Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    When renowned translator Hanne Schubert falls down a flight of stairs, her injury is an unusual but real condition--the loss of her native language. She is left speaking only Japanese, a language learned later in life. With her personal life at a crossroad, Hanne leaves for Japan. There, the Japanese novelist whose work she translated stunningly confronts her publicly for sabotaging his work. Reeling, Hanne struggles for meaning and seeks out the inspiration for the author's novel--a tortured, chimerical actor, once a master in the art of Noh theater. Through their passionate and intriguing relationship, Hanne begins to understand the masks she has worn in her life, just as the actor dons the masks that have made him a legend of Noh. The demons from her past and present begin to unfold and Hanne sets out to make amends in this searing and engrossing novel.