But he’s been waiting too. And once he has her, he’ll never let her go…Hannah has done everything to make sure her life is safe and secure. A long way from her unstable childhood growing up in foster care, she’s content with her sweet, little, messy apartment and her satisfying job as a social worker. She quietly worries that, aged 36, she might never fall in love. But otherwise her life is where she wants it to be.Until, encouraged by her best friend to join a dating app, she meets Alex. He’s irresistibly handsome. He loves the same music as her. The same food as well. They both dream of travelling the world but agree they’d be equally happy escaping to a cottage by the beach in Devon. Both of them would love to own a Labrador one day. It’s like he’s made for her. It’s like he’s too good to be true.Hannah’s friends aren’t so sure about him. But Hannah thinks he’s perfect.Which is good. Because Alex knows she’s perfect for him too. In fact, she’s exactly the girl he’s been looking for…And nothing Hannah’s done to make her life safe will ever be enough.A gripping and suspenseful psychological thriller about dark obsession and internet dating. Fans of The Wife Between Us, Friend Request and Gone Girl will adore this unputdownable twisted love story.

    "there are so many words I've left unsaidso instead of going another year or five or tenin brutal, crushing silencedon't waste this opportunitydon't be scared when the full weight of my hearttests the strength of your handsI'm trusting you with something I barely trust myself withthis knowingthis tellingthis momentous uprootingI'm hereI amI am right here in these words"A debut poetry collection about love, heartbreak, body image, how absolutely breathtaking girls are, flower blooms and starlight.

    They shared in each other's joy during graduations, promotions, and engagements. They consoled one another through heartache and loss.When one of the friend's life is tragically cut short, it's up to the two left behind to pick up the pieces and find out the truth - no matter the cost. As they slowly start to uncover the nature of his deception, and the very powerful people behind it, they begin to question everyone and everything, even themselves.Everyone has secrets - some do it for love while others do it for power. Those secrets can change perceptions, alter reality and sometimes destroy lives.What do you do when you find out your whole life has been a lie?

    His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.

    She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right.Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? "It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore." Why do we love libraries? "Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay." What will we tell our granddaughters about our collective failure to address global warming? "So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat."Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, "Joy," and, "Find Your Beach," Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith.

    She has lived in six different cities and held countless meaningless jobs since graduating college. On the heels of leaving yet another city, Hannah moves back to her hometown of Los Angeles and takes up residence in her best friend Gabby’s guestroom. Shortly after getting back to town, Hannah goes out to a bar one night with Gabby and meets up with her high school boyfriend, Ethan.Just after midnight, Gabby asks Hannah if she’s ready to go. A moment later, Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan?In concurrent storylines, Hannah lives out the effects of each decision. Quickly, these parallel universes develop into radically different stories with large-scale consequences for Hannah, as well as the people around her. As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? How much in our life is determined by chance? And perhaps, most compellingly: Is there such a thing as a soul mate?Hannah believes there is. And, in both worlds, she believes she’s found him.

    This might explain why she fell for a no good womanizer like Jason James. When their short painful marriage comes to a heartbreaking end, Delia must find the courage to start her life again. A new successful career as a high school teacher and a passionate summer romance with sexy Chase Donovan finally make her feel like she’s more than just a nobody. But her world is shattered once again when Chase turns out to be one of her students.

    Divided into two parts, “Side A” holds 92 poems, titled as “tracks,” and “Side B” holds the “remixes,” or blackout-poetry versions, of  those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook’s viral Instagram poem, Sorry I Haven’t Texted You Back lands in the crossroads of self-help and poetry.

    This opposites-attract love story is perfect for fans of Huntley Fitzpatrick, Stephanie Perkins, and Jenny Han.  June wants high school to end and real life to begin. Oliver is soaking up senior year’s glory days. They could have coasted through high school, knowing about—but not really knowing—each other.   Except that their moms have arranged for Oliver to drive June to school. Every. Single. Day.   Suddenly these two opposites are fighting about music, life . . . pretty much everything. But love is unpredictable. When promises—and hearts—get broken, Oliver and June must figure out what really matters. And then fight for it.

    For Kate, the only way to survive her pain is escaping into the world of books and Parisian art. Until she meets Vincent.Mysterious, charming, and devastatingly handsome, Vincent threatens to melt the ice around Kate's guarded heart with just his smile. As she begins to fall in love with Vincent, Kate discovers that he's a revenant--an undead being whose fate forces him to sacrifice himself over and over again to save the lives of others. Vincent and those like him are bound in a centuries-old war against a group of evil revenants who exist only to murder and betray. Kate soon realizes that if she follows her heart, she may never be safe again.

    In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.Kirsten Hubbard lends her artistry to this ultimate backpacker novel, weaving her drawings into the text. Her career as a travel writer and her experiences as a real-life vagabond backpacking Central America are deeply seeded in this inspiring story.

    Their goals justify all means, even when it comes to their own agents.Sin is the Agency's most efficient killer. His fighting skills and talent at assassination have led to him being described as a living weapon. However, he is also known to go off on unauthorized killing sprees, and his assigned partners have all wound up dead.Boyd is not afraid to die. When his mother, a high-ranking Agency official, volunteers him to be Sin's newest partner, he does not refuse. In fact, his life has been such an endless cycle of apathy and despair that he'd welcome death.In the newly revised Director's Cut of Evenfall, the first volume follows these two cast-offs as they go from strangers to partners who can only rely on each other while avoiding death, imprisonment, and dehumanization by the Agency that employs them.120,000 words.Warnings: Explicit violence, physical and psychological abuse.Note: This is the first of the two volumes comprising Evenfall, the first book in the ICoS series.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    Working dead-end jobs and living at home has left him exhausted and uninspired, with little energy to pursue his passion for graphic art. Until he meets Gemma Blackburn, a vivacious out-of-towner from New Zealand. What begins as a one-night stand soon becomes a turning point for Josh. He can't get Gemma out of his head, even after she has left for home, and finds himself throwing caution to the wind for the first time in his life.It's not long before Josh is headed to New Zealand with only a backpack, some cash, and Gemma's name to go on. But when he finally tracks her down, he finds his adventure is only just beginning. Equally infatuated, Gemma leads him on a whirlwind tour across the beautiful country, opening Josh up to life, lust, love, and all the messy heartache in between. Because, when love drags you somewhere, it might never let go even when you know you have to say goodbye.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.