However, that doesn’t last long. With Brian’s constant demands for more than what she is willing to give, Savannah finds herself in a familiar place of loneliness. Finally, she calls it quits, but Brian isn’t willing to say it’s over unless it’s on his terms. Roxie’s dislike for Brian grows even stronger once she gets a hold of some confidential information. She’s determined more than ever to destroy her best friend’s man. Get ready for round two of this gritty tale of obsession in, My Bestfriend's Man 2.

    Their seafront business is failing with the loss of Genie’s grandmother and her legendary ice cream flavours. Genie is determined to be the one to save her family’s heritage, but suddenly her mother wants to sell to developers and leave their shared history behind.Buying the business and taking on a sixty-eight year old business partner, Ada, with a mysterious past and a gorgeous but distracting grandson, Genie sets out to prove her parents wrong.Ada’s grandson, Cal, wants to protect his gran from ‘pensioner persuader’, Genie, but soon realises that living in a little seaside town and away from the paparazzi in Hollywood can actually give him time to heal. Hiding in a seafront business with its fiery owner and working as kitchen staff, is the only way he can think of to keep his ex-Hollywood glamour-puss, gran from harm. But his meddling might also ruin Ada's second chance at love. Hiring a private detective and learning about Genie’s parent’s past makes Cal regret his own impulsiveness. The information he has unearthed could destroy their blossoming romance and turn Genie’s world upside down.Genie soon discovers that friends can become enemies and your closest family can have lied to you for your whole life.

     In Sarah's Valley, Patrick Smithson meets Frank Lawdry. Frank, who prefers his Abenaki name, Winnipesaukee, spends the night recalling his life story. He and his sister, Sarah, were left orphans when everyone on a wagon train died in a horrific tragedy. It was their story of survival. Return to Sarah's Valley continues where Sarah's Valley leaves off. Now an old man in his nineties, Patrick meets Michael Lawdry, one of Winnipesaukee's descendants, and tells him how two Lawdry men influenced his life. This is a story of life during the Great Depression, struggles and heartache, but also the deep love that a man has for one woman.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

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    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times