows of life with both bands, as well as giving an intimate account of the people and places that have informed his songwriting. From Camden bedsits, impromptu gigs and minesweeping drinks in the Dublin Castle to Japanese groupies, benders in Moscow and chatting to Slash, Threepenny Memoir charts a fantastic course through recent musical history. And, in the aftermath, Carl reflects on the pressures -- both external and self-inflicted -- that led to each band's demise, and on the challenges and rewards that life as a solo artist now holds.