The ensuing scandal caused Houston to resign his office in disgrace, leave Tennessee to live with the Cherokees in Arkansas, and eventually to go to Texas and mold its history.

    Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn't this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into motion a string of misunderstandings that not only threaten to set their community against them but force to the surface the secrets that have made them fear one another. How can a man make peace with the terrors of his past? How can a child regain trust in unconditional love? How can a family stop burying its history and forge a way through it, to a more honest intimacy?

    But in 1954 a local fisherman is found suspiciously drowned, and a Japanese American named Kabuo Miyamoto is charged with his murder. In the course of the ensuing trial, it becomes clear that what is at stake is more than a man's guilt. For on San Pedro, memories of a charmed love affair between a white boy and the Japanese girl who grew up to become Kabuo's wife; memories of land desired, paid for, and lost. Above all, San Piedro is haunted by the memory of what happened to its Japanese residents during World War II, when an entire community was sent into exile while its neighbors watched.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Joseph Mahoney, the last colonial commissioner in the spectacular Kariba Gorge, is there to witness the death throes. Somehow, he must also ease the birth pangs of the new Africa that will take its place. His companions are Samson, his Matabele servant, and Suzie, the girl he loves.But Mahoney and Suzie are drifting apart, and now Samson has been accused of murder. And all too quickly, it seems, the country is heading towrds a bloodbath of revenge.Hold My Hand I'm Dying - a compelling story of freedom, friendship and love in the face of hatred, violence and death.

    

    His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the world-weary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    Kitty Clegg has always accepted the hard work of her job as a kitchen maid at the manor farm. But now, at sixteen, she seizes the chance to go up in the world and become a lady's maid. Handsome Jack Thorndyke has held Kitty's adoring gaze more than once. As he prepares his gleaming threshing engine for its winter work, he finally asks her to be his chosen Harvest Nell when the last of the golden Lincolnshire corn is cut. Carried away by her excitement, Kitty fails to heed the warnings whispered into her ear that Jack is far from the marrying kind. Worse still, his playful charm has attracted another - a young girl far above his station. Will Kitty's dreams be scattered like Chaff upon the wind? Or can she hold on to a very special kind of love: a love which will bring both heartache and joy to the manor in the turbulent decades to come?

    That is, in the eyes of young Lottie and Celia, members of the respectable Holden family who like nothing more than escaping the family home to explore.So when a group of Bohemians move into Arcadia, a grand Art Deco house on the seafront, Lottie and Celia are tempted into their alternative way of living . What ensues at the house has tragic and long-lasting consequences for all.Now almost fifty years on, Arcadia is being renovated, once again arousing strong feelings for the town's veterans. And as the house returns to life, so do the secrets buried within it from all those years ago, prompting the question: can you ever leave your past behind?

    The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since - including his B-movie girlfriend. At the same time the police find Mort in his parked car with four gunshots in his chest - and no kid in sight - Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador. FREE FALL Read by James Daniels (Sandra Burr, Jill Sovis) Elvis Cole is just a detective who can't say no, especially to a girl in a terrible fix. And Jennifer Sheridan qualifies: Her fiance, Mark Thurman, is a decorated LA cop with an elite plainclothes unit, but Jennifer's sure he's in trouble - the kind of serious trouble that only Elvis Cole can help him out of. Five minutes after his new client leaves his office, Elvis and his partner, the enigmatic Joe Pike, are hip-deep in a deadly situation as they plummet into a world of South Central gangs, corrupt cops, and conspiracies of silence. And before the case is through, every cop in the LAPD will be gunning for a pair of escaped armed-and-dangerous killers - Elvis Cole and Joe Pike. LULLABY TOWN Read by James Daniels (Joyce Bean, Russell Byers) Hollywood's newest wunderkind is Peter Alan Nelson, the brilliant, erratic director known as the King of Adventure. His films make billions, but his manners make enemies. What the boy king wants, he gets, and what Nelson wants is for Elvis to comb the country for the airhead wife and infant child the film-school flunkout dumped en route to becoming the third biggest filmmaker in America. It's the kind of case Cole can handle in his sleep - until it turns out to be a nightmare. For when Cole finds Nelson's wife in a small Conneticut town, she's nothing like what he expects. The lady has some unwanted - and very nasty - mob connections, which means Elvis could be opening the East Coast branch of his P.I. office . . .at the bottom of the Hudson River.

    Later, after nailing her interview and accepting her boyfriend's marriage proposal, Dannie goes to sleep knowing she is right on track to achieve her five-year plan. But when she wakes up, she’s suddenly in a different apartment, with a different ring on her finger, and beside a very different man. The television news is on in the background, and she can just make out the scrolling date. It’s the same night—December 15—but 2025, five years in the future. After a very intense, shocking hour, Dannie wakes again, at the brink of midnight, back in 2020. She can’t shake what has happened. It certainly felt much more than merely a dream, but she isn’t the kind of person who believes in visions. That nonsense is only charming coming from free-spirited types, like her lifelong best friend, Bella. Determined to ignore the odd experience, she files it away in the back of her mind. That is, until four-and-a-half years later, when by chance Dannie meets the very same man from her long-ago vision. Brimming with joy and heartbreak, In Five Years is an unforgettable love story that reminds us of the power of loyalty, friendship, and the unpredictable nature of destiny.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    Over one hundred years later, his spirit reaches out to help his troubled great granddaughter. A dramatic three-act tale spanning a century in the life of a vigorous Italian family.

    First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.