From her bestselling novel, Memoirs of an Ex-Prom Queen, to her brilliant memoir, Drinking the Rain, she has chronicled what it means to defy the expectations of family and society in order to map one's own life. Now, in this unflinching but tender memoir, she explores what it means to do what is expected of a daughter--discovering in the process the unexpected, complicated joys of going home. Told with the grace, clarity, and insight we have come to expect from her, A Good Enough Daughter is the story of Shulman's difficult journey from dependency to alienation to reconciliation, as she returns home to care for her aging parents in the last years of their lives. The intersection of her own memory with family documents discovered in her parents' house provides the structure for this riveting exploration of her life as a daughter.

    Jewish historical fiction

    Until his death in 2005, he taught languages to ghetto kids, heads of industry and movie stars in a matter of days, succeeding even with people who considered themselves hopeless linguists. To those who have been taught by him, he seemed to be a miracle worker with a magical gift for unlocking the secret powers of the mind.This unique understanding was gained under extreme circumstances. Stateless in Vichy France at the beginning of the Second World War, he was incarcerated and starved in a concentration camp at the foot of the Pyrenees. Forced into slave labour in a coal mine in Provence, he avoided being sent to Auschwitz by hiding within the confines of a deportation camp for six weeks.He escaped death to join the Secret Army of the Resistance. He was arrested and interrogated by Klaus Barbie, Butcher of Lyon, whom he deceived into releasing him, and was later re-arrested by the French Gestapo and tortured. He held out by entering a psychological state in which he no longer registered pain and after six hours of torture, his tormentors threw him into a cell and he survived to re-join the Resistance. After the Allies invaded France he joined the American forces, fought his way into Germany and was with the troops who liberated Dachau. He personally interrogated the camp’s hangman and oversaw his handwritten confession.At the end of the war he became a Nazi-hunter. Working for American Counter Intelligence he posed as a Nazi himself to infiltrate and expose underground networks of SS men dedicated to the return of a Fourth Reich.In spite of the fact that his entire family had been murdered in Auschwitz, and many close friends killed in combat, at the very end of the war he staged an elaborate gala evening in Munich which he called a Reconciliation Concert. Using German musicians, and in defiance of strict Allied non-fraternisation laws, he brought friend and foe together in the belief that there had to be a different and better future.Author Christopher Robbins has dug deep to explore and substantiate the details of the Michel Thomas story. He has authenticated every episode through camp records, Vichy documents, Resistance papers, US Army reports and hundreds of hours of interviews with this extraordinary man. The result is one of the most inspirational stories of the 20th century.

    He devised survival strategies—stamp collecting, watching soccer, and the like—that served as screens to block out the increasingly oppressive world around him. Even before the events of 1938–39, culminating in Kristallnacht, the family was convinced that they must leave the country. Gay describes the bravery and ingenuity of his father in working out this difficult emigration process, the courage of the non-Jewish friends who helped his family during their last bitter months in Germany, and the family’s mounting panic as they witnessed the indifference of other countries to their plight and that of others like themselves. Gay’s account—marked by candor, modesty, and insight—adds an important and curiously neglected perspective to the history of German Jewry.

    Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda.At the outbreak of war in September 1939, Mildred had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI.Spicing her broadcasts with music, Mildred used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were.After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, but was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.Written by Richard Lucas, a freelance writer and lifelong shortwave radio enthusiast, Axis Sally: The American Voice of Nazi Germany is the first thoroughly documented look at this mythologized figure of World War II."

    Why did he leave the West and move to the Soviet Union despite Stalin’s crimes? Why did his astonishing creativity in the 1930s soon dissolve into a far less inspiring output in his later years? The answers can finally be revealed, thanks to Simon Morrison’s unique and unfettered access to the family’s voluminous papers and his ability to reconstruct the tragic, riveting life of the composer’s wife, Lina.Morrison’s portrait of the marriage of Lina and Serge Prokofiev is the story of a remarkable woman who fought for survival in the face of unbearable betrayal and despair and of the irresistibly talented but heartlessly self-absorbed musician she married. Born to a Spanish father and Russian mother in Madrid at the end of the nineteenth century and raised in Brooklyn, Lina fell in love with a rising-star composer—and defied convention to be with him, courting public censure. She devoted her life to Serge and to art, training to be an operatic soprano and following her brilliant husband to Stalin’s Russia. Just as Serge found initial acclaim—before becoming constricted by the harsh doctrine of socialist-realist music—Lina was at first accepted and later scorned, ending her singing career. Serge abandoned her and took up with another woman. Finally, Lina was arrested and shipped off to the gulag in 1948. She would be held in captivity for eight awful years. Meanwhile, Serge found himself the tool of an evil regime to which he was forced to accommodate himself.The contrast between Lina and Serge is one of strength and perseverance versus utter self-absorption, a remarkable human drama that draws on the forces of art, sacrifice, and the struggle against oppression. Readers will never forget the tragic drama of Lina’s life, and never listen to Serge’s music in quite the same way again.www.hmhbooks.com/linaandserge

    Within hours, police had a suspect—a vodka-soaked village bumpkin named Anzor Sharmaidze. A tidy explanation quickly followed: It was a tragic accident. US diplomats hailed Georgia’s swift work, and both countries breathed a sigh of relief. Yet the bullet that killed Woodruff was never found and key witnesses have since retracted their testimony, saying they were beaten and forced to identify Sharmaidze. But if he didn’t do it, who did? Those who don’t buy the official explanation think the answer lies in the spy games that played out on Russia’s frontier following the 1991 collapse of the Soviet Union. Woodruff was an early actor in a dangerous drama. American spies were moving into newborn nations previously dominated by Soviet intelligence. Russia’s security apparatus, resentful and demoralized, was in turmoil, its nominal loyalty to a pro-Western course set by President Boris Yeltsin, shredded by hardline spooks and generals who viewed the Americans as a menace. At the time when Woodruff was stationed there, Georgia was a den of intrigue. It had a big Russian military base and was awash with former and not-so-former Soviet agents. Shortly before Woodruff was shot, veteran CIA officer Aldrich Ames—who would soon be unmasked as a KGB mole—visited him on agency business. In short order, Woodruff would be dead and Ames, in prison for life. Buckle up, because The Spy Who Was Left Behind reveals the full-throttle, little-known thrilling tale.

    Early in 1944, German commander Field Marshal Erwin Rommel took one look at the gentle, sloping sands and announced "They will come here!” He was referring to "Omaha Beach”—the prime American D-Day landing site. The beach was subsequently transformed into three miles of lethal, bunker-protected arcs of fire, with seaside chalets converted into concrete strongpoints, fringed by layers of barbed wire and mines. The Germans called it “the Devil's Garden."When Company A of the US 116th Regiment landed on Omaha Beach in D-Day’s first wave on 6th June 1944, it lost 96% of its effective strength. Sixteen teams of US engineers arriving in the second wave were unable to blow the beach obstacles, as first wave survivors were still sheltering behind them. This was the beginning of the historic day that Landing on the Edge of Eternity narrates hour by hour—rom midnight to midnight—tracking German and American soldiers fighting across the beachhead. Mustered on their troop transport decks at 2am, the American infantry departed in landing craft at 5am. Skimming across high waves, deafened by immense broadsides from supporting battleships and weak from seasickness, they caught sight of land at 6.15. Eleven minutes later, the assault was floundering under intense German fire. Two and a half hours in, General Bradley, commanding the landings aboard USS Augusta, had to decide if to proceed or evacuate. On June 6th there were well over 2,400 casualties on Omaha Beach – easily D-Day’s highest death toll.The Wehrmacht thought they had bludgeoned the Americans into bloody submission, yet by mid-afternoon, the American troops were ashore. Why were the casualties so grim, and how could the Germans have failed? Juxtaposing the American experience—pinned down, swamped by a rising tide, facing young Wehrmacht soldiers fighting desperately for their lives, Kershaw draws on eyewitness accounts, memories, letters, and post-combat reports to expose the true horrors of Omaha Beach.These are stories of humanity, resilience, and dark humor; of comradeship and a gritty patriotism holding beleaguered men together. Landing on the Edge of Eternity is a dramatic historical ride through an amphibious landing that looked as though it might never succeed.

    Dry Tears is a dramatic tale of how an eleven-year-old child learned to pass in the forbidding Christian world and a quietly moving coming-of-age story. This book is uniquecelebration of the best human qualities that surface under the worst conditions.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine, and much more.Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”From the Hardcover edition.