See the books that made APJ Abdul Kalam

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    This is a literary album of a pre-Internet world, focused on physical elements — all of which are tools for either violence or sustenance. Knives, old iron gates, antique houses in flames; Biblical citations, blood and a history of the American bed: the unsettling, half-perceived images, and their precise but alien manipulation by a master of the language will stay with readers. Its themes are familiar — violence, betrayal, failure — its depiction of these utterly original and hauntingly beautiful.

    Now the video of that performance has been forwarded to mothers and daughters (and fathers and sons) all over the world. Originally written in 2007, "B" is a thank you note, a love letter, a wish, a promise, a confession, and a secret. With beautiful illustrations by Sophia Janowitz, "B" is finally available in this whimsical, magical book.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Bram Stoker wrote Dracula over the course of a decade, researching historical figures and compiling notes from scattered diary entries. What was supposed to be a work of fiction holds far more truth than he realized. Dr. Jane Langford is investigating a murder-suicide unlike anything she's ever encountered before. Sleepy Boise, Idaho, is a haven to an evil that has passed unnoticed down through the centuries.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    The Longest Night combines strikingly poignant quotations, powerfully emotive poetry and captivating silhouette imagery to form a mournful lover's journal that explores a side of love that is deep, dark and hauntingly beautiful.Each of the book's elements are skilfully woven together to reveal fragments of thoughts and feelings that seem almost to belong to the reader as years of painful longing are condensed into the context of a single night.The journal begins with 'Sunset', in which poems convey the initial feelings of shock and loss first felt when a relationship with a loved one ends. As the poetry descends into an emotional downward spiral, the book progresses into its next chapter, 'Darkness', in which emptiness, jealousy, sorrow and despair are passionately portrayed.The concluding chapter, 'First Light', sees the gradual dawning of a new outlook. The final poems express a gratitude for what once was, an acceptance of what now is, and come to the uplifting conclusion that even though a relationship can be fated to end tragically, the memories gained and lessons learned from it are, in their own way, treasured gifts that will last a lifetime.A book for anyone who has found themselves separated from someone they love no matter the circumstance, The Longest Night is a companion for the broken heart on the painful emotional journey that is losing someone you love from your life. Its words serve as a comforting reminder, whether you are travelling this road or have recently completed this journey yourself, that despite the loneliness you may sometimes feel along the way none of us walk this path alone.

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    Lansdale whips up yet another batch of stories to amaze, surprise, and entertain you.His new offering covers a lot of territory, producing what may be his best short story collection yet.One tale concerns an East Texas mule race in the early 1900s that proves to be an unexpected turning point and learning experience for the main character, a lifelong loser. It also chronicles the unusual circumstances of the race, which include a friendship between a rare white mule that can run like the wind, and his friend, a loyal, spotted pig.Another tale drops us into the disturbed mind of a mass murderer and his friendship with the shadows.Two others stories reintroduce us to the supernatural adventures of Reverend Rains, the flawed hero from Lansdale's cult favorite novel, Dead in the West. Here ghouls prowl and werewolves howl.There's a poetic collaboration with Melissa Mia Hall about the nature of loneliness and loss that echoes back to science fiction stories of an earlier time, as well as a famous, award winning novella reprinted here for the first time in several years about a clutch of unusual crime solvers.Read about a world where the dead almost rule, and venture into an alternate universe that is the background for perhaps the strangest tale of all, an adventure concerning an earnest and horny steam shovel named Bill, and his challenge to do the right thing at all costs.It's the usual wild and crowd pleasing display of what has become a subgenre of modern literature as only Joe R. Lansdale can present it: Tales Lansdalien.Welcome to his world.

    The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between. One of the most celebrated poets and performers of the last two decades, Andrea Gibson's trademark honesty and vulnerability are on full display in You Better Be Lightning, welcoming and inviting readers to be just as they are.

    Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.

    Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson’s standing as “one of poetry’s mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality” (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.

    In his newly discovered poems and song lyrics, we see the world through his eyes. The poetry reveals his depth of understanding, both of the world around him and within - his frailties and his strengths alike. He pens verses in his hallmark voice, reflecting upon love, pain, freedom, fame and mortality.Illustrated with facsimile reproductions of Cash's own handwritten pages, Forever Words is a remarkable new addition to the canon of one of America's heroes. His music is a part of our collective history, but here he demonstrates the depth of his talent as a writer.Edited and with an introduction by Paul Muldoon, as well as a preface by John Carter Cash, this is a book sure to delight and surprise fans the world over.

    She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.