P. Lovecraft's "Pickman's model" - was nominated for a World Fantasy Award, while "Proboscis" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child seeks vengeance within a bed's hollow box spring. A lucid dreamer is haunted by an impossible house. A dummy reveals its own anatomy in 20 simple steps. A stuttering librarian holds the key to a mill town's unspeakable secrets. A commuter's worldview is shattered by two words printed on a cardboard sign. An aspiring ventriloquist spends a little too much time looking at himself in a mirror. And a presence speaks through them all. Contents: Introduction by Matt Cardin The Mindfulness of Horror Practice Murmurs of a Voice Foreknown The Indoor Swamp Origami Dreams 20 Simple Steps to Ventriloquism Infusorium Organ Void The Secret of VentriloquismEscape to Thin Mountain

    Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    The Barren, windswept interior of the Antarctic plateau was lifeless--or so the expedition from Miskatonic University thought. Then they found the strange fossils of unheard-of creatures...and the carved stones tens of millions of years old...and, finally, the mind-blasting terror of the City of the Old Ones. Three additional strange tales, written as only H.P. Lovecraft can write, are also included in this macabre collection of the strange and the weird.Table of Contents:At the Mountains of Madness • [Cthulhu Mythos] • (1936) • novel by H. P. Lovecraft The Dreams in the Witch-House • [Cthulhu Mythos] • (1933) • novelette by H. P. Lovecraft The Shunned House • (1928) • novelette by H. P. Lovecraft The Statement of Randolph Carter • [Randolph Carter] • (1920) • shortstory by H. P. Lovecraft

    Lovecraft's Cthulhu Mythos relate to what will happen after the Old Ones return and take over the earth. In "The Dunwich Horror," the semi-human half-breed Wilbur Whateley speaks in his diary of travelling to nonhuman cities at the Earth's magnetic poles "when the Earth is cleared off," and hints at his own promised "transfiguration." Very few Mythos stories have ever touched on this. What happens when the Stars Are Right, the sunken city of R'lyeh rises from beneath the waves, and Cthulhu is unleashed upon the world for the last time? What happens when the other Old Ones, long since banished from our universe, break through and descent from the stars? What would the reign of Cthulhu be like, on a totally transformed planet where mankind is no longer the master?It won't be simply the end of everything. It will be a time of new horrors and of utter strangeness. It will be a time when humans with a "taint" of unearthly blood in their ancestry may come into their own. It will be a time foreseen only by authors with the kind of finely honed imaginative visions as those included in Cthulhu's Reign

    The pale and secretive Lavinia wanders through the woods, Asenath is a precocious teenager with an attitude, and the Ancient Egyptian pharaoh Nitocris has found a new body in distant America. And do you have time to hear a word from our beloved mother Shub-Niggurath?Defiant, destructive, terrifying, and harrowing, the women in She Walks in Shadows are monsters and mothers, heroes and devourers. Observe them in all their glory. Iä! Iä!TABLE OF CONTENTS“Bitter Perfume” Laura Blackwell“Violet is the Color of Your Energy” Nadia Bulkin“Body to Body to Body” Selena Chambers“Magna Mater” Arinn Dembo“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful“Hairwork” Gemma Files“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)“Bring the Moon to Me” Amelia Gorman“Chosen” Lyndsey Holder“Eight Seconds” Pandora Hope“Cthulhu of the Dead Sea” Inkeri Kontro“Turn out the Lights” Penelope Love“The Adventurer’s Wife” Premee Mohamed“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock“The Eye of Juno” Eugenie Mora“Ammutseba Rising” Ann K. Schwader“Cypress God” Rodopi Sisamis“Lavinia’s Wood” Angela Slatter“The Opera Singer” Priya Sridhar“Provenance” Benjanun Sriduangkaew“The Thing in The Cheerleading Squad” Molly Tanzer“Lockbox” E. Catherine Tobler“When She Quickens” Mary Turzillo“Shub-Niggurath’s Witnesses” Valerie Valdes“Queen of a New America” Wendy N. Wagner

    In the case of Thomas Ligotti, the response has invariably been to the effect that he never has any idea what he is going to produce in the future, if anything. Since he began publishing in the early 1980s, this answer has perhaps seemed somewhat disingenuous. Some may have thought that it was an affectation or diversionary tactic. After all, books under his name have since appeared on a somewhat regular, if not exactly prolific, schedule. But as the years went by, it became more and more apparent that Ligotti’s output was at best haphazard. A chapbook here, a slim or full-fledged story collection there, a book of poetry or unclassifiable prose out of nowhere, and then at some point a quasi-academic statement of his philosophical ideas and attitudes. Such a scattered crop of writings is not unheard-of, but for one who toils in the genre of horror, whose practitioners are commonly hard at work on a daily basis, it does seem as paltry as it is directionless. Accordingly, the present volume is another unexpected contribution to Ligotti’s desultory offerings. And no one could be as surprised by its appearance as he was. As anyone knows who has followed his interviews and obsessions as they appear in his fiction, Ligotti must take his literary cues from a lifetime of, let us say, whimsical pathologies. Other authors may suffer writer’s block. In the present case, the reason may be dubbed “existence block,” one that persisted for some ten years. This is less than an ideal development for anyone, but for a word-monger it can spell the end. And yet the end did not arrive. During 2012, it seemed that it might in the form of a sudden collapse and subsequent hospitalization prefigured—one might speculate—by the abdominal crisis suffered by the character Grossvogel in Ligotti’s story “The Shadow, The Darkness.” Yet like the agony endured by the aforementioned figure, the one in question led only to a revitalization of creativity. This revitalization may not be exactly spectacular, but all the same here it is. Throughout Ligotti’s “career” as a horror writer, many of his stories have evolved from physical or emotional crises. And so it was with the surgical trauma that led to the stories in The Spectral Link, an event that is marginally mentioned in the first of these stories, “Metaphysica Morum.” In the second story, “The Small People,” Ligotti returns, although not precisely in the usual fashion, to his fixation with uncanny representations of the so-called human being. Having nearly ceased to exist as he lay on the surgeon’s table, the imposing strangeness of the nature and vicissitudes of this life form once again arose in his imagination. So what project and publications are forthcoming from Thomas Ligotti? As ever, not even he knows.

    Lovecraft. Although "Shadows Over Innsmouth" includes the said novella, the book is a collection of Innsmouth-related stories by a number of later authors and not a single story or novel. You might also consider moving your personal rating and/or review to the appropriate page if you have read only the novella. SEVENTEEN CHILLING STORIES, INCLUDING THE ORIGINAL MASTERPIECE OF HORROR: “THE SHADOW OVER INNSMOUTH” by H. P. LovecraftInspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil. “ONLY THE END OF THE WORLD AGAIN” by Neil Gaiman: The community of Innsmouth performs a blood sacrifice–with shocking, terrifying results.“THE CHURCH IN HIGH STREET” by Ramsey Campbell: In the crypt of a derelict church, a sensible young man meets a bestial, unthinkable fate. “INNSMOUTH GOLD” by David Sutton: An adventurer searches for buried treasure–and discovers a slithering hell on earth.“THE BIG FISH” by Jack Yeovil: A few months after Pearl Harbor, a mobster and his floating casino lie under water, teeming with the stuff of nightmares.AND THIRTEEN MORE TERRIFYING TALES!

    These Things have always been here. They predate you. They will outlast you. This book pays tribute to those Things. For We are the Children of Old Leech...and we love you.

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster