The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    Despite being exact opposites of each other, they manage to keep their relationship alive. Unfortunately, things do not go as planned and they develop compatibility issues. In an unexpected turn of events, he comes upon an accident. Though he survives, the faint memory of a striking face with blue eyes flashed right before he collapsed and the accident haunts him forever. Months later, Armaan has a chance to encounter with the same 'Girl with blue eyes' and unknowingly, he is lured into an affair he can't deny! While he makes all the attempts to hide this from Tanisha, things start to get out-of-control as he is now in a dual relationship. As events unfold, he realizes this mysterious 'Girl with blue eyes’ comes with a lot of surprises. Must this 'Girl with Blue eyes' rake up his ordinary world? Deeply seductive and irresistibly compelling, 'The girl with blue eyes’ is an incredible page-turner that keeps the reader hooked.

    His tryst with destiny begins when his father becomes the victim of political violence. He is suddenly the man of the house. In trying to bring together his breaking family, and win back their family home, he experiences life through encounters with some incredible women. Rhea helps inculcate a sense of purpose in his life. Kavya is vivacious, Flirty and sensuous, who makes him bolder. Priya teaches him lessons none else could have, and Ahana is an innocent poet at heart, who makes him shed the garb of the hermit. Till we meet again is a story of a sleepy neighbourhood, which transforms into a modern-day ghetto of gated communities, riding the real estate juggernaut. A story of resilience and determination, it’s a heady cocktail of familial bonds, hope, deceit, vengeance and love.

    The work delightfully bridges the gap between the mundane and arcane writings of today and provides an interesting, yet intellectually stimulating, treat for the discerning reader. New Life is a long story written from the perspective of a successful adult whose mother had deserted the family for another man. The teenage angst and the scars it has left behind on the psyche of the protagonist are subtly reflected in the character. The different elements and characters of the story are beautifully interwoven to produce an intense and compelling story of an adult haunted by the trauma of being deserted by his mother. The work is interspersed with thought-provoking views on issues like love and socio-economic conditions in India. The traditional rhyme and metre dominated poems are on love, loss and longing. Unshackled by the bonds of rhyme and metre, Sabarna s free verses evoke the stark reality of urban life, hitting you straight in the guts. The use of everyday urban imagery adds to the appeal of the compositions. The concrete prison of urban life and the unfulfilled desire to escape to a simple life is aptly brought out in The Tower. The other poems of the collection are more biographical in nature with the protagonist being the member of the fairer sex. The free verses sketch out their life story with its attendant pathos, poignancy and logic. The best part of all the compositions is that the reader will definitely identify with the poet and will, in one form or other, have similar stories to narrate.

    The usual suspects are arrested by the Police until an odd-ball amateur sleuth starts to investigate. Something about the murder does not sit right with him. To start with, the victim – Rupali, a regular housewife living in marital bliss. But is that the truth? Why would someone murder her and why did she meet such a gruesome end? Who, in reality, was she? Introducing Major Bartaman Bhowmick, Southern Command of the Indian Army. Peace-time army life and supportive seniors allow Major Bhowmick to indulge in his hobby and passion – crime detection. His sharp investigative talents are highly valued by his cousin, an ACP in Pune. Robin Chowdhury is a city crime reporter, whose combination of keen intellect, attractive looks and affinity for all things tech, makes her a great sidekick for the Major. This book is as much about Rupali’s astounding story as her murder and Major Bhowmick and Robin’s investigation into the murder with its surprising conclusion. About Author: A finance professional, Mehool has, over time, worked as a management consultant, equity research head and a fund manager. He ran a successful venture capital fund and is currently a private equity investor in growth companies. In between these, he has dabbled in film finance and production and owns a well-known media company. He lives in Mumbai with his family.

    I hope that this book makes everyone feel what I felt while writing it, and that love is a universal thing, and my story is not unique. And I hope that this makes them see that there is a beyond and that they can come out happy and clean. And, that this makes them braver than they already are, and gives them that little extra push and strength that they probably need

    Two strangers, seat 7A and seat 7B, who have nothing in common. Absolutely nothing. Except they are both hoping the seat next to theirs remains empty. It doesn't. Mid-flight turbulence and infant incontinence forces them to interact—the cool wall Street guy and the mom-with-the-drool-stained-sweater-and-ordinary-aspirations. Blistering wit, opposing views, and some unexpectedly poignant admissions keep them addictive engaged and hopelessly sleep deprived through the fifteen-hour journey. Touch down... And they leave the cabin without a backward Glance, jumping right back into their dramatically different lives. Never to meet again. But somehow they continue to travel together—interlocked forever through an inexplicable connectedness. Can one meeting change everything forever? The Japanese have a term for it: ichi-go ichi-e. One time, one encounter, lasts a lifetime.About the AuthorBorn and raised in Kolkata, Sonia has lived and worked in Chennai, Mumbai, Delhi, Jakarta, Miami, Brussels, Johannesburg, and Singapore. With home being everywhere and nowhere, her belief in the power of the moment became a religion. An affirmation that unexpected and undeniable human connections are everything. Meanwhile, on the work front, she spent a huge chunk of her life, her days, and sleepless nights, in advertising—writing ads for all things from coffee and cars to condoms and candy—while dreaming of morphing 30-second commercials to full-length feature films. Not surprisingly, she threw caution, and her full-time job as creative director, to the winds and embarked on a riveting rejection-filled screenwriting journey in the US. Finally her day job entails writing movies! In a recent, delightful plot twist, her debut novel, The Spectacular Miss, was optioned by a leading Bollywood studio and she was commissioned to write the screenplay. Sonia writes and re-writes in Singapore where she lives with her menagerie: gorgeous itinerant daughter, honorary proofreader husband, and her made-for-the-movies golden retriever, Ari Gold.

    As I crossed over to the other side of forty, I found myself constantly wondering, "Is this it? Is it all there is for me? All those sacrifices that I made as a woman, have they really been worth it?" I was constantly dealing with self-created issues of love, vulnerabilities, and self-worth. On one such day, as I sat under a beautiful, half-naked maple tree, I found myself in the middle of a stark contradiction between the ethereal beauty of nature surrounding my body and the dark shadows of emotions surrounding my mind. As I tried to make peace between the two, my eyes fell on a fallen autumn leaf. There, it lay… Quivering yet unafraid  completely devoid of any shame It let the earth embrace its pain ‘cause in healing, there is no shame. When I turned the leaf over I found my face smiling back at me And just like that on that autumn day I found a piece of my broken me.
And from that day, I began collecting my broken pieces. ‘Unsaid’ is a collection of these broken pieces in the form of poetry & prose. I offer this book as a memoir of my learnings and realizations with the hope that these thoughts will speak to you in the same way they spoke to me. And however sketchy or incomplete these learnings may be, I offer them with complete humility and gratitude.  We live our lives thinking that all that we are doing will one day be worth it. Well, that one day is today. Has it been worth it?

    

    Bhola, the bear, escapes to the jungle from the brutalities of his human owner to lead a happy and satiated life.On the night of Bali’s welcome party, Bali saves Raja, the tiger, from the bullets of a poacher.The other animals are impressed and request him to go back to the city and help Rani, the tigress, to escape from the City Zoo. Wild World is a whacky and hilarious tale of a runaway langur and an ever hungry bear who join paws to save the jungle from becoming a human colony.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    Neha has put at stake her own self to support her family. When they meet, it’s like they are the missing pieces of each other’s life-puzzles.With time, their children Riya and Raghu complete their happiness. Raghu is a specially-abled child and thinks his father is a superhero. But one fateful day, Raghu goes missing.The quest for Raghu takes Nikhil on an unexpected journey through the sea of his emotions, and into his past. When he finally locates Raghu, he has to choose between life and death to be united to his son.Will he prove himself to be a superhero for his son? Or will history repeat itself to rob him of his loved ones?This thrilling tale of determination and love shows the depths to which a parent will go for A Love So Special.

    The first trip involved the last rites of her grandmother. The second involved a wedding, thankfully, but she returned home to her mother's funeral. She has never forgiven her mother for leaving her alone in a house full of men. Is there anyone at home she can share her deepest thoughts with? Anyone who can lend an ear to her endless relationship issues, manic obsessions and simple aspirations? Who's got the time? Kittu might live in a full house, but sometimes, she feels like she's all alone in the world. A House Full of Men is a novel about false starts and failed attempts, love and the importance of being understood.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.