From its dawn in the 1660s to its twilight in the 1960s, Cliveden was an emblem of elite misbehaviour and intrigue. Conceived by the Duke of Buckingham as a retreat for his scandalous affair with Anna-Maria, Countess of Shrewsbury, the house later served as the backdrop for the Profumo Affair, which would bring down a government and change the course of British history.In the three hundred years between the Countess and Christine Keeler, the house was occupied by a dynasty of remarkable women: Elizabeth Villiers, an intellectual who brokered the rise and fall of governments; Augusta of Saxe-Gotha, a minor German royal who almost became queen of England; Harriet Duchess of Sutherland, the glittering society hostess turned political campaigner; and Nancy Astor, the consummate controversialist who became the first woman to take a seat in parliament. Under the direction of these women, Cliveden provided a stage for political plots and artistic premieres, hosted grieving monarchs and republican radicals, was idealised as a family home, and maligned as a threat to national security.The Mistresses of Cliveden is by turns a historical epic, a political thriller, a family drama, and an intimate history of the relationships between people and place. Above all, it is a story about sex and power, and the ways in which exceptional women have evaded, exploited, and confronted the expectations of their times.

    In prose that is, at once, both clear-eyed and full of acerbic wit, Sanghera shows how our past is everywhere: from how we live to how we think, from the foundation of the NHS to the nature of our racism, from our distrust of intellectuals in public life to the exceptionalism that imbued the campaign for Brexit and the government's early response to the Covid crisis. And yet empire is a subject, weirdly hidden from view.The British Empire ran for centuries and covered vast swathes of the world. It is, as Sanghera reveals, fundamental to understanding Britain. However, even among those who celebrate the empire there seems to be a desire not to look at it too closely - not to include the subject in our school history books, not to emphasize it too much in our favourite museums.At a time of great division, when we are arguing about what it means to be British, Sanghera's book urges us to address this bewildering contradiction. For, it is only by stepping back and seeing where we really come from, that we can begin to understand who we are, and what unites us.

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    Julia Dunstan knew she was more fortunate than most widows, not merely because she was prosperous—as widows go—but because she had always taken an interest in other people. And from the moment Julia moves to Goatstock, where she has inherited a house, there are plenty of people for her to take an interest in. For a start, there’s cousin Dora, who might just as easily been left the house herself and who instead becomes Julia’s companion.Then there’s Lady Finch, the local expert on Fresh Food and the victim of a deception so dastardly that even her attractive but irreverent niece, Harriet, is indignant. This distracts Harriet for a while from the rather thankless task of planning the futures of her friends, Marian and Robert. And all are concerned with news that the village will be made into a “New Town”. However the old values, at least those of Elizabeth Fair’s fiction, remain: wit, charm, and romance.Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.“Where she breaks with the Thirkell school is in her total absence of sentimentality and her detached and witty observation of her characters.”--The Sphere“Miss Fair makes writing look very easy, and that is the measure of her creative ability.”--Compton Mackenzie

    He shows that the conventional exclusion of Central and Eastern Europe has led to serious shortcomings in our understanding of the most crucial episodes of European history, namely the Second World War. The essays collected in this volume confront prevalent distortions and prejudices; taken together, they also form a meditation on the art of history writing itself.From the classical origins of the idea of Europe to the division between East and West during the Cold War; from the Jewish and Islamic strands in European history to the expansion of Europe to other continents; from the misunderstood Allied victory in 1945 to Britain's place in Europe; from reflections on the use and abuse of history to personal recollections on learning languages - this companion volume to the bestselling Europe looks at European history from a variety of unusual and entertaining angles in an equally erudite and accessible way.

    Interspersed with these stories from Jennifer's post-midwife career are the histories of her patients, from the family divided by a decision nobody could bear to make, to the mother who comes to her son's adopted country and joins his family without being able to speak a word of English.

    When he first arrived, he fell for the Island’s heathered headlands and golden coves, its winding lanes and sweeping tides, its background hum of Frenchness. But now he strikes a dissonant note.Sitting on an outcrop stewing after a row with his wife, schoolteacher Colin spots one of his pupils near the edge of a cliff. Worried that the boy may have intended to jump, he drives him home, hoping that his gloomy imagination was playing tricks. But when the boy fails to turn up to school the next day,Colin feels duty-bound to track him down, pitting him against the Island establishment who would rather there was a little less noise around this particular absence.A web of characters is spun around this mystery, each with his or her own secrets. In Jersey, where everyone knows everyone else’s business, you must become your own island.

    Then, suddenly, a force field surrounds the town, through which no-one can pass, and the population is completely cut off from the outside world by an unknown force.

    Red Notice by Bill Browder | A 15-minute Summary & Analysis PLEASE NOTE: This is an unofficial summary and analysis of the book and NOT the original book. Inside this Instaread Summary & Analysis of Red Notice Summary of entire book Introduction to the Important People in the book Key Takeaways and Analysis of Key Takeaways Analysis of the Themes and Author’s Style

    That, of course, is a matter of opinion. And there are other layers to the story.With a combination of novelistic flair and historical accuracy, Kate Williams begins by relating the heartbreaking story of Princess Charlotte, the Queen who never was, and her impact on the young Victoria. Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head.In the late eighteenth century, monarchies were in crisis across Europe. Discontented with their mad King, George III, and his spendthrift offspring, the English pinned their hopes on the only legitimate grandchild: Princess Charlotte, daughter of George, Prince of Wales. But Charlotte died at the age of twenty-two, a few hours after giving birth to a stillborn son. A grieving nation immediately began venerating her as someone who would have made an ideal Queen while Charlotte's rackety uncles embarked on a race to produce the next heir.No one thought that little Victoria, daughter of the Duke of Kent, would ascend the throne. She, in turn, became increasingly determined to take control of her own destiny, and clashed constantly not only with her hugely ambitious mother but with her protégé and household comptroller, the Irish adventurer, John Conroy. After she became Queen, ministers, even her beloved Prince Albert, still attempted to steal power away from her.Revealing how Charlotte's death shaped Victoria's reign and laying bare the passions that swirled around the throne, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

    A fast-moving story of the great Viking army. Leif Ormson is a Skald, a story-teller, renowned for his witty tales. His brother, Sigurd is a black-smith, making knives, scythes and horse-shoes. And magnificent weapons of war. But one day, Ivar the Boneless, son of Ragnar Lothbrok, commands the brothers to make him a great sword. And he demands that they accompany his army to England. Leif and Sigurd are thrown into a maelstrom of war and violence. The great Viking army blazes across England, murdering, plundering, killing kings and setting up puppet-rulers in their place. Until now the Vikings had come only to raid and plunder. Now they have come to conquer. Leif and Sigurd face an agonising choice. Do they seek to return to their familiar lives? Or do they stay in England and embrace this uncertain new world of war, wealth and glory? From the author of Land of Blood and Water, The Lost King series and A Love Most Dangerous.,

    A selection of confused teenagers. A play doomed for disaster. A distinctly below average teacher. Being a successful teacher is difficult, especially when you are not overly keen on doing any actual work.Still, the narrator of Thrift is undeterred as he lies and cheats his way through the Christmas term, hoping that he can save his career, and perhaps even earn himself a thoroughly undeserved promotion.

    His quiet, thoughtful exterior hides a complex mind, and a fierce determination to see justice done. Like many of us, sometimes he has to look his demons in the eye, to keep fighting the good fight.This digital box set contains the fifth, sixth, and seventh mysteries in this best-selling series:The Case of the Missing Letter: The priceless Satterthwaite Desk has found its way to the island of Jersey and is on display at the local museum. When a dead body turns up on the museum’s grounds, a turbulent family drama becomes an official police inquiry. Detective Inspector Graham, along with his recently lauded investigative team, must untangle the mystery. But the trail of scandal and deceit soon spills out of the museum, and leads into the darkest corners of the island and beyond.The Case of the Pretty Lady: When a devastating hurricane surges toward the quiet island of Jersey, Detective Inspector Graham quickly finds his life turned upside down. In the wake of the storm, the body of a missing scientist washes ashore. A crime this diabolical takes teamwork to solve, and the Inspector enlists the aid of his three loyal and beloved officers. But are four heads really better than one?The Case of the Forsaken Child: Plagued by devastating memories, Detective Inspector David Graham can’t seem to escape the shadow of anger and guilt clouding his heart. When an undercover cop confides in Graham that her cover is blown, he uncharacteristically underreacts. Soon afterward, when she is killed in a hit-and-run, Graham's feelings of guilt bubble to the surface. If only he had done more…Grab a hot cup of tea and dive into this boxed set quintessentially British mystery series today.

    I shall always be grateful for her protection . . .'Millions have fallen in love with Jennifer Worth and her experiences in the East End as chronicled in Call the Midwife but little is known about her life outside this period. Now, in this moving and evocative memoir, Jennifer's sister, Christine, takes us from their early idyllic years to the cruelty and neglect they suffered after their parents divorced, from Jennifer being forced to leave home at fourteen to their training as nurses.After leaving nursing Jennifer took up a career in music, her first love, and Christine became a sculptor, but through marriages and children, joy and heartbreak, their lives remained intertwined. Absorbing and emotional, The Midwife's Sister is testimony to an enduring bond between two extraordinary women.

    Yet just a hundred years ago is was the ancestral pile of the Fitzwilliams - an aristocratic clan whose home and life were fuelled by coal mining. Black Diamonds tells of the Fitzwilliams' spectacular decline: of inheritance fights; rumours of a changeling and of lunacy; philandering earls; illicit love; war heroism; a tragic connection to the Kennedys; violent death; mining poverty and squalor; and a class war that literally ripped apart the local landscape. The demise of Wentworth and the Fitzwilliams is a riveting account of aristocratic decline and fall, set in the grandest house in England.