In the tradition of It's a Wonderful Life and The Christmas Carol, Tessa starts reliving her life up until that moment. She sees some things she'd rather forget, learns some things about herself she'd rather not know, and ultimately must find the answer to one burning question—if only she knew what the question was. Written in sharp, witty verse, Wendy Mass crafts an extraordinary tale of a spunky heroine who hasn't always made the right choices, but needs to discover what makes life worth living.

    For one, she wasn’t going to stress over the senior project all her peers were dreading—she’d just use the same find-your-roots genealogy idea that her older sister used for hers. Secondly, she’d put all that time spent not worrying about the project toward getting reacquainted with former best friend and longtime crush Kodiak Jones who, conveniently, gets assigned as Cordelia’s partner.All she has to do is mail in her DNA sample, write about her ancestry results and breeze through the rest of senior year. Done, done and done.But when Cordelia’s GeneQuest results reveal that her father is not the man she thought he was but a stranger who lives thousands of miles away, Cordelia realizes she isn’t sure of anything anymore—not the mother who lied, the life she was born into or the girl staring back at her in the mirror.If your life began with a lie, how can you ever be sure of what’s true?

    When Lupita learns Mami has cancer, she is terrified by the possibility of losing her mother, the anchor of her close-knit family. Suddenly, being a high school student, starring in a play, and dealing with friends who don't always understand, become less important than doing whatever she can to save Mami's life. While her father cares for Mami at an out-of-town clinic, Lupita takes charge of her seven younger siblings. As Lupita struggles to keep the family afloat, she takes refuge in the shade of a mesquite tree, where she escapes the chaos at home to write. Forced to face her limitations in the midst of overwhelming changes and losses, Lupita rediscovers her voice and finds healing in the power of words. Told with honest emotion in evocative free verse, Lupita's journey toward hope is captured in moments that are alternately warm and poignant. Under the Mesquite is an empowering story about testing family bonds and the strength of a young woman navigating pain and hardship with surprising resilience.

    Perfect for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo. The story that I thoughtwas my lifedidn’t start on the dayI was born Amal Shahid has always been an artist and a poet. But even in a diverse art school, he’s seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white. The story that I thinkwill be my life starts todaySuddenly, at just sixteen years old, Amal’s bright future is upended: he is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it? With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth, in a system designed to strip him of both.

    They are teenagers, scared, longing to feel alive before they have to face the horrors of battle. Hot jazz music spiced with cool salsa rhythms calls them to dance with the local Mexican American girls, who jitterbug all night before working all day in the canneries. Proud to do their part for the war effort, these Jazz Owl girls are happy to dance with the sailors—until the blazing summer night when racial violence leads to murder. Suddenly the young white sailors are attacking these girls’ brothers and boyfriends. The cool, loose zoot suits they wear are supposedly the reason for the violence—when in reality these boys are viciously beaten and arrested simply because of the color of their skin. In soaring images and powerful poems, this is the breathtaking story of what became known as the Zoot Suit Riots as only Margarita Engle could tell it.

    When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    But not to her. He attacks her brother and sister, but she’s just an invisible witness in a house of horrors, on the brink of disappearing altogether. Until she makes the volleyball team at school. At first just being exhausted after practice feels good, but as Anke becomes part of the team, her confidence builds. When she learns to yell “Mine!” to call a ball, she finds a voice she didn’t know existed. For the first time, Anke is seen and heard. Soon, she’s imagining a day that her voice will be loud enough to rescue everyone at home—including herself.

    Papi has told her the story, even before her family fled to Los Angeles to seek refuge from cartel wars in Mexico. The Aztecs came from a place called Aztlan, what is now the Southwest US, called the land of the cranes. They left Aztlan to establish their great city in the center of the universe-Tenochtitlan, modern-day Mexico City. It was prophesized that their people would one day return to live among the cranes in their promised land. Papi tells Betita that they are cranes that have come home.Then one day, Betita's beloved father is arrested by Immigration Customs Enforcement (ICE) and deported to Mexico. Betita and her pregnant mother are left behind on their own, but soon they too are detained and must learn to survive in a family detention camp outside of Los Angeles. Even in cruel and inhumane conditions, Betita finds heart in her own poetry and in the community she and her mother find in the camp. The voices of her fellow asylum seekers fly above the hatred keeping them caged, but each day threatens to tear them down lower than they ever thought they could be. Will Betita and her family ever be whole again?

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.

    She and her cliquey friends said some thoughtless things to the girl. Hoping that Kana will reflect on her behavior, her parents pack her off to her mother's ancestral home in Japan for the summer. There Kana spends hours under the hot sun tending to her family's mikan orange groves.Kana's mixed heritage makes it hard to fit in at first, especially under the critical eye of her traditional grandmother, who has never accepted Kana's father. But as the summer unfolds, Kana gets to know her relatives, Japan, and village culture, and she begins to process the pain and guilt she feels about the tragedy back home. Then news about a friend sends her world spinning out of orbit all over again.

    Every Body Looking is a debut novel in verse tells the story of Ada--daughter of an immigrant father and an African American mother--and her struggle to find a place for herself in America and in her own family.Every Body Looking is a heavily autobiographical novel of a young woman's struggle to carve a place for herself--for her black female body--in a world of deeply conflicting messages.Told entirely in verse, Ada's story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother's rejection and descent into addiction, and her father's attempts to create a home for his American daughter more like the one he knew in Nigeria.

    But lately, her mother has been acting more withdrawn than usual, leaving Mimi to navigate the tricky world of turning sixteen alone. What she doesn’t expect is her mother’s advice to start journaling—just like all the woman in her family before her. It’s a tradition, she says. Expected. But Mimi takes to poetry and with it, a way to write down the realities of growing into a woman, the pains of online bullying, and the new experiences of having a boyfriend. And all in the shadows of a sexual assault case that is everywhere on the news—a case that seems to specifically rattle her mother. Trying to understand her place in the world, Mimi dives into the uncovered journals of her grandmother, great-grandmother, and beyond. She immerses herself in each of their lives, learns of their painful stories and their beautiful sprits. And as Mimi grows closer to each of these women, she starts to forge her own path. But it isn’t until her mother’s story comes to light that Mimi learns about the unyielding bonds of family and the relentless spirit of womanhood.

    Sometimes people only go off of what they see. Like the Mexican boxer Canelo Álvarez, twelve-year-old Güero is puro mexicano. He feels at home on both sides of the river, speaking Spanish or English. Güero is also a reader, gamer, and musician who runs with a squad of misfits called Los Bobbys. Together, they joke around and talk about their expanding world, which now includes girls. (Don't cross Joanna--she's tough as nails.)Güero faces the start of seventh grade with heart and smarts, his family's traditions, and his trusty accordion. And when life gets tough for this Mexican American border kid, he knows what to do: He writes poetry.Honoring multiple poetic traditions, They Call Me Güero is a classic in the making and the recipient of a Pura Belpré Honor, a Tomás Rivera Mexican American Children's Book Award, a Claudia Lewis Award for Excellence in Poetry, and a Walter Dean Myers Honor.

    Her family is desperately poor, but her life is full of simple pleasures, like raising her black-and-white speckled goat, and having her mother brush her hair by the light of an oil lamp. But when the harsh Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's stepfather says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid working for a wealthy woman in the city. Glad to be able to help, Lakshmi undertakes the long journey to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution. An old woman named Mumtaz rules the brothel with cruelty and cunning. She tells Lakshmi that she is trapped there until she can pay off her family's debt—then cheats Lakshmi of her meager earnings so that she can never leave. Lakshmi's life becomes a nightmare from which she cannot escape. Still, she lives by her mother's words—"Simply to endure is to triumph"—and gradually, she forms friendships with the other girls that enable her to survive in this terrifying new world. Then the day comes when she must make a decision—will she risk everything for a chance to reclaim her life? Written in spare and evocative vignettes, this powerful novel renders a world that is as unimaginable as it is real, and a girl who not only survives but triumphs.

    Her world–and everything she thought she knew about her family–is shattered instantly. Unable to comprehend the lies, betrayal, and secrets that–unbeknownst to Mira–have come to define and keep intact her family’s existence, Mira distances herself from her sister and closest friends as a means of coping. But her father’s sexual orientation isn’t all he's kept hidden. A shocking health scare brings to light his battle with HIV. As Mira struggles to make sense of the many fractures in her family's fabric and redefine her wavering sense of self, she must find a way to reconnect with her dad–while there is still time. Told in raw, exposed free verse, Skyscraping reminds us that there is no one way to be a family.