It contains the most extensive collection of Benjamin Franklin's autobiographical writings, much of which was long out-of-print. Also included are some fifty letters written by Franklin that were never published before.

    It is the inside history of America’s inevitable wartime rise as a great power, written in wonderfully readable prose by White House speechwriter and prize-winning playwright Robert Sherwood.

    Puller, Jr.'s memoir is a moving story of a man born into a proud military legacy who struggles to rebuild his world after the Vietnam War has shattered his body and his ideals. Raised in the shadow of his father, Marine General Lewis B. Chesty Puller, a hero of five wars, young Lewis went to Southeast Asia at the height of the Vietnam War and served with distinction as an officer in his father's beloved Corps. But when he tripped a booby-trapped howitzer round, triggering an explosion that would cost him his legs, his career as a soldier ended, and the battle to reclaim his life began.

    Kennan. On his graduation from Princeton in 1925, moved perhaps by the example of his distant cousin George Kennan, who wrote the classic work on Siberia, the younger George prepared to enter the Foreign Service. After a short exposure to diplomacy in Germany and on the Baltic Coast, the young consul felt so inadequate that he was about to resign. His career was salvaged when the State Department registered him as a student of Russian at the University of Berlin, and here he began to acquire his knowledge of and insight into the Russian character which were to serve him so well.It has been Mr. Kennan's destiny to be posted repeatedly at the threshold of crises. His fluency in Russian make him an indispensable member of Ambassador Bullitt's small staff which reopened the American Embassy in Moscow in 1933. He was an observer at Stalin's famous purge trials. He was in Prague when the Germans took over Czechoslovakia. When Hitler declared war on the United States, Mr. Kennan was in Berlin and was interned for six months. He was Harriman's right-hand man in Moscow from 1944 to 1946 during the strenuous war negotiations with the Kremlin. Throughout this long exposure to the agony of Europe, Mr. Kennan was evolving policies for dealing with the Russians and, after the end of the war, the Germans. His Russian policies he defined in a series of farsighted Position Papers, which were sent to the State Department and pigeonholed without comment. These historic papers have been released by the State Department and are published at the end of this volume.When he was recalled to Washington in 1946, Kennan came into his own as a positive force in American foreign policy. President Truman and Secretary Marshall gave him the scope which F.D.R. had denied him. Kennan played a formative part in the development and application of the Marshall Plan. He was sent to Japan to help reform our occupational policy. He drew up a blueprint for the peaceful settlement of Central Europe -- a settlement in which he strongly resisted the rearming of Germany with nuclear weapons.This long and detailed account of twenty-five years of diplomatic history is written with extraordinary eloquence and lucidity. Mr. Kennan's portraits of Stalin, William Bullitt, Alexander Kirk, Harry Hopkins, General Marshall, Ambassador Harriman and Charles Bohlen are superbly drawn. The generous excerpts from his journals reveal his sensitivity to human details and his skill at evoking scenes and incidents from his travels in many lands.Mr. Kennan never loses the overview. Transcending he personal encounters, the specific events and positions, are his clearly articulated principles for the just government of foreign affairs in a world for which, like it or not, we as Americans bear a major responsibility. This makes these memoirs the most important book Mr. Kennan has yet written.

    12 color and 175 black-and-white photos and reproductions.

    Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.

    All readers who have admired Muir’s ruggedly individualistic lifestyle, and those who wish a greater appreciation for the history of environmental preservation in America, will be enthralled and enlightened by this splendid biography.The story follows Muir from his ancestral home in Scotland, through his early years in the harsh Wisconsin wilderness, to his history-making pilgrimage to California.This book, originally published in 1945 and based in large part on Wolfe’s personal interviews with people who knew and worked with Muir, is one that could never be written again. It is, and will remain, the standard Muir biography.

    . . . In a sense he is too good to be true, this man who wrought such mighty deeds within the lifetime of our fathers and grandfathers; in a sense if he had not existed we should have had to create him. --from the introduction by Henry Steele Commager

    alluring cultural world and someone whose life assumed an unbearably dramatic shape.

    Yet, at the time of his death, he had become a serious rival to Franklin Roosevelt for the presidency. In this biography, the first full-scale analysis of Long, this intriguing and incredible man stands wholly revealed and understood.The eminent historian T. Harry Williams has created a work masterly in its scope and detail. This award-winning biography brings fresh life to the sensation-ridden years when Long became a figure of national importance. Huey Long was winner of the Pulitzer Prize and National Book Award.

    in works from 'Our Lady of the Flowers' to 'The Screens', he created a scandalous personal mythology while savaging the conventions of his society. His career was a series of calculated shocks marked by feuds, rootlessness, and the embrace of unpopular causes and outcast peoples. Now this most enigmatic of writers has found his ideal biographer in novelist Edmund White, whose eloquent and often poignant chronicle does justice to the unruly narrative of Genet's life even as it maps the various worlds in which he lived and the perverse landscape of his imagination.

    Her famous Conversations changed women’s sense of how they could think and live; her editorship of the Transcendentalist literary journal The Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimed The Peabody Sisters “discovered” three fascinating women, has done it again: no biography of Fuller has made her ideas so alive or her life so moving.Marshall tells the story of how Fuller, tired of Boston, accepted Horace Greeley’s offer to be the New York Tribune’s front-page columnist. The move unleashed a crusading concern for the urban poor and the plight of prostitutes, and a late-in-life hunger for passionate experience. In Italy as a foreign correspondent, Fuller took a secret lover, a young officer in the Roman Guard; she wrote dispatches on the brutal 1849 Siege of Rome; and she gave birth to a son.Yet, when all three died in a shipwreck off Fire Island shortly after Fuller’s 40th birthday, the sense and passion of her life’s work were eclipsed by tragedy and scandal. Marshall’s inspired account brings an American heroine back to indelible life.

    Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture. She was there when the Cuban Revolution began, and when the Berlin Wall came down; in Vietnam under American bombardment, in wartime Israel, in besieged Sarajevo. She was in New York when artists tried to resist the tug of money—and when many gave in. No writer negotiated as many worlds; no serious writer had as many glamorous lovers. Sontag tells these stories and examines the work upon which her reputation was based. It explores the agonizing insecurity behind the formidable public face: the broken relationships, the struggles with her sexuality, that animated—and undermined—her writing. And it shows her attempts to respond to the cruelties and absurdities of a country that had lost its way, and her conviction that fidelity to high culture was an activism of its own. Utilizing hundreds of interviews conducted from Maui to Stockholm and from London to Sarajevo—and featuring nearly one hundred images—Sontag is the first book based on the writer’s restricted archives, and on access to many people who have never before spoken about Sontag, including Annie Leibovitz. It is a definitive portrait—a great American novel in the form of a biography.

    This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.

    The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."