When her home life becomes unbearable, Marissa seeks comfort elsewhere--and suddenly neither her best friend or boyfriend can get through to her. What Can't Wait tells the story of one girl's survival in a world in which family trumps individual success and independence, and self-reliance the only key that can unlock the door to the future.

    Rickie left home a long time ago-so how is it that at the age of twenty-five, she's living with her parents again, and sleeping in the bedroom of her childhood home? At least one thing has changed since high school: She now has a very sweet but frequently challenging son named Noah, who attends the same tony private LA school she herself attended. Rickie fit in fine when she was a student, but now her age and tattoos make her stand out from all the blond Stepford moms, who are desperate to know why someone so young-and so unmarried-has a kid in first grade. Already on the defensive, Rickie goes into full mother-tigress mode when her small and unathletic son tells her that the gym teacher is out to get him. She storms the principal's office, only to discover that Andrew Fulton, the coach, is no dumb jock. As her friendship with Andrew develops, Rickie finds herself questioning her assumptions-about motherhood, being a grown-up, and falling in love.

    The Rockwell women are nothing if not . . . Well, it’s complicated. When the sisters—Esme, Liv, and Ru—were young, their eccentric mother, Augusta, silenced all talk of their absent father with the wild story that he was an international spy, always away on top-secret missions. But the consequences of such an unconventional upbringing are neither small nor subtle: Esme is navigating a failing marriage while trying to keep her precocious fifteen-year-old daughter from live-tweeting every detail. Liv finds herself in between relationships and rehabs, and Ru has run away from enough people and problems to earn her frequent flier miles. So when a hurricane hits the family home on the Jersey Shore, the Rockwells reunite to assess the damage—only to discover that the storm has unearthed a long-buried box. In a candid moment, Augusta reveals a startling secret that will blow the sisters’ concept of family to smithereens—and send them on an adventure to reconnect with a lost past . . . and one another.Praise for All of Us and Everything“Engaging . . . [a] lively comic novel about stormy women and the spy (and other sexy types) who loved them.”—People (“The Best New Books”) “Similar to Nick Hornby’s A Long Way Down, [All of Us and Everything] rewards readers with an engrossing plot rich in witty and frank dark humor. . . . Readers will linger on the story’s web of connections. . . . Thoughtful and provoking.”—Booklist “[Bridget] Asher’s newest title spotlights her unique voice plus an affinity for quirky, wounded characters that are both realistic and likable. . . . The subtle theme [is] how changing our stories can change us. An entertaining yet astute look at family, self, story, and connections.”—Kirkus Reviews “Charming, original, and impeccably written, All of Us and Everything is a spirited romp through the lives of an unusual family of women—three adult sisters, their mother, one teenage daughter, and their longtime housekeeper—and the men who love them, amuse them, pursue them, and lose them. When I wasn’t laughing out loud or eagerly turning pages to see what happened next, I was marveling at Bridget Asher’s ability to tell a highly entertaining, fully engaging, and deeply insightful story.”—Cathi Hanauer, New York Times bestselling author of Gone “While many writers strive to create a single memorable character, Bridget Asher, seemingly with the flick of her wrist, brings forth four amazing, unique, altogether brilliant characters in All of Us and Everything. The Rockwell siblings, Esme, Liv, and Ru, as well as their fascinating mother, Augusta, won me over completely, and their story twists and turns in such fascinating, hilarious, and heartfelt ways that it left me in awe of Asher’s abilities.”—Kevin Wilson, New York Times bestselling author of The Family Fang “Bridget Asher’s fascinating, eccentric characters are such good company that I finished All of Us and Everything in one sitting. This is a compelling, funny, moving story about an irresistible family.”—Leah Stewart, author of The New Neighbor

    The compelling and heart-rending new novel from the Sunday Times Top Ten bestselling author of Behind Closed Doors.Jenna and Jack Moore have moved their family to Wales for a fresh start. For vivacious, happy-go-lucky fifteen-year-old Paige the future is full of promise.But suddenly everything changes. Paige becomes more and more withdrawn. The closeness she once shared with her mother a distant memory.It then becomes clear that Jack has secrets too. Preoccupied with her younger children, her husband’s fidelity and their fledgling publishing company, Jenna doesn’t realise the extent of her eldest daughter’s unhappiness until the unthinkable happens.And the nightmare is only just beginning…

    She has a loving husband of ten years, Tom, two daughters, and twin boys. Her parents are just down the road. Her three sisters are nearby. Perfect—some might even say she is living the American Dream. But beneath the shiny veneer, Mary hasn’t taken a calm breath in years. She lives in a constant state of panic, afraid that the secret she’s kept hidden for so long will be revealed, that it will shatter the life she’s worked so hard to build. When Mary’s handsome and addictively charismatic ex-boyfriend Landon James reappears during his high profile Senate campaign, she feels the truth bubbling to the surface and knows she’s powerless to stop it. Mary has spent years trying to forget him, and now he’s on every TV she sees. A conditional Catholic, Mary bargains with God, negotiating deals that will keep her happy life undisturbed for another day. She prays for strength and confesses her sins—anything that might let her sleep at night under the weight of the guilt she carries from lying to her husband and family for the entirety of her marriage.When Tom learns what Mary’s been hiding, what once seemed unfathomable—a deep, heartbreaking divide between them—is now their new normal. Can they find a way to rebuild their life together? Is forgiveness possible? Acts of Contrition is a richly drawn story of faith, family loyalty, and forgiveness, even in the face of moral ambiguity, guilt, and shattered trust.

    Under her deceptively revealing title, Alecia McKenzie recreates Jamaica’s enduring traditions in fresh and illuminating ways that make this one of the most avant-garde fictions I have read in a long time."--Curdella Forbes, author of A Tall History of SugarAfter a personal tragedy upends his world, American-born artist Chris travels to his mother’s homeland in the Caribbean hoping to find some peace and tranquility. He plans to spend his time painting in solitude and coming to terms with his recent loss and his fractured relationship with his father. Instead, he discovers a new extended and complicated “family,” with their own startling stories, including a love triangle. The people he meets help him to heal, even as he supports them in unexpected ways, through his art.Told from different points of view, this is a compelling novel about unlikely love, friendship, and community, with several surprises along the way. The story takes place against the backdrop of rural Jamaica, New York City, and Paris, France.

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.

    The American characters here find themselves waiting, hoping, and living in rural Mexico-a land with the power to enchant, repulse, captivate, and change all who pass through it. Named a Best Book of the Year by Publishers Weekly and a Notable Book of the Year by the New York Times.

    THE MOTHS AND OTHER STORIES, Helena Maria Viramontes' stories exploring women's struggles to overcome the dictates of family, culture, and church, is in a new edition. Prejudice and the social and economic status of Chicanos often form the backdrop for these haunting stories, but their central, unifying theme deals with the social and cultural values which shape women's lives and which they struggle against with varying degrees of success.

    Alison McAdams has lost her way. So when she’s summoned to Napa to care for her ailing father, she’s not sure she has anything to offer him—or anyone else.   What Ali finds in Northern California wine country is a gift—an opportunity to rest, and distance from her painful memories. Most unexpectedly, she finds people who aren’t afraid of her grief or desperate for her to hurry up and move on.   As Ali becomes part of her father’s community, makes new friends of her own, and hears the stories of a generation who survived the Second World War, she begins to find hope again. In a quest to discover the truth about another woman’s lost love, she sets off on a journey across oceans and deep into history. And in making sense of that long-ago tragedy, Ali is able to put together the broken pieces of her heart and make new choices that are right for her.

    As her grandmother moves back to Ukraine, her father gets a job at Goldman Sachs, and her mother knits endless scarves, Oksana longs for a Russia that looms large in her imagination but is a country she never really knew.When she visits her grandmother in Yalta and learns about Baba's wartime past and her lost loves, Oksana begins to see just how much alike they are, and comes to a new understanding of how to embrace life and love without causing harm to the people dearest to her--though, will Oksana ever quite learn to behave?

    Candida is not exactly destitute. So, is the move perversity, she wonders, a survival test, or is she punishing herself? How will she adjust to this shabby, menacing, but curiously appealing city? What can happen, at her age, to change her life? In a voice that is pitch-perfect, Candida describes her health club, her social circle, and her attempts at risk-taking in her new life. She begins friendships of sorts with other women-widowed, divorced, never married, women straddled between generations. And then there is a surprise pension-fund windfall . . . A beautifully rendered story, this is Margaret Drabble at her novelistic best.

    While she figures out what to do next, she heads back to Florida to live with her grandmother, Nan. But Katie quickly learns there’s a lot she doesn’t know about Nan—like the fact that in her youth Nan was a mermaid performer in a roadside attraction show, swimming and dancing underwater with a close-knit cast of talented women. Although most of the mermaids have since lost touch, Katie helps Nan search for her old friends on Facebook, sparking hopes for a reunion show. Katie is up for making some fabulous costumes, but first, she has to contend with her crippling fear of water. As Katie’s college love Luca, a documentary filmmaker, enters the fray, Katie struggles to balance her hopes with her anxiety, and begins to realize just how much Bark’s fears are connected to her own, in this thoughtful, charming novel about hope after loss and friendships that span generations.

    Emilia Brown is a woman of a certain age. She has spent a frugal, useful, and wholly restrained life in Ashville, a small town in Rhode Island. Overlooked especially by the industries of fashion and media, Mrs. Brown is one of today’s silent generations of women whose quiet no-frills existences would make them seem invisible. She is a genteel woman who has known her share of personal sorrows and quietly carried on, who makes a modest living cleaning and running errands at the local beauty parlor, who delights in evening chats with her much younger neighbor, twenty-three-year-old Alice Danvers. When the grand dame of Ashville passes away, Mrs. Brown is called upon to inventory her estate and comes across a dress that changes everything. The dress isn’t a Cinderella confection; it’s a simple yet exquisitely tailored Oscar de la Renta sheath and jacket—a suit that Mrs. Brown realizes, with startling clarity, will say everything she has ever wished to convey. She must have it. And so, like the inspired heroine of Paul Gallico’s 1958 classic Mrs. ‘Arris Goes to Paris, Mrs. Brown begins her odyssey to purchase the dress. For not only is the owning of the Oscar de la Renta a must, the intimidating trip to purchase it on Madison Avenue is essential as well. If the dress is to give Mrs. Brown a voice, then she must prepare by making the daunting journey—both to the emerald city and within herself. Timeless, poignant, and appealing, My Mrs. Brown is a novel for every mother in the world, every woman who ever wanted the perfect dress, and every child who wanted to give it to her.

    From the author of Bad Behavior comes a new compilation of clever and cutting-edge stories propelling readers into a world of men and women where the ways of desire are sometimes distasteful and complex.Tiny, smiling daddy --Because they wanted to --Orchid --The blanket --Comfort --The girl on the plane --The dentist --Kiss and tell --The wrong thing Turgor --Respect --Processing --Stuff