Yes, the twelve gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London townhouse--and none too happy about it. And they've had to get day jobs: Artemis as a dog-walker, Apollo as a TV psychic, Aphrodite as a phone sex operator, Dionysus as a DJ.Even more disturbingly, their powers are waning, and even turning mortals into trees--a favorite pastime of Apollo's--is sapping their vital reserves of strength.Soon, what begins as a minor squabble between Aphrodite and Apollo escalates into an epic battle of wills. Two perplexed humans, Alice and Neil, who are caught in the crossfire, must fear not only for their own lives, but for the survival of humankind. Nothing less than a true act of heroism is needed-but can these two decidedly ordinary people replicate the feats of the mythical heroes and save the world?

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    A masterful, mesmerizing modern tale about worlds dangerously colliding, the monsters that are unleashed when reason recedes, and a beautiful testament to the power of love and humanity in chaotic times. Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement--enchanting, both very funny and terrifying. It is narrated by our descendants 1000 years hence, looking back on "The War of the Worlds" that began with "the time of the strangenesses": a simple gardener begins to levitate; a baby is born with the unnerving ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth (as well as some graphic superheroes). Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learned to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semi-magical great-great--etc.--grandchildren--a motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights--or, to be precise, two years, eight months and twenty-eight nights.

    It pulls him away from his wife and children and into a bewildering mystery.He arrives at his parents house and discovers that they have a visitor. His sister Tara. Not so unusual you might think, this is Christmas after all, a time when families get together. But twenty years ago Tara took a walk into the woods and never came back and as the years have gone by with no word from her the family have, unspoken, assumed that she was dead. Now she's back, tired, dirty, disheveled, but happy and full of stories about twenty years spent traveling the world, an epic odyssey taken on a whim.But her stories don't quite hang together and once she has cleaned herself up and got some sleep it becomes apparent that the intervening years have been very kind to Tara. She really does look no different from the young woman who walked out the door twenty years ago. Peter's parents are just delighted to have their little girl back, but Peter and his best friend Richie, Tara's one time boyfriend, are not so sure. Tara seems happy enough but there is something about her. A haunted, otherworldly quality. Some would say it's as if she's off with the fairies. And as the months go by Peter begins to suspect that the woods around their homes are not finished with Tara and his family...

    Which is why it’s so unnerving that she’s arrived at middle age with nothing to show for her hard work and dedication but a stack of unpaid bills and an inherited brick home in Vineland, New Jersey, that is literally falling apart. The magazine where she worked has folded, and the college where her husband had tenure has closed. The dilapidated house is also home to her ailing and cantankerous Greek father-in-law and her two grown children: her stubborn, free-spirited daughter, Tig, and her dutiful debt-ridden, ivy educated son, Zeke, who has arrived with his unplanned baby in the wake of a life-shattering development.In an act of desperation, Willa begins to investigate the history of her home, hoping that the local historical preservation society might take an interest and provide funding for its direly needed repairs. Through her research into Vineland’s past and its creation as a Utopian community, she discovers a kindred spirit from the 1880s, Thatcher Greenwood.A science teacher with a lifelong passion for honest investigation, Thatcher finds himself under siege in his community for telling the truth: his employer forbids him to speak of the exciting new theory recently published by Charles Darwin. Thatcher’s friendships with a brilliant woman scientist and a renegade newspaper editor draw him into a vendetta with the town’s most powerful men. At home, his new wife and status-conscious mother-in-law bristle at the risk of scandal, and dismiss his financial worries and the news that their elegant house is structurally unsound.Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred—whether family or friends—and in the strength of the human spirit.

    Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.

    It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they and she will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link. Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently--and the secret of that voice is one of the book's most intriguing mysteries.

    In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed "Hansel" and "Gretel." They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called "witch" by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy's haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children."Lyrical, haunting, unforgettable." --Kirkus Reviews"No reader who picks up this inspiring novel will put it down until the final pages, in which redemption is not a fairy tale ending but a heartening message of hope." --Publishers Weekly

    Here, on Alexanderplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

    Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    No one can find any trace of her.With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an “all-American boy.” But far away from all he’s ever known, Daniel struggles to reconcile his new life with his mother’s disappearance and the memories of the family and community he left behind.Set in New York and China, The Leavers is a vivid and moving examination of borders and belonging. It’s the story of how one boy comes into his own when everything he’s loved has been taken away--and how a mother learns to live with the mistakes of her past.This powerful debut is the winner of the 2016 PEN/Bellwether Prize for fiction, awarded by Barbara Kingsolver for a novel that addresses issues of social justice.

    Weeks later she arrives on her cousin's doorstep in Berkeley, CA, dazed by first love found then lost, and pregnant. This was not the plan. But amid the uncertainty of new motherhood and her American identity, Soli learns that when you have just one precious possession, you guard it with your life. For Soli, motherhood becomes her dwelling and the boy at her breast her hearth. Kavya Reddy has always followed her heart, much to her parents' chagrin. A mostly contented chef at a UC Berkeley sorority house, the unexpected desire to have a child descends like a cyclone in Kavya's mid-thirties. When she can't get pregnant, this desire will test her marriage, it will test her sanity, and it will set Kavya and her husband, Rishi, on a collision course with Soli, when she is detained and her infant son comes under Kavya's care. As Kavya learns to be a mother - the singing, story-telling, inventor-of-the-universe kind of mother she fantasized about being - she builds her love on a fault line, her heart wrapped around someone else's child. Lucky Boy is an emotional journey that will leave you certain of the redemptive beauty of this world. There are no bad guys in this story, no obvious hero. From rural Oaxaca to Berkeley's Gourmet Ghetto to the dreamscapes of Silicon valley, author Shanthi Sekaran has taken real life and applied it to fiction; the results are moving and revelatory.

    This combination of slave memoir, fantasy, and historical fiction is a novel of rich literary complexity. Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she’s been given...

    Destined to sit alongside other classic immigrant novels, The House of Broken Angels is a sprawling and epic family saga helmed by patriarch Big Angel. The novel gathers together the entire De La Cruz clan, as they meet for the final birthday party Big Angel is throwing for himself, at home in San Diego, as he nears the end of his struggle with cancer and reflects on his long and full life.But when Big Angel's mother, Mama America, approaching one hundred, dies herself as the party nears, he must plan her funeral as well. There will be two family affairs in one weekend: a farewell double-header. Among the attendants is his half-brother and namesake, Little Angel, who comes face to face with the siblings with whom he shared a father but not, as the weekend proceeds to remind him, a life. This story of the De La Cruzes is the story of what it means to be a Mexican in America, to have lived two lives across one border. It is a tale of the ravaging power of death to shore up the bits of life you have forgotten, whether by choice or not. Above all, this finely wrought portrait of a deeply complex family and the America they have come to call home is Urrea at his purest and best. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels cements his reputation as a storyteller of the first rank.