- The Financial TimesA powerful and moving chronicle of the different ways in which members of a small Trinidadian community, Bonasse, hold on to their identity as they find themselves caught up in change and corruption. Bolo is a champion stick fighter, tall, good looking, and the fastest, strongest, and bravest of al the young men in Bonasse. When time and time again he sees his people humiliated by American troops, his instincts as a leader prevail. But the stand he makes takes on bizarre and tragic forms. Introduction by Marjorie Thorpe.

    Its narrator tells the story of her own wicked life as the mistress of rich and powerful men.

     The weather was unseasonably sultry, and the air in Dr Milton (Tubby) Forrester's lecture-arena lay as inert and stale as the cadavers in the grim old anatomical laboratory adjoining. But if the atmosphere of the dingy little theatre was not refreshingly tonic it was emotionally tense. Whatever it lacked in sweetness it made up in stress; for Anatomy, under the brilliant but irascible Forrester, was reputed to be the stiffest course in the entire four-year curriculum.

    Grange Copeland is a black tenant farmer who is forced to leave his land and family in search of a better future. He heads North but discovers that the racism and poverty he experienced in the South are, in fact, everywhere. When he returns to Georgia years later he finds that his son Brownfield has been imprisoned for the murder of his wife. But hope comes in the form of the third generation as the guardian of the couple's youngest daughter, Grange Copeland, who glimpses a chance of both spiritual and social freedom.

    None is wealthier or more generous a benefactor than Harry Watkin Jones. His daughter Sali is about to marry her childhood sweetheart, but tragedy follows tragedy and four years later Sali is a penniless outcast, fleeing from a violent husband and struggling to support herself and her son in a world very different from the one in which she has been brought up. Sali finds work in the home of family of colliers. Here she and her son find the warmth and love missing from their lives for so long. But unrest and violence have come to the valleys. Caught up in the conflict, Sali finds herself denying her roots, her class, and even sacrificing her son's future, for the sake of the people she loves and the cause they are prepared to die for...

    For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

    At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    After she is freed by the Union army, she works to reunify her family and embrace her heritage, committing herself to improving the conditions for blacks in America. Through her fascinating characters-including Iola's brother, who fights at the front in a colored regiment-Harper weaves a vibrant and provocative chronicle of the Civil War and its consequences through African American eyes in this critical contribution to the nation's literature.

    Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes.As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright's construction of the criminal mind as intelligent, introspective, and transformative."In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad."

    Armed with nothing but an iron will, he became a man of substance in Ouidah and the founder of a remarkable dynasty. His one remaining ambition is to return to Brazil in triumph, but his friendship with the mad, mercurial king of Dahomey is fraught with danger and threatens his dream.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The stories include: "Lord Savile's Crime"; "The Canterville Ghost"; "The Portrait of Mr W.H."; "The Sphynx Without a Secret"; and "The Model Millionaire".

    Schuyler's satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can't beat them, turn into them.Ishmael Reed, one of today's top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction.The fertile artistic period now known as the Harlem Renaissance (1920- 1930) gave birth to many of the world-renowned masters of black literature and is the model for today's renaissance of black writers.

    Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women's fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period.Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel's literary and historical significance. Collins's published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women's history, community life, and race relations during the era of United States emancipation.

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.