a gripping read from start to end' Daily Mail 'Brilliant. Vine has the kind of near-Victorian narrative drive ... that compels a reader to go on turning the pages' Sunday Times In the long hot summer of 1976, a group of young people are camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there or how they are to live; they scavenge, steal and sell the family heirlooms. In short, they exist. Ten years later, the bodies of a woman and child are discovered in the Hall's animal cemetery. Which woman? Whose child? 'I defy anyone to guess the conclusion ... the clues are cunningly planted, so that it seems one should have known all along. A most satisfying end' Daily Telegraph 'Nimbly written with all the Dickensian values of vivid characterization, fine prose style and a cunningly devised plot that shifts and twists and keeps you on the edge of your chair' Val Hennessy, Daily Mail A Fatal Inversion is a modern classic of the crime genre. If you enjoy the novels of P.D. James, Ian Rankin and Scott Turow, you will love this book. Barbara Vine is the pen-name of Ruth Rendell. She has written fifteen novels using this pseudonym, including A Fatal Inversion and King Solomon's Carpet which both won the Crime Writers' Association Gold Dagger Award. Her other books include: A Dark Adapted Eye; The House of Stairs; Gallowglass; Asta's Book; No Night Is Too Long; In the Time of His Prosperity; The Brimstone Wedding; The Chimney Sweeper's Boy; Grasshopper; The Blood Doctor; The Minotaur; The Birthday Present and The Child's Child.

    But when the four prosecution witnesses are a barrister, a popular actor, an aristocrat, and the youngest partner in an established firm's history, who is going to believe his side of the story?Danny is sentenced to twenty-two years and sent to Belmarsh prison, the highest-security jail in the land, from where no inmate has ever escaped.However, Spencer Craig, Lawrence Davenport, Gerald Payne, and Toby Mortimer all underestimate Danny's determination to seek revenge, and Beth's relentless quest to pursue justice, which ends up with all four fighting for their lives.Thus begins Jeffrey Archer's most powerful novel since Kane and Abel, with a cast of characters that will remain with you long after you've turned the last page.And if that is not enough, prepare for an ending that will shock even the most ardent of Archer's fans.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    Another member is currently in prison for the crime. We have reason to suspect that they are innocent, and that there were far darker secrets that have yet to be revealed.We believe that the killer has given themselves away. It's there in writing, hidden in the emails, texts, and letters. In the events surrounding the charity appeal for little Poppy Reswick, and the question of whether that money was truly being used to fund her life-saving cancer treatment. Will you accept the challenge? Can you uncover the truth? Do you dare?

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    She's also looking forward to seeing her mentor, Marjorie Ainsworth, who will be hosting a party on her estate to celebrate her latest book. Marjorie is the grand dame of mystery writing. But a routine business trip becomes murderous business--when Jessica discovers Marjorie stabbed to death in her own bedroom.Librarian's note: the first five books in the Jessica Fletcher / Donald Bain "Murder She Wrote" series are #1, Gin & Daggers, 1989 with a 2nd edition in 2000; #2, Manhattans & Murder, 1994; #3, Rum & Razors, 1995; #4, Brandy & Bullets, 1995; and #5, Martinis & Mayhem, 1995.

    One girl’s survival, and the other’s death—murder, actually—stun the citizens of a small Minnesota town, thawing memories of another young woman who lost her life in the same river ten years earlier, and whose killer may yet live among them. One father is forced to relive his agony while another’s greatest desire—to bring a killer to justice—is revitalized . . . and the girl who survived the icy plunge cannot escape the sense that she is connected to that earlier unsolved case by more than a river. Soon enough she’s caught up in an investigation of her own that will unearth long-hidden secrets, and stoke the violence that has long simmered just below the surface of the town. Souls frozen in time, ghosts and demons, the accused and the guilty, all stir to life in this cold northern place where memories, like treachery, run just beneath the ice, and where a young woman can come home but still not be safe.Brilliantly plotted, unrelentingly suspenseful, and beautifully realized, The Current is a gripping page-turner about how the past holds the key to the future as well as an unbreakable grip on the present.

    A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous.For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake.Now not only are the police after Henry, but his past—which he has painstakingly kept hidden—threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens.Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

    After a local bookscout is killed on his turf, Janeway would like nothing better than to rearrange the suspect's spine. But the suspect, local lowlife Jackie Newton, is a master at eluding the law, and Janeway's wrathful brand of off-duty justice costs him his badge. Turning to his lifelong passion, Janeway opens a small bookshop -- all the while searching for evidence to put Newton away. But when prized volumes in a highly sought-after collection begin to appear, so do dead bodies. Now, Janeway's life is about to start a precarious new chapter as he attempts to find out who's dealing death along with vintage Chandlers and Twains. Includes information on John Dunning's new Cliff Janeway novel, The Bookman's Promise, coming soon in hardcover from Scribner