Enigmatic, aloof, and tough as nails, Autumn hasn't had real friends--or trusted anyone--in years. Even Ivy.But Autumn might not be tough enough. After a drug deal gone wrong, Autumn is beaten, bound, and held hostage. Now, trapped between life and death, she leaves her body, seeking help. No one can sense her presence--except her sister.When Autumn doesn't come home, Ivy just knows she's in trouble. Unable to escape the chilling feeling that something isn't right, Ivy follows a string of clues that bring her closer to rescuing her sister... and closer to danger.Autumn needs Ivy to find her before time runs out. But soon, both sisters realize that finding her also means untangling the secrets that lead to the truth--about where they're hiding Autumn, and what Autumn has been hiding.

    Tell no one, and come alone. If you dare.Hope is sick of everyone treating her like she’s breakable. Sure, she has cystic fibrosis (basically really bad lungs), but she’s tired of being babied by her mom and her overprotective best friend, Ethan, not to mention worrying about paying for her expensive medication and how she’s going to afford college. And she’s bored with life in her run-down New Orleans suburb.When an invitation arrives from a mysterious group that calls itself the Society, Hope jumps at the chance for some excitement. This could be her ticket out. All she has to do is complete a few dares and she might win some real money.But the Society isn’t all it seems . . . and soon Hope finds that playing the game isn’t a choice—it’s a requirement.

    Hours later, his body is found in the conservatory and it’s very clear his death was no accident. With this group of students who are all hiding something, nothing is as it seems, and everyone has a motive for murder. Fans of the CLUE board game and cult classic film will delight in Diana Peterfreund’s modern reimagining of the brand, its characters, and the dark, magnificent old mansion with secrets hidden within its walls.

    Other than that his life is pretty normal. But when Caleb starts experiencing mood swings that are out of the ordinary for even a teenager, his life moves beyond “typical.”Caleb is an Atypical, an individual with enhanced abilities. Which sounds pretty cool except Caleb's ability is extreme empathy—he feels the emotions of everyone around him. Being an empath in high school would be hard enough, but Caleb's life becomes even more complicated when he keeps getting pulled into the emotional orbit of one of his classmates, Adam. Adam's feelings are big and all-consuming, but they fit together with Caleb's feelings in a way that he can't quite understand.Caleb's therapist, Dr. Bright, encourages Caleb to explore this connection by befriending Adam. As he and Adam grow closer, Caleb learns more about his ability, himself, his therapist—who seems to know a lot more than she lets on—and just how dangerous being an Atypical can be."What if the X-Men, instead of becoming superheroes, decided to spend some time in therapy?" (Vox on The Bright Sessions)

    But there's no sympathy for Skye and her family because Luka wasn't a victim; he was a shooter. Jesse Mandal knows all too well that the scars of the past don't heal easily. The shooting cost Jesse his brother and his best friend--Skye. Ripped apart by tragedy, Jesse and Skye can't resist reopening the mysteries of their past. But old wounds hide darker secrets. And the closer Skye and Jesse get to the truth of what happened that day, the closer they get to a new killer.

    The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

    Eleven years later, five come back--with no idea of where they've been.Eleven years ago, six kindergarteners went missing without a trace. After all that time, the people left behind moved on, or tried to.Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max. He doesn't come back. Everyone wants answers. Most of all Max's sister Avery, who needs to find her brother--dead or alive--and isn't buying this whole memory-loss story.

    But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive.

    New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground.When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced.As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks..

    Both Elliott and Catherine feel like outcasts, yet they find an easy friendship with each other. But when Catherine needs him most, Elliott is forced to leave town.Elliott finally returns, but he and Catherine are now different people. He’s a star high school athlete, and she spends all her free time working at her mother’s mysterious bed-and-breakfast. Catherine hasn’t forgiven Elliott for abandoning her, but he’s determined to win back her friendship…and her heart.Just when Catherine is ready to fully trust Elliott, he becomes the prime suspect in a local tragedy. Despite the town’s growing suspicions, Catherine clings to her love for Elliott. But a devastating secret that Catherine has buried could destroy whatever chance of happiness they have left.

    Claire Wang never thought she’d be one of them, until her parents pluck her from her privileged life in Shanghai and enroll her at a high school in California. Suddenly she finds herself living in a stranger’s house, with no one to tell her what to do for the first time in her life. She soon embraces her newfound freedom, especially when the hottest and most eligible parachute, Jay, asks her out.Dani De La Cruz, Claire’s new host sister, couldn’t be less thrilled that her mom rented out a room to Claire. An academic and debate-team star, Dani is determined to earn her way into Yale, even if it means competing with privileged kids who are buying their way to the top. When her debate coach starts working with her privately, Dani’s game plan veers unexpectedly off course.Desperately trying to avoid each other under the same roof, Dani and Claire find themselves on a collision course, intertwining in deeper and more complicated ways, as they grapple with life-altering experiences. Award-winning author Kelly Yang weaves together an unforgettable modern immigrant story about love, trauma, family, corruption, and the power of speaking out.

    I’d never had a crush on anyone. No boys, no girls, not a single person I had ever met. What did that mean? Georgia has never been in love, never kissed anyone, never even had a crush – but as a fanfic-obsessed romantic she’s sure she’ll find her person one day. As she starts university with her best friends, Pip and Jason, in a whole new town far from home, Georgia’s ready to find romance, and with her outgoing roommate on her side and a place in the Shakespeare Society, her ‘teenage dream’ is in sight. But when her romance plan wreaks havoc amongst her friends, Georgia ends up in her own comedy of errors, and she starts to question why love seems so easy for other people but not for her. With new terms thrown at her – asexual, aromantic – Georgia is more uncertain about her feelings than ever. Is she destined to remain loveless? Or has she been looking for the wrong thing all along? This wise, warm and witty story of identity and self-acceptance sees Alice Oseman on towering form as Georgia and her friends discover that true love isn’t limited to romance.

    Deceptive. Dangerous. Darling. Are they labels or a warning? The answer could cost Sera everything.Murder, justice, and revenge were so not a part of the plan when Sera set out on her senior camping trip. After all, hiking through the woods is supposed to be safe and uneventful.Then one morning the group wakes up groggy, confused, and with words scrawled on their wrists: Damaged. Deceptive. Dangerous. Darling. Their supplies? Destroyed. Half their group? Gone. Their chaperone? Unconscious. Worst of all, they find four dolls acting out a murder—dolls dressed just like them.Suddenly it's clear; they're being hunted. And with the only positive word on her wrist, Sera falls under suspicion…

    Walpurga's Eve, Caldella’s Witch Queen lures a boy back to her palace. An innocent life to be sacrificed on the full moon to keep the island city from sinking. Lina Kirk is convinced her brother is going to be taken this year. To save him, she enlists the help of Thomas Lin, the boy she secretly loves, and the only person to ever escape from the palace. But they draw the queen’s attention, and Thomas is chosen as the sacrifice.Queen Eva watched her sister die to save the boy she loved. Now as queen, she won't make the same mistake. She's willing to sacrifice anyone if it means saving herself and her city.When Lina offers herself to the queen in exchange for Thomas’s freedom, the two girls await the full moon together. But Lina is not at all what Eva expected, and the queen is nothing like Lina envisioned. Against their will, they find themselves falling for each other as water floods Caldella’s streets and the dark tide demands its sacrifice.

    A YA novel about a shocking crime, told by a boy who died—and a girl who wants to know why.Who was Todd Mayer, and why don't any of his fellow students at Albright Academy seem to know, or want to say, anything about him?Todd Mayer is dead. Now a ghost, hovering over his body, recently discovered in a snow covered park, naked and frozen. As detectives investigate Todd's homicide, talking to the very people linked to the events leading to his death, Todd replays the choice that led him to his end.Georgia didn't know Todd. But ever since she heard about his death, she can’t stop thinking about him. Maybe because they’re both outcasts at their school, or because they’re both queer. Maybe because the story of Todd people keep telling feels like a lot of fake stories Georgia has heard people tell. Plus Georgia has a feeling she’s seen Todd somewhere before, somewhere he wasn’t supposed to be.