Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the world's museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks: the truth about how they hope to be viewed by the world, and how they wish to see themselves. In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artist's innermost sense of self -- as well as the curious ways in which they may imitate our behaviour in real life. Drawing on art, literature, history, philosophy and biography to examine the creative process in an entirely fresh way, Cumming offers a riveting insight into the intimate truths and elaborate fictions of self-portraiture and the lives of those who practise it. A work of remarkable depth, scope and power, this is a book for anyone who has ever wondered about the strange dichotomy between the innermost self and the self we choose to present for posterity -- our face to the world.

    As the Cold War reached Thailand, America had a choice: Should it, as Thompson believed, help other nations build democracies from their traditional cultures or, as his ex-OSS friend Willis Bird argued, remake the world through deception and self-serving alliances? In a story rich with insights and intrigue, this book explores a key Cold War episode that is still playing out today.Highlights a pivotal moment in Cold War history that set a course for American foreign policy that is still being followed todayExplores the dynamics that put Thailand at the center of the Cold War and the fighting in neighboring Laos that escalated from sideshow to the largest covert operation America had ever engaged inDraws on personal recollections and includes atmospheric details that bring the people, events—and the Thailand of the time—to lifeWritten by a journalist with extensive experience in Asian affairs who has spent years investigating every aspect of this story, including Thompson's tragic disappearance