A war of words soon spirals into a forbidden and passionate love that covers many years.But as the years move on, troubled waters lie ahead.

    She’s a rising star at her Chicago tech start up. She’s well liked, she’s funny, she’s smart, she’s pretty. But despite all this, for some strange reason, Amy’s had an absolutely awful love life. It couldn’t possibly be Amy’s fault… right? Enter Josephine Taft, rich and successful tech investor, swooping in to save Amy’s company from financial ruin. In addition to being wealthy and accomplished, Josephine is also a total fox and Amy can’t help but swoon over her. No pressure here. As our quirky heroine maneuvers through this stylized romantic comedy, often butting heads with a whimsical cast of characters, she’ll have to look within to both save her company and get the girl. Will Amy be able to rein in her eccentricities and prove to Josephine that she’s worth the investment?

    Sebastian, a close friend and head of the entertainment section, encourages him to write his memoirs. As Sebastian enthusiastically devours the pages written by the music critic, the reader is dragged into Agustin's amorous world, his multiple affairs with Virginia Tuten, the violinist whose exotic Caribbean fire almost burned his marriage to the ground, with the pianist Clint Verret, who was not the only man in his life, with Clarissa Berdsley, a diaphanous horn player... Every musician with whom he became involved touched a new chord in him. And when he conquered a new musician, he got more than their bodies--he believed he had their deep purple, that inner melody that all of us strive to achieve.

    Advice on conflict resolution and genuine intimacy. The author doesnt forget to include treatments on couple crises, ruptures, and the mourning of heartbreak as a previous step to be prepared to fall in love again.

    In What We Lost, a story that startles in its immediacy and lack of sentimentality, Dale Peck refracts his father's past through the prism of his own vivid imagination, forging a bridge between generations and revealing the dark secrets at the heart of family.

    One of those people being Jess, her best friend who she'd completely lost contact with. Though she never stopped thinking of her, she could never bring herself to reach out after the shame of what she'd done to her. Gina didn't even want to come back to her hometown in fear of running into Jess, but she had to take care of her mother who is ill with cancer.But fate and a kitten brings them together again, meeting for the first time in years. The connection is clearly still there between them, but will Jess be able to forgive Gina in her time of need? As the change in seasons brings color to the autumn leaves, will it also bring a drastic change in both of their lives? In this heartwarming, steamy novella Edie Bryant takes the reader on an emotional rollercoaster toward happily ever after.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    What happens when four friends set upon a quest to find the perfect mate? Now in their late thirties they all know about bad luck in matters of the heart but instead of giving up they're getting out.What's love without trials and tribulations for these friends looking to live happily ever after?Date Night Club is a dark romantic comedy about the pitfalls of dating in your thirties...

    At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor.The book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special Rudolph the Red-Nosed Reindeer, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, Castle Faggot transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”

    This was published as a Clarkesworld audiobook podcast in 2020.

    Very quickly the Castro government suppressed his writing and persecuted him for his homosexuality until he was finally imprisoned.

    The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium. A Gothic tale of destabilized male-female binaries and subverted literary tropes, this is the book's first English publication.

    A disfigured, jaded young actor narrates the story of a seductive and monstrous film director who has convened his international cast and crew in Colombia, where a serial killer is on the loose. The making of his film of vast, if vague, ambition, brings together a group of people whose implosive relationship - fired by narcissism, sex, alcohol and drugs - are fiercely dissected by the narrator against an ominous backdrop of cultural dissolution, social anarchy and political violence.

    They shout out to him: 'good luck, and don't get slurped up!'. It's about to get even weirder at the castle where there is a battle of wills going on between the mysterious Count and what he terms, the 'blood-sucking b*tches!' in the village, led by the infamous van High-Heelsing. But who will prevail on the runway? As each kween sashays towards the jugular, the reader is taken on a journey to the ultimate lip sync for your life finale.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.