A group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaulate whom they love and what matters most. The unlikely cast of characters include: a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a young flame-thrower of an essayist, originally from the Carolinas; and a movie star, The Actor, whose arrival upsets the equilibrium of this chosen family. In a remarkable literary feat, Gary Shteyngart has documented through fiction the emotional toll of our recent times: a story of love and friendship that reads like a great Russian novel set in upstate New York. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller, Super Sad True Love Story.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    Sexually voracious and dangerously self-absorbed, Anita Stern competes with the teenage Maddy over everything--achievements, looks, even men. With Maddy's affair with the seductive Geraldo, the threatened loss of control over the Santa Fe art gallery Anita has built up, and Maddy's planned departure for college, their home becomes a battleground that explodes into violence--and death.This is Judith Rossner's tenth novel and the first, since "Looking for Mr. Goodbar, " in which she has dealt with those forces in "ordinary" people that are so dark as to lead them to murder. Smart, desperately funny and shockingly real, "Perfidia" is simply impossible to put down.

    At the center of this affluent suburban universe is Emily Vidal, a smart and snarky teenager, who gets involved in a suspect relationship with one of the adults after witnessing a suicide in her neighborhood.  Among the cast of unforgettable characters is Emily’s father, whose fiftieth birthday party has the adults descending upon the Vidal’s patio; her mother, who has orchestrated the elaborate party even though she and her husband are getting a divorce; and an assortment of eccentric neighbors, high school teachers, and teenagers who teem with anxiety and sexuality and an unbridled desire to be noticed, and ultimately loved. An irresistible chronicle of a modern young woman’s struggle to grow up, The Adults lays bare—in perfect pitch—a world where an adult and a child can so dangerously be mistaken for the same exact thing.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    Samuel "Sooley" Sooleymon is a raw, young talent with big hoop dreams...and even bigger challenges off the court.In the summer of his seventeenth year, Sam­uel Sooleymon gets the chance of a lifetime: a trip to the United States with his South Sudanese teammates to play in a showcase basket­ball tournament. He has never been away from home, nor has he ever been on an airplane. The opportunity to be scouted by dozens of college coaches is a dream come true. Samuel is an amazing athlete, with speed, quick­ness, and an astonishing vertical leap. The rest of his game, though, needs work, and the American coaches are less than impressed. During the tournament, Samuel receives dev­astating news from home: A civil war is raging across South Sudan, and rebel troops have ran­sacked his village. His father is dead, his sister is missing, and his mother and two younger brothers are in a refugee camp. Samuel desperately wants to go home, but it's just not possible. Partly out of sympathy, the coach of North Carolina Central offers him a scholar­ship. Samuel moves to Durham, enrolls in classes, joins the team, and prepares to sit out his freshman season. There is plenty of more mature talent and he isn't immediately needed. But Samuel has something no other player has: a fierce determination to succeed so he can bring his family to America. He works tirelessly on his game, shooting baskets every morning at dawn by himself in the gym, and soon he's dominating everyone in practice. With the Central team los­ing and suffering injury after injury, Sooley, as he is nicknamed, is called off the bench. And the legend begins. But how far can Sooley take his team? And will success allow him to save his family? Gripping and moving, Sooley showcases John Grisham's unparalleled storytelling powers in a whole new light. This is Grisham at the top of his game.

    Moving from post-World War I America through the early 1950s, Some Luck gives us an intimate look at this family's triumphs and tragedies, zooming in on the realities of farm life, while casting-as the children grow up and scatter to New York, California, and everywhere in between-a panoramic eye on the monumental changes that marked the first half of the twentieth century. Rich with humor and wisdom, twists and surprises, Some Luck takes us through deeply emotional cycles of births and deaths, passions, and betrayals, displaying Smiley's dazzling virtuosity, compassion, and understanding of human nature and the nature of history, never discounting the role of fate and chance. This potent conjuring of many lives across generations is a stunning tour de force.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    But what the Habsburg court hails as the greatest innovation of the century is really nothing more than a brilliant illusion. The chess machine is secretly operated from inside by the Italian dwarf Tibor, a God-fearing social outcast whose chess-playing abilities and diminutive size make him the perfect accomplice in this grand hoax.Von Kempelen and his helpers tour his remarkable invention all around Europe to amaze and entertain the public, but despite many valiant attempts and close calls, no one is able to beat the extraordinary chess machine. The crowds all across Europe adore the Turk, and the success of Baron von Kempelen seems assured. But when a beautiful and seductive countess dies under mysterious circumstances in the presence of the automaton, the Mechanical Turk falls under a cloud of suspicion, and the machine and his inventor become the target of espionage, persecution, and aristocratic intrigue.

    The characters in Then We Came To The End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work."

    Hazel Hunnicutt's Used World Emporium is a sprawling antique store that is "the station at the end of the line for objects that sometimes appeared tricked into visiting there." Hazel, the proprietor, is in her sixties, and it's a toss-up as to whether she's more attached to her mother or her cats. She's also increasingly attached to her two employees: Claudia Modjeski -- freakishly tall, forty-odd years old -- who might finally be undone by the extreme loneliness that's dogged her all of her life; and Rebekah Shook, pushing thirty, still living in her fervently religious father's home, and carrying the child of the man who recently broke her heart. The three women struggle -- separately and together, through relationships, religion, and work -- to find their place in this world. And it turns out that they are bound to each other not only by the past but also by the future, as not one but two babies enter their lives, turning their formerly used world brand-new again. Astonishing for what it reveals about the human capacity for both grace and mischief, The Used World forms a loose trilogy with Kimmel's two previous novels, The Solace of Leaving Early and Something Rising (Light and Swift). This is a book about all of America by way of a single midwestern town called Jonah, and the actual breathing histories going on as Indiana's stark landscape is transformed by dying small-town centers and proliferating big-box stores and SUVs. It's about generations of deception, anguish, and love, and the idiosyncratic ways spirituality plays out in individual lives. By turns wise and hilarious, tender and fierce, heartrending and inspiring, The Used World charts the many meanings of the place we call home.

    With only a short time left to live, he spends his last days preparing to say goodbye to his devoted wife, Lizzie, and their three children. Then, unthinkably, tragedy strikes again: Lizzie is killed in a car accident. With no one able to care for them, the children are separated from each other and sent to live with family members around the country. Just when all seems lost, Jack begins to recover in a miraculous turn of events. He rises from what should have been his deathbed, determined to bring his fractured family back together. Struggling to rebuild their lives after Lizzie's death, he reunites everyone at Lizzie's childhood home on the oceanfront in South Carolina. And there, over one unforgettable summer, Jack will begin to learn to love again, and he and his children will learn how to become a family once more.

    From Carnegie Hall to the smoky jazz clubs of London, Body & Soul burns with passion and truth--at once a riveting, compulsive read and a breathtaking glimpse into a boy's heart and an artist's soul.

    They ask him if he's okay. But he doesn't know. He doesn't know the answer to any of their questions - not even his name. Isabel takes him to the hospital she works at, but when the tests show there's nothing physically wrong, she realises she can't walk away. She promised River that they would help this man, but with no way to identify him, Isabel worries about what secrets his memory loss might be hiding. Can they trust him? ? Virginia Macgregor, 2018 (p) Oakhill, 2019